Essay on Georg Lukacs, "the Ideology of Modernism"

According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that

Capitalism can be defined as “when monetary wealth was enabled to buy labor power” (Wolf et al. 77). By the time that “The Legend of Sleepy Hollow” was written, Capitalism was the dominant mode of production, and capitalist markets were spreading rapidly. This became especially true in the United States of America, which was heavily influenced by the British in matters of economy. Since capitalism was born in England, the influence of capitalism bled over into America while they were still under British rule (Wolf et al. 2670). However, by 1820, the year that “The Legend of Sleepy Hollow” was published, the United States fully adopted the capitalist mode of production, along with the technological advances of the Industrial Revolution. This embrace of the new economic system changed the ways of life for people in both New England and New York, along with the entirety of the country.

For the Marxist critic, literature is in of itself a social institution, with a particular ideological function based on the experience and beliefs of the author, and a material product to be comprehended in broadly historical terms, emphasizing class and ideology as they are illustrated, distribute, and contest the social order of the period in which it was written. Terry Eagleton, in his book Marxism and Literary Criticism, describes Marxist application to literature

“to a mere money relation,” (Marx and Engels [1848] 2013:35]. Marx, saw the tear down of the old as the only way for the bourgeoisie to survive. Periodically, a crisis occurred where productive forces threatened their conditions and bourgeoisie would have to bring in new productive forces and destroy the old. Marx believed that these changes to technology and productive capacity were the main influence on how society and the economy were organized. The bourgeoisie had to push for the modern world to quickly and continually develop to protect capitalists’ monopolies. However, constant development caused continual disturbances of social conditions by breaking down stable aspects of human life. Capitalist used their power to push the world to advance so that they could prosper with no concerns to the possible effects on the economy, which would have been most detrimental to the proletariat. For Marx, this showed that capitalists’ self-interest pushed economic progress, which led to societal progress but also risked crisis. Capitalism not only affected society through the creation and separation of social classes but also in influencing societal progress and social relations.

Modernism is the heartbeat of culture, or as Clement Greenberg (1992:754) states, modernism involves of what “is truly alive in our culture” and it includes more than just art and literature. Western civilization began to interrogate their foundations and progressed into a self-critical society (Greenberg 1992:754). This notion began with the theories of the philosopher Immanuel Kant (1724-1804); he criticized the means itself of criticism (Greenberg 1992:754). Therefore, Greenberg (1992:754) perceived Kant as the first real Modernist.

Realism began as a literary withdrawal from romanticism. Romantic literature focused mainly on idealized or dreamlike lifestyles while “realistic works were intended to be accurate portrayals of

Capitalism is an unnatural perversion of society in Marx and Engel’s The Communist Manifesto. It is constantly consumptive, unable to exist without further expansion. It warps society through its exploitation of labor and the class that provides it. The Communist Manifesto goes beyond just a sociopolitical critique of capitalism, and adds otherworldly, almost Gothic elements. Repeated supernatural, fantastical language reinforces the idea that capitalism is an illegitimate twist of the natural state of human affairs.

Modernism describes the ideology of the art and design that were produced during the modernist period. There has been a lot of controversy about when modernism started, yet many believe it initiated sometime in the late 19th century and continued to the early 20th century. The modernist movement was meant to be a break from traditions and it was set up to separate the value of certain works from the conservative realism. For instance, Unlike the traditional art that was aesthetic, this movement was more about space and form. In modernist design, shape and organization of products and buildings were based on their functional requirements. As a result, designs became simpler without the traditional decorative concepts. The idea behind the

The mistrust of the world which is at the center of modernism can be attributed to the world wars and the psychological effect that it had on the individual. The horrors and violence altered public perceptions of life, a change that is evident within writers of the time period. The focus of writing shifted from the outward world to inner thoughts and feelings and overall representation of an individual’s stream of consciousness which are themes associated with modern text. In “Impact of Modernism”, focuses on the idea that world needed new outlets for expression and in finding them rejected the tradition that was already there with the quote, “Many modernists believed that by rejecting tradition they could discover radically new ways of making art.” (Impact) .The world no longer had the beauty it once did so a a discovery of new arts were needed. The mind of an individual became that new found inspiration and beauty that modern writers needed and for that reason it was one of the main focuses of modern

Theorists began to recognize capitalism as pre-industrial society developed economically and major social changes began to occur. Modernization resulted in industrialization, urbanization and bureaucratization as the workplace shifted from the home to the factory, people moved from farms into cities where jobs were more readily available and large-scale formal organizations emerged. Classical theorists’ observations addressed numerous facets of social organization and interaction that came about as a result of modernization; however this essay will focus on their ideas regarding capitalism and the capitalistic society. Over

Modernism could be seen as one of the most influential movement of the twentieth century. During the interwar years, Modernism continued to pursue its goals of changing the world through the use of design and machine.

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

Both Modernism and Modernismo were movements around the turn of the 20th century which caused cultural upheaval and renovation in times where the society was, or needed to be, changing. Modernism took place throughout Europe and in the United States, while Modernismo was a Latin American movement. The two movements share several general characteristics, but were, without a doubt, two separate and distinct movements, and should not be confused. Therefore, it is useful to clarify the causes, characteristics, and effects of each movement, comparing their similarities and contrasting their differences.

Modernism, in literature, can be seen as a shift in focus to the unassociated introspective reflection of characters in such texts as Go Tell It On The Mountain, by James Baldwin, Miss Lonelyhearts, by Nathanael West and The Catcher in the Rye, by J.D. Salinger. This is a revision from the previous focal point of exterior events and places in correlation with the character’s reflections. Emphasis is placed on review upon feelings and thoughts, and even conversations with oneself, as opposed to the more directly event-driven reflections in texts of the pre-modernist era.

            Marxist literary criticism remains a very rational, pragmatic endeavor at its core. "If  ideology were merely some abstract set of notions...society would be very much easier to move and change than in practice it has ever been or is" (Williams 3). Though aware of  their own inability to comment from outside the bounds of hegemony, Marxist critics seem to express a tacit hope that by providing knowledge of hegemonic