Gender Stereotypes In King Lear

Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what

All throughout Illyria, there is romance, passion, royalty, and an immense amount of gender stereotypes. William Shakespeare imagines the kingdom of Illyria to have very traditional norms for both women and men in his play Twelfth Night. In Scene 2 of Act 1, Viola, recently rescued from a shipwreck, hears about a duke named Orsino and instantly comes up with a plan to get closer to him. Her plan is to disguise herself as a boy who she will name Cesario and become one of Orsino's’ attendants. Right off the bat, we begin to see gender stereotypes. Why must Viola become a man in order to work for the duke? Elizabethan society “molded women into the form of the dutiful wife and mother” (Elizabethan Women). Viola could not have served duke Orsino as a woman because as a woman she was expected to work at home and be either a “dutiful wife [or a] mother”. Scene two prepares the audience for the idea of gender throughout the rest of the play. Shakespeare's Twelfth Night is very traditional play due to its ideas of gender stereotypes in Elizabethan society.

In Stephen Mays’ essay “What about Gender Roles in Same-sex Relationships?” published in They Say I Say, the author discusses how people often assign gender roles automatically, even with gay and lesbian couples. Mays stresses the concept of femininity and masculinity, and also shows the difference in their roles, supports them with vivid imagery, and gives a rare example of gay male preferences, all while using the correct diction when referring to personal experiences. Although the author reiterates gender roles and their effect on same-sex relationships, he gives clear examples that support the idea of masculine or feminine qualities.

Stereotypes are commonly held generalized beliefs that most or all individuals sharing a given trait also should or do share other attributes assumed to be associated with aspects such as race, religion, and physical attribute. While stereotypes can erroneously shape people’s views of others, they can also influence the stereotyped individuals’ behavior as people often attempt to conform to these flawed images, especially in regards to gender stereotypes. Shakespeare’s great play Othello uses its main characters to embody the characteristics of the stereotypical females and males according to society’s liking. The stereotypical woman is loyal and faithful to her husband, while the male stereotype possesses strength, control, and dominance.

According to a quote by The Atlantic, America is still a “patriarchal community” (Cohen 1). The majority of humans live in a society influenced by men and have little to no understanding of a matriarchal society because it is not around. For centuries, women have fought for equality and it is a reoccuring theme in literature. This theme can show how people critique and analyze many works of art. Countless people can read a text and depict it differently, from the beginning to end. This depends on what critical lens they view it from, allowing people to comprehend the different ways literature is written. There is many different critical lens to choose from. An example of one of the critical lens is the feminist viewpoint. The feminist theory, analyzes the nature of gender equality. This approach shows how women can compare to men. This can be done politically, socially, or economically. In William Shakespeare's play, Hamlet, he can be seen going against the feminist theory. This lens will affect Hamlet’s two main, female characters Gertrude and Ophelia. While viewing Hamlet through the feminist theory lens, many male characters can be seen as being, aggressively, dominant; creating the women to have many stereotypes.

“Beware of your stereotypes and prejudices, they can trap you in a box and make you miss what life has to offer you”─Med Yones. One has to see past the stereotypes in life, just as one should do for A Midsummer Night's Dream by William Shakespeare. This literature masterpiece entails a quarrel of a pair of lovers caught entangled in a treacherous web of tainted love and magic. This comedy, viewed through the archetypal literary criticism lens─which focuses on the stereotypical aspects─, makes the audience wonder and push beyond the boundaries of the stereotypes with the tale. Combined with its other elements, A Midsummer Night's Dream is more entertaining and meaningful when viewed through the archetypal literary criticism lens; such as in Act 1: scene 1; Act 3: scene 2; and Act 5: scene 1 in both the printed text and the 1999 film versions.

It is hard to challenge what is seemingly normalized in society. Especially when looking into the realm of gender and sexuality, the male and female gender accompanied by heterosexuality is often just accepted and deemed as a social norm. Social institutions such as marriage, health-care laws, and the economic system benefit those who act within the heteronormative behaviors and appropriate gender expression. The gender binary, though, is far from accurate when assuming personal identity. If someone follows the social script of the femininity, he or she is expected to be female and possess female anatomy. The same goes for men: if he or she expresses masculinity he or she is expected to be male with male anatomy. Anything outside of this expectation is deemed socially unacceptable and subject to backlash. With the strong ties Western society has to the gender binary and appropriate gender roles, it is impossible to picture anything else. The Fa’fafine in Samoa, however, present a great challenge to the norms instilled in society.

