Georges Seurat 's A Sunday Morning On The Island Of La Grande Jatte

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

As Edgar Degas once said, “ Art is not what you see, but what others make you see”. The St. Louis Art Museum is a place for artist to display their art and give spectators the option to see art from a new perspective. This was the case for me. As we walked up to the beautifully structured building that stood so tall and wide, my expectations were extremely high. At first glance I notice the bronze statue of King Louis IX of France riding high on his horse. From this statue alone, my expectations of the art museum grew stronger. I have never been to an art museum before, so I wasn’t sure of what to expect. My first expectation was to see huge detailed sculptures right as I walked through the door. That expectation didn’t come true.

This Summer, I had the opportunity to spend my entire break attending conferences and interning at a lab at UCSD so I thought to myself I would never have the time to visit any art museum or do my summer assignments for that matter. That was until I realized I was living at a campus who had an art piece practically on every corner of their six colleges. I then began my journey, on scooter, to discover the hidden and the not so hidden gems The Stuart Collection at UCSD had to offer. It was then that I fell in love with 2 specific art pieces throughout the campus, those being Do Ho Suh’s Fallen Star, which depicts an immigrant’s transition into American culture, and Kiki Smith’s Standing, which depicts a seemingly tortured woman.

Helen Birch Bartlett Memorial Collection is a cornerstone of the Art Institute of Chicago’s distinguished holdings of Post-Impressionist and modern art. Assembled by Frederic and Helen Bartlett in the early 1920s, it was presented to the museum and placed on permanent display in 1926—at a time when works by Henri Matisse, Pablo Picasso, and even Georges Seurat were still considered too radical for the collections of most American institutions. Today the Helen Birch Bartlett Memorial Collection comprises some of the most important and iconic paintings of the late 19th and early 20th centuries.

For My Museum Essay, I have chosen Rogier van der Weyden’s “St. Luke drawing the Virgin” (c. 1435-40). First of all, this painting is an extraordinarily beautiful piece of art, with both meticulous details and true to life emotional state of the figures portrayed. And it intrigued me even more when I found out that there is a very compositionally similar painting by Jan Van Eyck (“Madonna with Chancellor Rolin”).

The Polk Museum of Art is a fairly small but unique collection of galleries near downtown Lakeland. It has several permanent exhibitions containing over 2,500 works of art (“Mission and History”) and also features new collections and works of art that it rotates out. PolkMuseumofArt.org explains which exhibitions are currently displayed and is updated to include upcoming events, descriptions of collections, and artists’ bios and statements on their works, as well as classes, camps, and speakers that will be held or featured at the museum (“Upcoming Events”). The website is an extremely useful tool to learn about the art that can be found at the local attraction, and it lends insight for visitors who want to know background

The Art Institute of Chicago is a world class museum with hundreds of thousands of artworks. The diverse collection spans thousands of years and includes pieces from a variety of media including painting, prints, photography, sculpture, decorative arts, textiles, architectural drawings and more. The Institute is known for its collection of impressionist and post-Impressionist paintings including Georges Seurat's 1884 "A Sunday Afternoon on La Grand Jatte," Renoir's 1879 "Acrobats at the Circque Fernando" and numerous paintings by Claude Monet.

17. On my museum experience, I took it in like every other visit to the museum I have ever had: much like other children expressed wonder and amazement at a circus performance or sports game; I was awestruck and mesmerized by the colors, the atmosphere, and the same restrained joy that I felt evident in the eyes of all the other observers. My girlfriend and I made our way through the museum, blending in with crowds of other viewers to see Cezanne, Gauguin, Brueghel, O’Keefe and the like in the permanent collection, making time to go from one end of the spectrum to the other. But my heart has always had a soft spot for

The artwork I have chosen from the book was the painting by Rogier van der Wayden called the Crucifixion with the Virgin and St. John the evangelist (c. 1400-1464). The work is done with oil painting on wooden oak panels. This painting is very meaningful and descriptive, while also telling a story. It portrays a very complex image of the crucifixion of Jesus Crist on the cross, and his mother, Virgin Mary and disciple John suffering his loss. This painting is divided into two panels, dividing the two scenes. I believe this type of painting would be presented in a church or museum setting, because of the bright and bold coloring. This work overall is resembling a very important time in history, and also has a lot more deep and hidden analysis

With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.

From my Museum visit Research Paper I went to the Art Institute of Chicago. When I got there I saw the Van Gogh’s Bedrooms exhibit. It was there main exhibit at the time I thought I would interesting to see his work in person. They were the bedroom in Arles the second versions to be exact not the sketches. The Art Institute had all three of the paintings there. I was drawn to this because I like to see what he tried differently form painting to painting. I wanted to see what he changed and what he kept so this was a perfect work to pick. The artist was Vincent van Gogh. He was born on March 30th, 1853 in Zundert, Netherlands and pasted on July 29, 1890. He was 37 when he died by a self-inflicted gunshot wound in Auvers-sur-Oise,

She neatly taped three posters on the blackboard. The first was a cheery painting of a late summer day in a park (my 3rd grader’s brain did not yet identify Seurat’s “A Sunday on La Grande Jatte”); the second was a painting of dainty ballerinas in lavish pink tutus gracefully practicing for a ballet (Degas, once again, at the time, was beyond my scope); lastly, was a vibrant sight of a brusque man leaving a sandy shoreline carrying a crate made of wood containing a mermaid. I still don’t know who the artist is, or the name of the painting, but back then, it mesmerized me.

Description: This painting is a little bit smaller than the human chest, standing at about 18.5 inches high, and 13.75 wide without the frame. The panel it’s featured on is a rectangle shape. Its hung with an interesting shaped frame, that is not the usual rectangle but rather a framed extended from a rectangle almost like a Japanese shrine with two pillars and a roof. The color scheme is very beautiful. It involves very dark characters in the forefront, with incredibly contrasting light and more comforting tones from the background. The Image represents a saint struggling to break free from the demons of sin and temptation

Albert C. Barnes was a man beyond his time. While the post-impressionists were being scrutinized and just starting to become better known, Barnes was collecting their work and amassing a huge collection of post-impressionist and early modern art. The Barnes Foundation, created by Barnes in 1922 to “promote the advancement of education and the appreciation of the fine arts and horticulture.”1, has one of the greatest collections of post-impressionist and early modern art in existence. With extensive collections from Renoir, Cezanne, Matisse, Picasso, and many more art masters of the time. These collections were artfully arranged for display in a building Barnes crafted specifically for the display and study of his collection. Barnes willed his collection to never be sold, rented, or lent to any extent and to stay where he left it. Since his sudden death in 1951, this statement has been scrutinized and debated, ultimately leading to turmoil and conflict even in the courts, and the collection was eventually moved from Barnes’ space in Merion County, Pennsylvania to the center of Philadelphia. This decision to move the Barnes Foundation, while questionable in process, was ultimately the right decision because the Barnes collection is so fantastic that everyone should be able to see it, opening to more viewers promotes the education that Barnes was passionate about, it was the best way to keep the Barnes Foundation open for business financially, and it is best for the art itself