Essay on Geometry in Gothic Architecture

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

Much of the architecture in the Romanesque era evolved into Gothic architecture. The Gothic era ran from the 12th century into the 16th century. There wasn’t necessarily a clean break from Romanesque to Gothic styles of architecture, but rather a gradual shift in design. The main characteristics of Gothic architecture are the pointed ribbed vaults and arches, flying buttresses and, in place of solid walls, a cluster of columns. Due to the vertical emphasis of the design, the archways could be redesigned and stretched or pointed. Four main Figure 5 – The depressed arch supported by fan vaulting at King’s College Chapel, England.

During the gothic period, many philosophers started to embrace the theory of scholasticism. Scholastic philosophy began to take root in schools all across Europe, and this exposure shaped the arts of that period. From music to architecture, these philosophies changed the paradigms of the artists and the audience. Religion still being the backbone of art in this time period, cathedrals began to take on these different art forms and processes of the gothic era. Biblical Symbolism is a key to religious art and architecture that teaches lessons and embraces catholic ideals. Chartres Cathedral, an icon for gothic architecture, has a style that emulates this concept of symbolism that was shaped scholasticism. In the analysis of the west façade of the Chartres Cathedral, one can recognize how scholastic philosophy influenced and shaped the biblical symbolism and images shown in the Chartres Cathedral.

Robert A. Scott wrote The Gothic Enterprise in an attempt to give readers a bit of insight into the world of cathedrals. He moves from topic to topic, explaining how Gothic Cathedrals came to be, how they were constructed, and who ran them. Two course themes very applicable to Scott’s text are “How Technologies Develop” and “Technology and the Environment.” Over the nearly 500 year period of cathedral building, technologies to make the process easier were developed. For example, the windlass were used to hoist the heaver timbers up to the roofs of the cathedrals. Flying buttresses were also put in place after wind started to become a problem with the building of the spires. This environmental problem, along with others such as flooding at the

While constructing both of these cathedrals there were sculptures created that represented narratives of theology and mysticism. Both were created for a place of worship that’s why sculptures and paintings of religious images were added. This showed a great respect for the belief in Christ and the surrounding believers.

This remarkable improvement in methods indicates the fresh importation of skills from the East and this applies not merely to England but to all Western Europe at that time (“The Flowering” 88). Into three main phases the development of architecture through the period may be divided. The elements of Gothic style and their gradual elaboration over a period of rather more than a century came first at the opening of the 12th century. After the year 1000 there was a fully coordinated Gothic art particularly marked by the invention of windows with baltracy, Jean d’ Orbais probably used it first at Rheims cathedral during the generation following 1211, why the east end was begun. A century followed with classic poise in which an international architecture reached its peak and produce perfect forms of castle and palace, cathedrals enriched with painting patterned tiles, figure sculpture and stained glass (“The Flowering” 92).

The Gothic style, dating between the 12th century and 16th century, began in France and eventually spread throughout the rest of Europe. An example of the first true Gothic church was St. Denis of Paris. Now, it is considered one of our finest artistic periods, but at the time, the term “gothic” did not exactly hold the same meaning it does today. The name came from the Goths and was used rather negatively when describing this style of architecture as they considered it to be similar to the works of the barbarians from which the name was derived.

Renaissance ideas of the relationship of music and cosmology to architecture substantially predate the 15th century and were influential long after it. Discuss.

Religion was a huge motivator for both of these periods, and held deep emotional connections for many artists. I find this to be somewhat relatable, since I also need emotional attachment as a motivator to complete my artwork sometimes. These designs resemble those of today in the amount of effort and forethought put into planning and building them, however, the complexity of these older religious structures lies in the artistic and visual nature of the building, rather than the efficiency-related accomodations one would observe today. This demonstrates the metamorphosis of human priorities over the centuries. Both of the images to be discussed (Temple of Hera II and Palatine Chapel) speak to the

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

Gothic art flourished from the 12th century to the 16th century in Europe in response of the Byzantine and Romanesque tradition. Although Gothic is associated with arts, its most prominent use is in architecture, mainly for its pointed arch and flying buttress. To this day, the Gothic style is taken as a ‘label’ for visual arts such as concept art designs, yet the meaning stray from the original context, thus becoming rarely accurate.

We’re looking at the difference between Romanesque cathedrals and Gothic cathedrals. I know you all are so excited to learn what a flying buttress is because I know I was. Spoiler alert, it is nothing like what it sounds like. It’s much more cool and innovative, which is what these two periods were all about. Taking knowledge from the past and improving it.

Fire is viewed as destruction by many, but it helped to produce growth in Gothic architecture. Many of Christianity’s beliefs are reflected in different aspects of art. The stained glass and verticality of Gothic churches is a key change from Romanesque style churches. The Gothic church found creative ways to illustrate images of important events in history through tapestry. Even the general shape and design of the Romanesque churches versus Gothic churches show Christians values. The sculptures outside of churches have evolved over time to correspond with Christian’s beliefs of Homo faber. The change in design of Romanesque churches to the new architecture of Gothic style churches shows how Christian’s incorporated their religion into churches. Christianity’s beliefs and values are directly reflected through the changes of architecture and style from Romanesque to Gothic churches along with visual and literary art.

The research paper, shall be concerned with discussion Gothic architecture in Europe-namely England, France, Germany, and Italy starting from 12th to the 16th Centuries. Architecture was the most original and lasting form of art during the Gothic Period, which lasted for four centuries starting from the mid 12th century. The impetus for this architecture was the Roman Catholic Church, which sought to portray their houses of worship as something which transcended the realm of mankind. It is interesting to note that many of the Northern European areas were predominately pagan, and only recently brought into the Church. The imagery provided by Gothic structural design was something these peoples could more readily understand, as they