Genre Analysis: The Baroque and Rococo Periods Essay

I approached my genre writing based on Writing in the Health Sciences guidelines for research papers. Since my chosen paper was a research paper, I looked for the sections in a research paper that included the abstract, introduction, materials and methods, results, discussion, and references. This helped me decide what needed to be in each section so I could elaborate on if it was included or was not.

Therefore, this introduction and analysis of fifteenth-century Italian painting arises from looking at social relations. Through the institutional authorization, Baxandall examines the integration of social, cultural and visual evaluations. The author explores visual art not only from a social construction, but also looks at the major role it plays in social orders such as interactions between individuals or between larger social groups.

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

Rococo was an art style that originated in France in the mid-17th century. Rococo itself evolved from the earlier Baroque period, and shared several elements with it. Indeed, Rococo is often referred to as Late Baroque for this reason. Both placed a heavy emphasis on ornate, highly sculpted detail and ornamentation, especially in regards to architecture and sculpture. Likewise both featured artwork rooted in more realistic depictions of people. However, they were also different in several important ways, and reflected changing social attitudes. Where Baroque was rooted in religion and promoted by the Catholic Church as a response to the Protestant Reformation, Rococo flourished during the “Age of Enlightenment”, a time where

Barna da Siena’s Mystic Marriage of Saint Catherine and Other Scenes from 1340 is vastly different in content, composition, and a number of other attributes from Fra Carnevale’s 1467 painting Presentation of the Virgin in the Temple. It is clear between the roughly hundred years between when the two were painted that advancements in realistic painting soared and a further appreciation for realism and humanism developed. The need to portray more than just the holy subjects, and to show how far painting had evolved is evident in the differences between Barna and Fra Carnevale’s works. Although, the emotion behind Barna’s work, and its significance are, in my eyes, far greater than that of Fra Carnevale’s.

Caravaggio’s, however, was darker and more dramatic. Caravaggio started an intense style called tenebrism. Tenebrism is a more prominent form of chiaroscuro, where there are vehement contrasts between light and dark. Fred Kleiner best describes Caravaggio’s style, “In his art, Caravaggio injected naturalism into both religion and the classics, reducing them to human dramas played out in the harsh and dingy settings of his time and place” (Kleiner, 681). Caravaggio painted during the Italian Baroque in the 1600’s. Italian Baroque artists like Caravaggio embraced theatricality and extravagant ornamentation, while Renaissance artists focused more on precise classical models. Now Caravaggio wasn’t exactly an upstanding member of society, most of what the art world knows about him is through his police reports. Caravaggio’s Entombment was created in 1603 and, like Giotto’s Lamentation, depicts the death of Jesus. While they both depict the same religious scene and use styles that are new for their time, Caravaggio’s painting has some drastic differences from Giotto’s. Caravaggio’s painting is oil painted on canvas, which gives Caravaggio the opportunity to be more detailed in his painting than Giotto can with fresco. Caravaggio creates these intense dramatic scenes of diagonals and intense movement. Unlike Giotto, Caravaggio uses linear perspective to direct his viewer’s attention to the body of Jesus. Caravaggio does this by using a diagonal cascade of mourners descending towards Jesus’ body. Inclusively, Caravaggio started a darker, more dramatic movement that gave naturalism a new realistic element.

The musical film has always held a special place for me. From my time as a drama student in high school, my eyes have been opened to the amazing world of the musical and especially the musical film. The musical film is a film genre in which the characters sing songs that are integrated into the overall story. Since musicals first began in theaters, musical films usually contain similar elements. These elements often simulate that there is a live audience watching. In a sense, the film viewers become the audience members, at a theater production, as the actor performs directly to them. Due to the popularity of musicals in the theater, the style was quickly brought over into film. In 1927, the musical film genre began

There is a spotlight on St. Peter’s face and half of his accusers face, indicating that the focus of the painting with light, that Peter is the main figure. Caravaggio uses light to portray a specific moment in the Denial of St Peter, the light shines directly onto Peter, half of the woman accusing him and no light on the soldier. The soldier is in the shadow but the light is slight directed on his back. With the light centered on St. Peter and his accuser’s face, the lines are contoured, to mimic reality in the pictures. The figures facial expressions, (emphasized on St. Peter) look more realistic. The lines and textures on Peter’s face, suggest that he is rejecting the accusation, as the lines in his forehead are creased as he shrugs up his eyebrows and St. Peter’s hands are placed inward. The drapery on the garments on the figures look realistic, but looked as if they were placed like costumes. St. Peter’s face is the one most accented.

No matter which type of job or career the author is looking for, a resume is a great first step. Generally, resumes are built and created in early adulthood by the author them self. There are a few things that can be assumed about the authors. First, they are middle to upper class individuals who like to show off their own personal qualifications, education, and academic and professional experiences they have obtained throughout their life. The audience in which will be looking over these resumes could be a pretty broad range generally speaking, but for the most part whoever the author is submitting the resume to will be the intended audience for this genre. I think it is safe to say this genre will be around for many years to come,

The Renaissance and Baroque era entailed very different characteristics, due to the Renaissance composers writing more freely and being more individual then those of the Baroque era where they followed more ‘rules’ and experimented less. This essay will show the difference in two pieces by different composers, even though they were written less than a century apart.

The scientific revolution is traditionally considered to be framed between 1543—the year of On the revolutions of the heavenly spheres by Nicolaus

The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.

When we look at the history of the Middle Ages and the Renaissance, we always like to use the confinement of thinking and the liberation of ideas to sum up the two, especially in the art, the medieval paintings are often used in dark colors, deformed three-dimensional concept Showing the real world, and often less a bit human nature. And after the Renaissance, the painting masters are the opposite of it. I am not here to comment on their good or bad, but from the artistic point of view, to explore whether a good form of art needs to reflect the community and a wide range of civilizations

This essay looks at the time in history beginning in the 1400’s to the mid-1700’s which we identify in art history as The Renaissance, Baroque, and Rococo periods. Focusing on the influence new scientific knowledge had in the art produced during this time with specific examples from each period and artists of the time.

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this