Genres: Ill Equipped Rescuers

Memories from the past are shown throughout our environment. Sometimes, recalling memories from surroundings are simple, like looking into the eyes of your father. As people proceed in their lives, they encounter moments that affect them deeply. Sometimes, a discharge of memories occur, showing a recognition of righteousness in people. In a short story called “Aero Bars” by Robert Hilles, the narrator acknowledges his father’s love through recalling the past. By reminiscing memories of remarkable values or behaviours, one is able to develop a moral conscience.

I gained a new perceptive during class, when reading “George Saunders Explains How to Tell a Good Story”. The reading of this article help me understood how to use more details to makes my story’s more meaningful. The reading of this article help me build up my paper on “No such Things” to use details to descipbe a story. Through the reading of the article, it help me to use experience through my life to build on my topic “…memory is an unreliable traveling companion through the years”. The reading of the article help me to create a meaningful story to blend it in with experience in my life and also to blending in with the topic of my paper.

Memories are important, they are a personal record of our past experiences, and could be called the history book for our life. In the poem "The Heroes You Had as a Girl", author Bronwen Wallace tells the story of a woman who meets her high school hero later in her life, reflects on her memories of him, and ultimately decides not to talk to him. The effect that this topic has on everyone is the knowledge that we can be captivated and let our memories control us, and by knowing that our memories hold that much power, it may make it more mentally efficient to make accurate, and personal decisions in a fraction of the time. The topic and overall meaning that this idea holds convey a message that resonates with the idea that memories are in fact the central hub of our decision making. People remembering memories can affect their perspective on their lives to such an extent, that they prefer to immerse their mind in their past memories rather than the current reality.

The two texts, "Excerpt from Martin Sloane: A Novel", by Michael Redhill and "Ode to a Box of Tea" by Pablo Neruda have several things in common. These things relate to how the authors of each text talk about their memories and the objects that go along with those memories.

Memory is used as a powerful conduit into the past; childhood experiences held in the subconscious illuminate an adult’s perception. Harwood uses tense shifts throughout her poetry to emphasise and indicate the interweaving and connection the past and the present hold. By allowing this examination of the childhood memories, Harwood identifies that their significance is that of an everlasting memory that will dominate over time’s continuity and the inevitability of death.

The memories also play a dual role as they make the man hopeful yet they also scare him because he is afraid that through remembering things again and again he might taint his memories of the good times forever. “He thought each memory recalled must do some violence to its origins. As in a party game. Say the word and pass it on. So be sparing. What you alter in the remembering has yet a reality, known or not.” (McCarthy 51). The boy although carries on hoping even though all he has are memories of the polluted grey ashes that have always been falling from the sky, the ashes that he was born into. The child has no memories of a past world that held beauty and color and so he relies on his father’s accounts and stories of the past to imagine a world that was anything but the bleakness that he is so accustomed to. But the father, although mostly indulges to the child’s wishes, sometimes cannot bring himself to tell him made up stories of the past because as much as he wants to he cannot remember a lot of it and when he does remember it, it reminds of a world that is no more and that he does not know will ever come back into existence or not. “What would you like? But he stopped making things up because those things were not true either and the telling made him feel bad.” (McCarthy 22). Where at first the child believes the father’s accounts of heroes and stories of courage

the 2 principal qualities that the past looks to possess for many of the fiber within the novel area unit that it's irrecoverable which it's, in how, desirable to this. Antonia miss liveliness in the geographic region even as Jim misses living in NE, however, neither of them will ever return. This impossibility of coming back chronicle for the -nostalgic, emotional tone of the report, which can are autobiographical still, educated by Willa Sibert author ’s own yearning for her NE childhood. however if the past will more nee be recovered, it will more nee be at

The two poems are similar in their corresponding feeling of dread for death. Using diction,

Every act of remembering is also, intrinsically, an act of forgetting. Giving preference to particular details of an event lessens the immediacy of others. Thus, memory is its own, unique narrative culled from an almost endless sea of details present, and sometimes not present, in the original event. Memory is the past, reformulated and interpreted through the lens of the present (Huyssen 1995). When an event is commemorated through a physical act of memory, the narrowing of possible details becomes even more finely tuned, limited by the physical scope of possibilities for bodies in a three-dimensional space.

