Georgia O Keeeffe Biography

Georgia o'keeffe’s series of the Jack in The Pulpit contains several paintings depicting a specific type of bloom, including her “Jack In The Pulpit NO.4.” The first impression of this piece is that it is an abstract form of art, however this is not the case because it is representing a specific type of flower. This gives the piece a very specific subject that is being depicted. This is easier to identify once the Jack in The Pulpit no4 is placed back within the context of the series of painting that O’Keeffe painted using this flower as the subject, showing the importance of understanding context when looking at art historically instead of simple appreciation. The painting also appears to be idealized as O’Keeffe began with a view of the

Georgia O'Keeffe is one of the most influential artists there is today. Her works are valued highly and are quite beautiful and unique. As a prominent

A review of the world’s great artists conjures familiar images: Michelangelo’s Sistine Chapel; Vincent Van Gogh’s Starry Night; Pablo Picasso’s The Tragedy. There are many more, of course: Monet, Moya, Warhol, Rembrandt, Kandinsky. What is immediately noticeable, however, upon any brief study of art, is the significant absence of women as heralded artists—not only in our ancient pasts, but even today, amongst valiant efforts for gender equality.

Georgia O’Keeffe was an American artist born in 1887. She is best known for her paintings of enlarged flowers, and Red Canna, painted in 1924, when she was 36, is an example of this type of art.

Diego Rivera’s “Portrait of Marevna” was the first painting seen. This painting was a form of cubism and had many different colors, all more dark colors, forming into a person. If a family is waiting for their child while they undergo surgery, they will most likely be stressed out, and seeing darker colors in the painting can make them feel worse. Dark colors, like the black in this painting, can provoke evil and mystery, as that is what darker colors symbolize. Dark colors are not the most appropriate choice of colors one would want to donate to a Children’s Hospital, as families would want brighter colors to make them happier, since brighter colors are known to uplift people. Georgia O'Keeffe’s “Blue and Green Music” was also a beautiful painting. This painting was full of blue, green, and black colors all throughout the painting. This choice was not as

Georgia O 'Keefe was an American artist who began creating pieces that were very detailed, yet still abstract in some ways. In

Good Evening my fellow neighbors. Most of you know me and for the ones who do not, I am Mabel Dodge. I am the daughter from a family in Buffalo and had what was considered the best education for girls in the nineteenth- century. Instead of going to college, I got married, became a mother and soon, a widow. Later, I traveled abroad and soon married a Boston architect, Edwin Dodge who I later realized the passion I had was no more- so I divorced him. I became bored and began to crave art, the beauty and inspiration! A “salon” in Florence, Italy that I created for the purpose of attracting the most up- and- coming artists in Europe, had me become well known and even a muse for one of Gertrude Stein’s image poems. I reluctantly joined Edwin my husband at the time, who was eager to come back to the United States. I settled in an apartment on the lower Fifth Avenue which most of you have been in for my “evenings” of controversial debates.

As an eminent artist of her time, Augusta Savage played a vital role for the Harlem Renaissance as she provided support and received support throughout her life. Savage had received support through the early stages of her career, as a young artist in New York City she received financial support from her college. In 1921, Savage had been officially enrolled into an art class in Cooper Union which had not costed her a penny. Unfortunately, Savage lived in an impoverished family and did not have enough money to afford the accommodations she needed to continue her studies here. With much effort Savage had tried to afford the food and housing in New York but had to make the decision of moving back to Florida, but Savage’s hard work had payed off,

She is the author/illustrator of most of her books. Her illustrations are hand-drawn and very colorful. There is a lot of detail in the illustrations. Some of the illustrations have labels that tell what the parts of the illustration are or to explain what it is. Many of the people she creates have the same face shape, but each one is different in its own

2. Georgia O’Keeffe began to paint skyscrapers while she was living in New York in the Shelton Hotel. By living on a very high floor of the hotel, her and her husband, Alfred Stieglitz, felt untouchable. She felt that skyscrapers were the first American structure to capture international attention, and that they gave New York a unique and global type of quality. One of her paintings was of the Radiator Building, which when she painted, she wrote her husband’s name to promote his paintings. O’Keeffe’s first city picture was “New York at Night

Below is a brief biography of one of the youngest African American artist Kara Elizabeth Walker. Walker was born in November 26, 1969 in Stockton, California, US. Currently, she lives in New York, NY. Walker’s dad Larry Walker is an art professor and her mother Gwen Walker is a clothing designer. In 1996, Walker married Klaus Burgel, who is a jewelry designer and they both gave a birth to a daughter name Octavia. Walker has been educated at Atlanta College of Art, BA, 1991 and Rhode Island school of design, 1994. Just right after she graduated in 1994, she started a career as a professor. However, the time when she traveled to New York City to join a meeting, her friend persuaded her to hand in her work in the Drawing Center. That was the turning point of a professor to an artist (“Kara Walker” Contemporary). Walker worked in a several of medium such as: “Paper cutouts, gouache mixed with coffee, brass rubbing and overhead projectors” (Harvey).

At first glance, the similarities between Vincent van Gogh and Georgia O’Keeffe appear minimal at best. A young van Gogh died penniless and largely unknown in a remote backwater in the south of France, while O’Keeffe lived out a long and illustrious life as one of the most famous artists of the early twentieth century. Where O’Keeffe was the object of admiration and fascination, van Gogh was the object of pity and derision. Where O’Keeffe was heralded in her lifetime for capturing the spirit of the desert landscapes of her beloved New Mexico, van Gogh was a was a man without a country, driven by destitution and illness to wander Europe in search of peace and some measure of stability. Despite their differences, however, O’Keeffe and van Gogh share vital similarities. Both van Gogh and O’Keeffe used art to advocate for the inclusion of the disenfranchised and the forgotten (namely, the poor and the ill in van Gogh’s oeuvre and women in O’Keeffe’s); both revolutionized how the natural world is seen; both are characterized by aesthetic styles which are highly sensory and sensual, representing psychological and physical states in such groundbreaking ways that they change the modern world’s understanding of what it means to be human.

There are two artists from distinct eras, who have made a profound impact on the world of illustration. One artist is a contemporary icon known for his success within the movie industry with his creations used in the 1980s Oscar winning movie, Alien (HR Giger). H.R. Giger was born in Chur, Switzerland in 1940. Though he studied architecture and industrial design, he became one of the most famous surrealist artists concentrating on works of fantastic realism (HR Giger). The other artist used her illustrations to bring children’s literature to mainstream society in the early 1900s: Helen Beatrix Potter. Born on July 28, 1866 in Kensington, London, Potter was a self-taught illustrator, who found recognition and success within a male dominated society (Beatrix Potter).

For this assignment, I chose to write about Paula Scher, a female graphic designer who changed the meaning of graphic design with her use of text within an illustration and her careless attention to neatness and staying within gridlines. After reading her Wikipedia page, I found that she is a DC native who is now based in New York City, working with one of the greatest design agencies in the world, Pentagram. After high school, she attended Tyler School of Art in Pennsylvania and graduated in 1970 with a Bachelor in Illustration and later received her doctorate in fine arts from Corcoran College of Art and Design.

In the early 1900s, feminine and gay stereotyped artists were not looked upon in the greatest of lights. Critics believed that female artists were going against traditional gender spheres by stepping out of the domestic role. Homosexuality art, since many attributed it to feminine tendencies in males, was lesser than the typical male produced art; individuals thought there should be a remedy for those who identified as homosexual, in specific. Artists like Georgia O’Keeffe and Charles Demuth attempted to combat critics and the public’s dislike by hinting at femininity and homosexuality in their artworks.