George Simmel 's ' The Stranger '

The experience of being an outsider is universal. It is something most of of can relate to and an experience that will probably happen sometime in everyone's lifetime. There are many examples of this in literature.

Simmel defines the stranger as one that is both close and far; that is physically close, but socially distant. He disassociates his concept from the understanding of the stranger as one who comes and goes. Rather, the stranger he speaks of in this case is one who comes and stays, but has not been socialized under the same conditions as mainstream society. Despite this, the stranger is not a person who is withdrawn from society and is unaware of social norms. Rather, someone is inorganically appended to the society, but still an organic member of the group (ibid, 149). The stranger is seen as and valuable member of society because it is, in no way connected to any one individual. The stranger holds a certain objectivity, and can be confessed to without the threat of judgment on the confessor (ibid, 145).

According to the theory, a person may be close to others in proximity yet does not conform completely to the system and maintains their own customs and norms. As a result, a division arises in society between “the stranger” and other of different social groups who view this nonconformity as dangerous, threatening, and suspicious. The stranger may also have different expectations placed upon them than other groups in society. This divide that separates the stranger and society is compared to a veil, like that of Du Bois. Both theories discuss a “sense of otherness” that Individuals may experience in Society (Appelrouth & Edles, 2016, p. 289). The sense of otherness produces a strain in how members may act and view the world around them.

A stranger in the village is an outsider within society; an outsider is a person that does not belong in a group. A stranger in the village often feels invisible. A person could be an outsider because of their culture or society. A stranger in the village can exist anywhere within society; in texts the stranger in the village theme can be conveyed through many components. Theodore Roethke's "My Papa's Waltz," Ralph Ellison's "Invisible Man", and Sylvia Plath "Mushrooms" convey the stranger in the village theme through characterization, diction and self perceptions.

In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.

What is an outsider? An outsider is a person who is not excepted by or is isolated by society. Have you ever been an “outsider”? Everyone experiences a situation where they weren’t able to fit in. The feeling of not being able to fit it is universal. Not everyone is the same and in certain situations you may not be able to bond with everyone. Everyone is focused on being judged or being the person who is judging someone. If you are not like everyone in your society group, those people don’t except you. Nowadays our society feels that if you aren’t up to people’s expectations, you are known to be an “outsider”. Being an outsider is universal because not everyone is social, not everyone can afford nice things and not everyone is popular.

In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.

Camus published “L'Etranger” or “The Stranger” during World War II, and it became one of his most discussed works in Europe (Rhein). The popularity of Camus’ work can be attributed to the overall feelings in Europe brought by the havoc of war that had left the lands marred. Many people throughout Europe were hurt by the war and began to question the point of life amidst such destruction. This resonates with the modern audience as well because “The Stranger” continues to play on themes that can be seen in the horrifying occurrences that fill the media today (Rhein). Many atrocities allow a modern audience to relate to the events of WWII, such as the 9/11 terrorist attacks, the Rwandan Genocide, and the Haitian earthquake, which leave many questioning

Simmel defines the stranger as one that is both close and far; that is physically close, but socially distant. He disassociates his concept from the understanding of the stranger as one who comes and goes. Rather, the stranger he speaks of in this case is one who comes and stays, but has not been socialized under the same conditions as mainstream society. Despite this, the stranger is not a person who is withdrawn from society and is unaware of social norms. Rather, someone is inorganically appended to the society, but still an organic member of the group (ibid, 149). The stranger is seen as and valuable member of society because it is, in no way connected to any one individual. The stranger holds a certain objectivity, and can be confessed to without the threat of judgment on the confessor (ibid, 145).

In beginning with a reading of our week 5 source from “Stranger” in Credo, we evaluate the three different identities in a societies stranger, which will be continued on throughout this area of the paper. The first identity is “marginality” stranger. (2006) which part the stranger takes himself/herself inside and outside of the group. Example, imagine you have been born outside of the American culture and eventually moved to America by keeping both identities you have marginality. The second identity which is displayed is “remoteness and proximity” stranger. (2006) which corresponds to the space of an individual and the group and being united or not. Part three of the identity of a stranger is by far my favorite, I believe it corresponds with

There are a variety of people in our society and divide into two main groups. There are people who associate easily with other people are more likely to interact with people. However, there are people who live in a quiet do not mix with other people. We call those people an outsider. To define an outsider as a single sentence from dictionary.com, “A person not belonging to a particular group, set, party, etc” (1). There are also various definitions of the outsider. Among them, Wing Biddlebaum who is the main character in Anderson’s work is not an outsider from the beginning. He chooses to become an outsider because people are misunderstanding his action with hands. Emily who is the main character in Faulkner’s work is an outsider from the start. Emily, who grew up in a wealthy family, is afraid of people’ eyes to her.

Albert Camus creates a series of characters in The Stranger whose personality traits and motivations mirror those that are overlooked by the average man. Camus develops various characters and scenarios that are considered rude and unpleasant, but because it has become common, society accepts it as norms. Camus incorporates atrocious personality traits of the characters, variety, consistency, and everyone’s fate through the creation of the characters.

Reviewers note that the themes in “The Little Stranger” are alternately reflections of evil and the social upheaval of the class

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

How do you understand a stranger? How do you judge their actions? In Albert Camus’s existentialist text, The Stranger, the protagonist is a stranger to all but himself and because of his character, society finds Meursault guilty of being an incomprehensible and dangerous alien. The court that judges Meursault ignorantly sentences him to death. However, the first person perspective narrative allows the reader a glimpse into his mind, giving them a chance to understand his character and the actions that inevitably leads him to the guillotine. Although difficult to interpret, Meursault’s character, as it develops throughout his ‘normal’ life, can be expressed through more familiar medias. The main aspects of Meursault’s character — his