Genre Art

One of the famous painters of the 17th century, the Dutch painter Judith Leyster, and the first female artist admitted to the Guild of St. Luke of Haarlem. This electromagnetic picture shows what is beneath the top coating of paint. The portrait on the easel was originally a self-portrait of Leyster. However, she transformed her observance and painted the violin player over it because her most fruitful and gainful paintings were scenes of merrymakers, a type of picture very popular with customers. She must have decided that this painting could advertise several messages at once: I am a successful woman, I am sought-after painter, I can draw great portraits, and I am skill at painting lively scenes of people.

The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.

The Moneylender and his Wife (also called The Money-Changer and His Wife) is a Flemish painting created in 1514 but Quentin Massys. It is Oil on Panel and is located at Musée du Louvre, Paris. This piece of artwork is Massys most famous painting and can be interpreted as a genre painting or a religious allegory. Seated behind the table, is the banker and wife in a tightly frame, focusing all the attention of them. The banker seems to be busy weighing pearls, pieces of gold, and some other jewels. Next to him is his wife who appears be to be distracted from reading her book and I think the book is a work of devotion because you can see an illustration of the Virgin and child.

The thematic categories of portraiture, genre, landscape, and history paintings initially appear to have nothing in common. Upon further analyzation, however, they share some significant, underlying principles. These include an influence from the Italians, attributing characteristics to the figures so that the viewers can connect to them, and focusing on the humble. History, genre with landscape, and portraiture paintings all referenced back to older Italian artworks, while at the same time, genre and other portrait pieces attempt to achieve relatability. Furthermore, history and landscape art focus on the simple, plain, and humble through the

Many think that his wife is pregnant, but she is not. She is just holding up her full-skirted dress in a contemporary fashion. Arnolfini came from family of merchants from Lucca living in Bruges. The couple are shown in a nice environment that looks pretty expensive and seem to be wearing nice clothes, which makes them appear to be wealthy. The work is known to be one of the most impressive paintings during the Northern Renaissance because of how detailed it is. Some of the details noticed by many are the little hairs sticking out of the dog, the type of cloth on their clothing, and the material of the clogs in the bottom left-hand corner. There are a lot of questions surrounding the Arnolfini Portrait because Jan van Eyck wrote on the portrait himself that it was made in 1434, but if the portrait was supposed to be of him and his wife, that didn’t make sense. Many believed that this painting may have symbolized that he had moved on and had a new woman in his life to love because his wife had died in

The Old Market Woman, is a marble statue that is from the Early Imperial period also known as the Hellenistic period. Artists became obsessed with the idea of childhood and old age, instead of beauty and masculinity. The people in that time, are interested in seeing a statue that has characteristics that catches the viewer 's eyes. We are naturally attracted to beauty. What the artist of The Old Market Woman did though, was take that beauty that we are attracted to, and transforms it into reality and uses it to tell a story. The use of realism relates strongly to the religion that the Woman believed in.

One of the best Netherlandish Renaissance panel paintings is "The Arnolfini Portrait," by Jan van Eyck. Painted in 1434 on 3 vertical oak panel boards. Its dimensions are 32.4 inches x 23.6 inches; panel 33.3 inches x 24.6 inches. It is on display at the National Gallery in London. It is a full length portrait believed to portray an Italian merchant, Giovanni di Nicolao Arnolfini and his wife. It was painted in 1434, but the wife in the picture died in 1433 Jan van Eyck applied thin layers of translucent glazes to intensify both color and tone. The realism of this painting is achieved by intense colors, variations in shade and light, the look of three dimensional forms, almost perfect textures, and the use of direct and diffused light. This painting is of a richly dressed couple, in what might be a reception room, with a bed, chest, and blooming cherry tree outside. The deep symbolism of many objects found in this painting are reinforced using color, light, and many of the principals and elements of art.