In both short stories, symbolism is used to portray the impending doom on the characters’ physical state. This idea is clearly presented in “The Yellow Wallpaper” by the image of the bed being nailed down to the ground and how that reflects her isolation in the room. In the beginning of the story, the narrator despises the room she is confined in. She is stuck in the room day in and day out - all day “[she] lies here on this great immovable bed -it is nailed down” (p.337). The significance of the bed being nailed down and immovable plays a great role in the narrator’s physical state: it signifies how the narrator is immovable and can not leave the room. Just like the bed, the narrator is hypothetically nailed down to the ground, unable to leave or rather do anything without the permission of her husband. Another example of this takes place in “The Jade Peony” with the bamboo shoots dying of the cold, just like the grandma. The whole household are strong believers of signs, so after the death of the grandma her son went to her garden to look for a sign. He then “looked at the frost-killed shoots and cringed: no, that can not be it” (p.109). From this point on we are given a hint of how the grandma will die, which is an important detail for further understanding the character’s physical state. For instance, while understanding the cold killing the bamboo shoots, the son then realizes that something his mother loved and cared for dearly died of the same way. Overall, the two short stories share the impending doom of the character’s physical state through symbolism. Given

  Memories are works of fiction, selective representations of experiences actual or imagined. They provide a framework for creating meaning in one's own life as well as in the lives of others. In Toni Morrison's novel Beloved, memory is a dangerous and debilitating faculty of human consciousness. Sethe endures the tyranny of the self imposed prison of memory. She expresses an insatiable obsession with her memories, with the past. Sethe is compelled to explore and explain an overwhelming sense of yearning, longing, thirst for something beyond herself, her daughter, her Beloved. Though Beloved becomes a physical manifestation of these memories, her will is essentially defined by and tied to the

To some degree, every artist creates his or her own artistic life preserver, and in doing so resequences and conserves their own artistic DNA so that it may be transferred onto another generation. Vladimir Nabokov’s memoir Speak, Memory, is not only that preserver, but the tug boat that it holds onto, heavy and cramped with the memories and history that Nabokov retells his readers against the currents of time. Speak, Memory operates thematically, not chronologically. Nabokov returns anew to his early childhood and pulls in, as it were, the memories associated with certain themes. Then he turns, changes directions, and sets off again. One such theme that resonates throughout the novel is that of exile and deteterritorialization, both

There are similarities in these two poems such as the theme and the observentness of the narrator. Both of the poems themes involve death. In ?I heard a Fly buzz when I died?, the poet writes, ? And then the Windows failed ? and then I could not see to see- ", which means that the narrator?s eyes would not open no more; they had died. In ?Because I could not stop for Death? it shows the theme

Loss, wastefulness, and regret are not words that anyone wants to hear. While reading the works of F. Scott Fitzgerald in “Babylon Revisited” and of Ernest Hemingway in “The Snows of Kilimanjaro” these three words seem to connect to two stories together. In these stories loss, wastefulness, and regret intertwine in the stories to better explain the struggles that people have to deal with.

In everyone’s life there is a moment that is so dreadful and horrific that it is best to try to push it further and further back into your mind. When traumatized by death for example it is very natural to shut off the memory in order to self-defense suppresses the awful emotional experience. Very often it is thoughtful that this neglecting and abandoning is the best way to forget. In Toni Morrison’s novel Beloved, memory is depicted as a dangerous and deliberating faculty of human consciousness. In this novel Sethe endures the oppression of self imposed prison of memory by revising the past and death of her daughter Beloved, her mother and Baby Suggs. In Louise Erdrich’s