George Miller's Mad Max: Fury Road

In the beginning of the movie structural change was feared. If anything different happened that wasn’t suppose to people feared it and was confused. Later on in the movie people started to hate change. The first few people to change into color were frowned upon and were hated.

Mad Max Fury Road depicts a post-apocalyptic environment in which the basis of survival depends solely on the citizens following a social contract in which survival is achieved at the cost of any sort of freedom. Not only is this evident in the totalitarian style society, but also in regards to the environment which makes survival impossible without resources and more specifically, a war machine. The director attempts to exploit the idea of environmentalism within the sub texts of the movie by placing the setting in a dystopian environment in which a battle of man vs nature becomes the main obstacle of the main characters rather than the more obvious theme of man vs man. Specifically, the scene of the movie in which the war machines head straight

A few people are not impressed by the movie, and do not think that Hollywood should be changed. However, this movie was encouraging for many minority groups since usually the hero is white, while the villain is a person of color. The author of “‘Black Panther' inspires more than African Americans” declared, “Let me be brutally honest: If you are a minority, it's challenging to not be angry with Hollywood for the irresponsibly negative ways it has depicted blacks, Latinos, Muslims, Arabs and other minority groups -- all in the pursuit of making millions, if not billions, of dollars.” This is a clear example of how this movie was different from the others as it shows Africans as the heroes. Minority groups are almost never represented in movies which could make them angry. This movie was a change and by seeing how flourishing the movie was, other movies and casts will be

The movie never went into production due to a dispute between Lee and the Screen Actors Guild who did not grant him a waiver which would have allowed him to use nonunion actors. Lee believed they did not grant him the waiver due to his race. This experience only added to his determination to make films portraying other racial issues currently circulating the country.

Tommy L. Lott, Redefining Black Film (1995), asserts that the growing number of Hollywood movies by black independent filmmakers demand a more black film commentary, which was fostered by the Blaxploitation era

This movie took a very unique approach. It separated two classes of people, whites and blacks. They were separated by, what I believe is the greatest degree of separation today, money. In the movie the only people in the upper class were black and the main family in the movie was

Before we pat them on the back, I must say I was scared for this film from the beginning. It started with the casting call for women. Separating the fair-skinned from the dark-skinned black girls, requiring

Although there were bloodsheds, we could not see the colour since almost the entire movie is shown in black and white. Otherwise, these bloodshed scenes would be even more horrible.

“I’ll just skip one more meal” is a quote many people say, but heard by few. I’ve heard it almost my whole life. This disease is rarely mentioned, and looked at as a joke. So ridiculously toxic, it can tear families apart. I know this from firsthand experience, and so does Furious Pete.

Another Issue was the race stereotype, I don’t know what the producers were thinking, but there were a lot of stereotypes like having all neo-Nazi’s look bald, and like skinheads who are out to wipe out the other entire race. I know they are racist, but they wouldn’t take it too far as a school shooting they just don’t like to be around other races. Also on how they had look at my own people the Hispanics they couldn’t have just said that instead of saying Mexican like every ignorant person who don’t know the diversity of the Latino culture it didn’t bother me, but I knew that the movie would have the perspective of people that aren’t diverse. However they could’ve lower the racism I know the actors don’t mean it, but instead of calling everyone an N word they could’ve given another term because the N- Word isn’t suppose to be used by any other race besides African-Americans overall the movie look and felt like a segregated community, until the end which united everyone at the festival, until Remy attacked the school which happens in real life situations. The movie overall got enough controversy to become noticeable. Even though the movie took place in a college campus there are some fears about

not even fight back, completely gutted me. Later in the film they show more recent clips of black

some parts of the movie in a slightly darker direction than the book. One sequence, for

In addition to the fine work of its lead actress, writer/director Mary Herron’s bold decision to shoot The Notorious Bettie Page in black and white proved a stroke of genius, and gave the finished product the look and feel of a movie from the era in which its story is set (even the brief splashes of color, including all of the movie’s Florida sequences, look as if they were shot in ‘50s-era Technicolor).

The captions also imply that the set locations are real and not created in a Hollywood studio. The use of black and whites also adds to Spielberg's objective of realism, as black and white is more reminiscent of the time of the Holocaust. He makes effective use of handheld cameras in a few of his scenes; this creates a sense of urgency and fear. This also conveys that the film is not a Hollywood studio made film and mesmerises the viewer into believing that the events are nothing but the sober reality. The documentary styling contributes to the intensity of the film and creates stronger emotions within the viewers by adding to their disbelief and horror.

From the very beginning of the early stages in American cinema, African Americans had a presence on the silver screen. The twentieth century created a new era of cinema that consisted of films produced for and targeted to an all-Black audience. “Race films” which existed in the United States for over thirty years (1913-1948), were films produced by African Americans that focused on Black themes and highlighted the talents of African American directors, producers, scriptwriters, and actors.