There are various perceptions of gay and lesbian couples that they represent a more egalitarian relationship. (Civettini 2015:1) However, when same-sex couples are observed there is still a tendency to believe that the relationship contains a masculine and feminine figure following the heterosexual model. So, it is necessary to address both how these couples deviate from society’s norms as gay individuals but might still be reproducing the same behaviors as heterosexual couples because the ideologies are so deeply rooted in social institutions. The stereotypical connotations of masculinity and femininity influence all aspects of American society and gender display relies heavily on meeting those given expectations. So, in the case of this article, the author Civettini views a connection between sex, gender, and sexual orientation when it comes to displaying

In the Elizabethan era, there was a standard women and men had to follow. The Elizabethan society was patriarchal, meaning men were considered leaders, and the women were inferior to men. The men in Elizabethan life was to be of power, authority, and head of the their families, and above all to be obeyed. In this time wealthy men were to become courtiers, diplomen, clergymen, and lawyers. The men made the decisions and whatever decision they make women have to obey them. They were also responsible for taking care of the family while working different jobs..And they were expected to improve the positions of all members of the family through influence and patronage from wealthier people and families than their own. As for the women in this time frame they were raised to believe that they were inferior to men. Their roles in Elizabethan society was very limited, and their job was to be housewives and mothers. Women at the time were to be watched for and if she was married it would be her husband but if she was single then her father or brother. Gender conventions in Elizabethan Era is key to understand my argument about how women in Shakespeare’s plays break their gender conventions. I will be using parts from Romeo and Juliet, Othello, King Lear, and Twelfth Night, to show how women in this time period broke gender conventions.

In “Othello,” William Shakespeare extensively explores female stereotypes that occur during the playwright’s time. Throughout the Shakespearian era, women were seen as the inferior sex, over whom men had complete control and thus forcing women to act submissively and obediently in front of their husbands. Men believed that women were objects who just cooked meals, cleaned the house, and bore children while society just accepted these degrading roles. William Shakespeare extensively reinforces female stereotypes by presenting the deaths of Emilia and Desdemona to be rightly deserved for defying their female gender roles throughout the play. Emilia and Desdemona are polar opposite characters who

In Elizabethan English, society was a rigid patriarchy, as women were revered as the “weaker sex” both physically and emotionally. A woman’s place resided solely in the home birthing children. Men held the power, as they were the breadwinners and possessed political rights. Likewise, author William Shakespeare plays into these gender roles because of his audience. In his play Macbeth, he portrays one of his lead characters, Lady Macbeth, as wielding the power over her husband and occupying the masculine half of the relationship; she is perceived as the exception. However, Shakespeare is essentially arguing that men are meant to masculine and women are meant to feminine; it is the natural order of things. Lady Macbeth’s misplaced masculinity lead to her grisly downfall.

The heterosexual imaginary is immensely ingrained in our everyday experience that most people, including feminist sociologists, has become inclined to conceptualize and theorize based around the heteronormative. The heterosexual imaginary acts as an invisible framework at play that structures our thinking processes and in which constructs our social identity. For instance, the inquiry of a survey taker’s marital status in most social science surveys come to show that our recognized and appropriate social identity is formed around heterosexuality. That is, any deviation from this heterosexual norm would be considered abnormal and be marginalized. To a minimal extent, this focus has served the interests of women because of the lack of activism

When observing gender in our society, women and men are stereotyped with specific roles. Men have always been seen as the family’s main source of income whereas the women take care of their home and children. However, Shakespeare challenges these gender roles in his play with the three female characters Goneril, Regan, and Cordelia. While all three are independent, powerful women and even lead their armies into battle, the men seem to be foolish and weak such as King Lear and Albany. Furthermore, Mira cel Batran makes a point in her essay, “Feminist Reading of William Shakespeare’s King Lear”, that although women are regarded as dependent on men, Shakespeare explains that it can be the exact opposite. The men seem to depend on the women such as King Lear depending on Cordelia and Albany depending on Goneril. Shakespeare, in his play, King Lear, portrays women who are strong and intelligent and men who are weak or overpowered by female characters, challenging the societal belief that women are inherently less than or dependent on men.

Despite its first performance being in 1608 where women were not allowed to take part in theatre, William Shakespeare’s King Lear is arguably dominated by the female characters. The story focuses on a king who is driven into madness and decides to handover his power to his two eldest daughters, Regan and Goneril. These two daughters are exceptionally important to the development of the play since it can be argued that they are the ones commanding a fair share of the events that take place. This can also be said about Cordelia. According to Kate Downey Hickey and Catherine S. Cox, Cordelia is the essence of the play as she offers truth and evasiveness. In the following, the role of women will be discussed in King Lear. How are the female characters

        In Elizabethan life “a dominant woman was unnatural, a symptom of disorder” (Order in the sexes 1).  Particularly in King Lear, we see the unnaturalness of dominant women and how they are evil.  Regan and Goneril, who begin the play with false declarations of love for their father, soon become dominant women who show little regard for the values of their society (Shakespeare I.ii.54-61, 69-76).  Regan, in particular, becomes a target.  “[Lear] notes that humanity is in danger because of people like her” (Peterson 22).  Even Albany, Regan’s husband, is appalled at what his wife has become through her thirst for power.  “The woman form she takes, Albany proclaims, disguises the fiend which exists beneath and if it were not for this cover, he would wish to destroy her”