Through the soldiers’ experiences, the narrator shows only the dark side of human nature. Discuss.
Generals die in Bed by Charles Yale Harrison is a novel where a young Canadian soldier tells of his first hand account of the harsh and inhumane conditions in the trenches on the Western Front during World War 1. Through his observations and experiences the Narrator shows the effects of war on ordinary people and how they manage in extraordinarily horrific situations. Even though the brutal nature of the war is often reflected in the violent way that combatants act towards one another there are also moments when compassion and mercy is shown. The novel demonstrates that in extreme situations both the dark and the good side of human
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However we also are shown bravery, companionship and acts of kindness as the soldiers struggle to stay humane and sane in a hellish environment.
Throughout the novel they are compassionate and caring to even their enemies in their darkest moments. They also illustrate the dark and unforgiving side of human nature. They show no pity or mercy even while being pleaded too.
Throughout the novel the Narrator often shows compassion towards others – in his actions – eg. letting the German soldier grieve for his dead brother letting him take ‘a few letters and papers from his brother’s pockets’ and imagines how their mother would feel. He then helps the Germans to safety behind the lines & asks that ‘the prisoners be treated nicely.’
Just like their constant companions the lice and the rats, the soldiers in the trench adapt to the hell that they find themselves trapped in – doing whatever it takes to survive. They even fight each other over food ‘at each others throats like hungry, snarling animals’. As the novel & the war progresses so does the inhumane side of the soldiers who become increasing more detached from killing, unconcerned with the death of friends. The soldiers are conditioned, hardened up and desensitised with self preservation becoming a key motivator. This is shown as the soldiers plunder the city of Arras allies ' town and vandalize houses with no consideration of the local
Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.
The psychological effects, the mentality of fighting and killing another human, and the sheer decimation of human values is what makes war atrocious. War is not only fought on the battlefield though. This book also describes the feelings of a soldier fighting his own demons that war has brought on. The battle that the soldier has with himself, is almost if not more damaging than the physical battle of war. He will never forget his experience with battle, no matter how hard he tries the memories of artillery, blood, and death cannot be erased. “I prayed like you to survive, but look at me now. It is over for us who are dead, but you must struggle, and will carry the memories all your life. People back home will wonder why you can't forget.” (Sledge). This struggle still happens to soldiers today. Sledge’s words of the struggles still captures the effects of warfare that lingers today. The other effects that war has on the men is the instability that surrounds them at every hour of the day. They are either engaged in battle having bullets and artillery fired at them, or waiting for battle just so they can be deposited back in the pressure cooker of survival. “Lying in a foxhole sweating out an enemy artillery or mortar barrage or waiting to dash across open ground under machine-gun or artillery fire defied any concept of time.”
To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who
Generals Die in Bed is a narrative which never spares the readers from the truth of the horrors and futility of war. The reality of the shocking and inhumane trenches hits both the readers and the soldiers with apprehension of the front line. The actions of the soldiers are under constant tension of the war, and the conditions imposed upon them clearly become the catalyst for many of their actions. The narrator has indubitably portrayed war as nothing glorious or heroic, but giving the soldiers a sense of dread and demonstrating a
Tim O’Brien’s book “The Things They Carried” epitomizes the degradation of morals that war produces. This interpretation is personified in the characters who gradually blur the line dividing right and wrong as the motives for war itself become unclear. The morality of soldiers and the purpose of war are tied also to the truth the soldiers must tell themselves in order to participate in the gruesome and random killing which is falsely justified by the U.S government. The lack of purpose in the Vietnam War permanently altered the soldier’s perspective of how to react to situations and in most cases they turned to violence to express their frustration.
In the first place, a person with a kind and sympathetic nature is a person that will do good deeds like Ponyboy, even if he’s in a gang that is supposed to be barbarous, vicious, or even acquire ways to convert into a criminal he is kind hearted. For example, on page 78 it says,“You ain’t like any of the gang. I mean I couldn’t
Deceased philosopher Bertrand Russell once said, “War does not determine who is right- only who is left”. Those left are the soldiers of the 1-502nd, specifically Bravo Company 1st plt, and the Janabi family and to a greater extent, the ever-changing global world we all live in today. The tragic events that conspired in a small Iraqi village became a microcosm of how leadership failures at every level shaped the actions of a few soldiers who committed atrocious acts. One can also see how a high operational tempo, along with prolonged violence and death, has on a person’s psyche. It is the ugly side of war that the average American citizen may not want to hear or talk about. For a soldier, it is inevitably what they train their
He touches on their tragic deaths compared to their hopeful letters of going home and seeing their loved ones. He describes his astonishment as he realizes that none of these men actually showed hatred or abuse towards the German, they simply believed and had conviction in the justice behind their cause. This letter illustrates the feelings of a once happy man, now stuck at war. He says, "War hardens ones hearts and blunts ones feelings…"(p.68). This young soldier has lost all signs of the happy life he led back home. The harshness of war got to him just like the rest of the soldiers out there and if they so much as dreamed about accepting the reality around them, they would have gone either insane or surrendered and he could not give himself that luxury so onward he went.
In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.
The short story “The Death of Dolgushov” by Isaak Babel is a gut wrenching story, at times literally, about the dilemmas of killing. Babel, a master of the short story, challenges readers’ morality by contrasting two soldiers plights. On the one hand, a soldier, Dolgushov, pleads that he has “had it (241),” meaning that he wants his comrade to kill him after being mortally wounded by machine gun fire; while on the other hand, another soldier, unnamed, cannot bring himself to kill Dolgushov. Throughout the story, war is depicted as a game until a soldier gets seriously hurt. This device, combined with the vivid imagery associated with both soldier’s plights, complicates how readers’ judge the act of killing and war in general.
Soldiers lost their innocence the moment they stepped onto the battlefield. They become so numb to the horrors of the war, which no longer feel a sense of
In the words of Otto Von Bismarck, “Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.” Many of the preceding war novels to All Quiet on the Western Front, misrepresented or overlooked the anguish of war, in favor of more resplendent ideals such as glory, honor, or nationalism. The predominant issue of All Quiet on the Western Front is the terrible atrocities of war. The reality that is portrayed in the novel is that there was no glory or honor in this war, only a fierce barbarity that actually transformed the nature of human existence into irreparable, endless affliction, destroying the soldiers long before their deaths.
The text, The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war
Warfare brought out the worst in mankind within the memoir A Woman in Berlin. The Russian soldiers started to enjoy the spoils of war by raping and humiliating the German women. “I start yelling, you pigs. Here they rape me twice in a row and you shut the door and leave me lying like a piece of dirt (Anonymous, 54). Many of the Russian soldiers felt no remorse for their actions. They committed this atrocity because they felt as through since Germany lost the war their people weren’t their equals, “Another mumbles they’re just Germans and turns back over” (anonymous, 54). A person on the losing side of war doesn’t make them inferior or any less human than anyone else, but after years of warfare people began to overlook this. The German soldiers
There is something fundamental about our humanity that is irrevocably lost when these individuals perish unheard and these stories fade away unheeded. This tragic alternative disrespects all that is sacrificed when individuals bear witness to war, and it overlooks all that can be gained when we bear witness to their stories.