The painting Giovanni Arnolfini and His Bride was painted by Jan van Eyck. Shown in this painting is a man and woman who are to be married. What makes this piece of art special, beyond the talent of Jan van Eyck, is the amount of symbolism depicted. Every object is painted with care, and is intended to show the holiness of matrimony. This includes the pair of clogs which symbolized a sacred event, a dog that was a symbol of fidelity, a burning candle and a mirror that symbolize the all-seeing eye of God, and a small statue of Saint Margaret the patron saint of childbirth. Many if the objects in the painting were from traditional Flemish customs, and it shows some Flemish marriage practices, such as one lit candle in the chandelier. Even the placement of the couple is symbolic. The man is placed near an open window, which represents the world, and the woman is next to the bed, which may indicate the woman’s place is at home bearing children.

The couple's outfits are thick and even have fur, although the painting suggests that it is spring or summer, due to the amount of sunlight entering from the window and the fresh oranges (most oranges are harvest during the spring). The furniture and the drapery is impressive, and the oranges themselves are rare and are therefore a symbol of wealth. The painting also illustrates the relationship between the two subjects through various objects. The painting suggests that the subjects are married. There is a dog in between the couple, which represents loyalty. Both characters have rings on their ring fingers, which suggests that they are both married. Also, the painting shows that both characters have removed their shoes, which implies that they are standing on holy ground, such as Moses was when speaking to god through a burning bush in the bible. The reason they are on holy ground is because a holy ceremony has taken place, that is, a wedding. Notice the characters' body language is composed of the dominant husband and the submissive wife. There is also various references to the newlywed couple's intentions of starting a family. Not only does the wife's attire exaggerate her belly, making her seem as if she were pregnant, but behind here there is a statue of Saint Margaret, the saint of childbirth and fertility. When the individual objects of this painting are viewed as a whole, the message becomes clear. Jan van

Van Eyck using everyday objects to send a religious messages. The couple are very richly dressed because they wearing trimmed and fully lined of furs which shows one example of their wealth. The oranges are a sign of wealth because they they were very expensive during that time and could be a sign

The Old Market Woman, is a marble statue that dates back to the Early Imperial period, which also known as the Hellenistic period. Artists became fascinated with the idea of childhood and old age, instead of beauty and masculinity. More become interested in seeing a statue that has characteristics that catches the viewer 's eyes. We are naturally attracted to beauty as humans. What the artist of The Old Market Woman did, though was they had taken that beauty that we are attracted to, and transforms it into reality and then uses it to tell a story. The use of realism relates strongly to the religion that the Woman of this statue believed in.

Jan van Eyck painted the famous Arnolfini Portrait in 1432 during the Netherlandish Renaissance. The painting is filled with fascinating detail and complex symbolism. It was painted during the time when Burgundy was flourishing economically and it was the center of trade and banking. Jan van Eyck used oil-based paint as medium for his artwork. As the oil paint dried slowly and allowed the painter to add more detail thus it allowed Jan van Eyck to add detail to the picture. However, this painting of a man and woman standing in front of a bed represent Lucca Financier (who had established himself in Burges as an agent of the Medici family)(GA, 227) and Giovanna Cenami, as his wife. The Arnolfini Portrait provides a clear pictorial record of rank

This art work made by Pierre Auguste Renoir is oil by the visibility of the smudges and the texture the oil creates over the whole painting. The artist uses color evenly, the men are wearing white while the women are wearing dark navy blue, while the men and women are evenly distributed throughout the picture. The artist uses more dull colors, no dull vibrant colors mostly white, yellow, and dark blue. The colors used are even and well blended. Some symbolism used in the painting is how the men are all wearing white cutoff t-shirts but the women are covered up in dark clothing which around that time period women did not show skin possibly. In this piece the forms are realistic and

The painting, The Virgin of Chancellor Rolin (1435) by Jan van Eyck, shows Nicolas Rolin and the Virgin Mary dressed in fabulous gowns. Mary is holding Baby Jesus while an angel, hovering on the extreme right corner, is embracing a crown. The background features two outstanding figures, leaning over a banister. These two figures create a fairly relaxed atmosphere. The hovering angel crowns the Virgin as she presents Baby Jesus to chancellor Rolin.

The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink