Essay on Georgia OKeefe (includes annotated bibliography)

In this paragraph, it tells about the culture of Georgia. The first people that stepped on Georgia's land stepped on it about 10,000 years ago. Georgia is located along the Atlantic Ocean and is Southeastern in the United States.Georgia is roughly about 57,906 square miles and it’s population is about 8,186,453.The capital of Georgia is Atlanta and it was admitted to the Union on January 2,1788, also it was the fourth state that had been named.It is usually pretty hot in the Summer and pretty humid in the Winter. Known for its many larger cities which are Atlanta, Augusta, Columbus, Savannah, Macon, Sandy Springs, Marietta, East Point, North Atlanta, and Alpharetta. Its the youngest of 13 former English colonies and East of the Mississippi River.The motto is Non sibi sed allis which means , ‘Not for self, but for others.’ It means that don’t be so selfish,sharing is caring. It was the first state to vote against ratification of the 19th Amendment, which is giving women the right to vote.Georgia was found in 1732, at which time it’s boundaries were even larger.Out of any state in the South, it had the largest number of plantations. White males owning at least 500 acres of land could be elected and pass laws for the colony. The state grows many

Georgia o'keeffe’s series of the Jack in The Pulpit contains several paintings depicting a specific type of bloom, including her “Jack In The Pulpit NO.4.” The first impression of this piece is that it is an abstract form of art, however this is not the case because it is representing a specific type of flower. This gives the piece a very specific subject that is being depicted. This is easier to identify once the Jack in The Pulpit no4 is placed back within the context of the series of painting that O’Keeffe painted using this flower as the subject, showing the importance of understanding context when looking at art historically instead of simple appreciation. The painting also appears to be idealized as O’Keeffe began with a view of the

Have you ever wanted to explore and find out new things about a different state? Well, in this informational passage, you will find out about different places and resources. You will also find out a lot about history, geography, and some strange state facts that you never knew. You’ll also get to know a few names of famous people that were born in Georgia. So, let’s get started and explore this wonderful state!

Close observations of O'Keeffe's flowers show that she never really pursued the realistic approach. She didn't paint every petal and detail. Instead she gave her flowers a life of their own, and expression that changed significantly

The acclaimed book begins with Georgia beginning as a dry and modest colony. As the years pass, these ideals and morals are changed to desiring more than a hardworking farmer. The people of Georgia desired to have slaves. Therefore, Georgia changed and started a path to become identical to South Carolina. However, as the amount of plantations sky-rocketed, so did the need for more slaves. It is a marvel to imagine that I live in the city of Savannah that was a beacon for the selling and exchanging of human beings.

Did you know that before the late sixteenth century few besides the Indian tribes knew of the Georgia territory? Even though, Hernando Desoto traveled through Georgia during his expedition in the 1500s, the growing interest in this area wasn’t until King Charles II granted Carolinas a land expansion in 1663. Georgia was not only the beginning of a new commonwealth, destined to become an important State of the American Union, but also the spirit and purpose led to the colonization of Georgia becoming one of the most significant events in its History. Even so, what was England’s purpose to partake in colonizing the thirteenth and final original colony? After much research, I found that there are many motives as to why England formed the colony of Georgia, but the significant intentions were to aid the unfortunates, to express the idea of mercantilism, and to set up defenses against Spanish Florida.

Postmodern American artist’s Cindy Sherman and Kara Walker critique and question grand narratives of gender, race and class through their work and art practice. Cindy Sherman, born 1954, is well renowned for her conceptual portraits of female characters and personas that question the representation of women, gender identity and the true (or untrue) nature of photography (Hattenstone 2011). Kara Walker, born 1969, is known for her black silhouettes that dance across gallery walls and most recently her sugar sphinx, A Subtlety, address America’s racist slavery past (Berry 2003). These practitioners differ in their practical application of different mediums, Sherman constructs characters and scenes of stereotypical female personas in her photographs where she operates as the actress, director, wardrobe assistant, set designer and cameraman (Machester 2001). Simone Hatenstone, writer for The Guardian, states “She 's a Hitchcock heroine, a busty Monroe, an abuse victim, a terrified centrefold, a corpse, a Caravaggio, a Botticelli, a mutilated hermaphrodite sex doll, a man in a balaclava, a surgically-enhanced Hamptons type, a cowgirl, a desperate clown, and we 've barely started.” (Hattenstone 2011).Whereas, Walker creates paper silhouettes that are installed into a gallery space, as writer Ian Berry describes,

Georgia O’Keeffe was born to the parents of Francis Calyxtus O’Keeffe and Ida (Totto) O’Keeffe on November 15, 1887 near Wisconsin. Georgia was the second oldest child and by the age of ten she knew she wanted to become an artist someday. Her first aspiration was doing abstracts. She was selective about what she painted, but often times she would paint to please others and not herself. Her paintings were thought of as sexual paintings because of the way they were drawn and painted in which she would say is one’s own opinion. Georgia O’Keeffe was best known for her flower canvas and southwestern landscapes. Her husband who is a famous photographer by the name of Alfred Stieglitz used to paint nice portraits of her. She was very fond of him, they both liked what each other did as far as how they were making ends meet, and he just didn’t want her to sell any of her paintings. He would often times tell people “No” so they wouldn’t buy any of her paintings because he wanted them all to himself. She had an interest in nature and used bright colors in her paintings.

In the twenty first century there are a few men in this world that admits when you think of artist, you don’t typically think of women. Women rights and racism play a strong role when it comes to African American female artist. For decades’ African American woman have always had a permanent double bull’s eye on their back. Their skin and gender was their worst enemy. In the 1700 century women rights movements started to rise. But if you look up women right movements starting in the 1700 century, the face of women rights is predominantly white women. Between books and the internet, they show that it was mostly white women who helped woman rights. If we still struggle to shine light on African American Women now in the 21st century, you cannot

The state of Georgia earned the nickname "The Empire State of the South" in the antebellum period largely because of its textile industry. From 1840 until 1890 the state consistently led the South in textile production,

At first glance, the similarities between Vincent van Gogh and Georgia O’Keeffe appear minimal at best. A young van Gogh died penniless and largely unknown in a remote backwater in the south of France, while O’Keeffe lived out a long and illustrious life as one of the most famous artists of the early twentieth century. Where O’Keeffe was the object of admiration and fascination, van Gogh was the object of pity and derision. Where O’Keeffe was heralded in her lifetime for capturing the spirit of the desert landscapes of her beloved New Mexico, van Gogh was a was a man without a country, driven by destitution and illness to wander Europe in search of peace and some measure of stability. Despite their differences, however, O’Keeffe and van Gogh share vital similarities. Both van Gogh and O’Keeffe used art to advocate for the inclusion of the disenfranchised and the forgotten (namely, the poor and the ill in van Gogh’s oeuvre and women in O’Keeffe’s); both revolutionized how the natural world is seen; both are characterized by aesthetic styles which are highly sensory and sensual, representing psychological and physical states in such groundbreaking ways that they change the modern world’s understanding of what it means to be human.

Georgia O’Keeffe was an American artist, who is known for her creative, bold art and for her style of painting. Georgia was born on November 15, 1887 and grew up near Sun Prairie, Wisconsin. Georgia’s family moved to Virginia making Georgia and her siblings switch schools. When Georgia excelled in her school’s art program, she started her art career. Georgia continued this career when she attended the art institute of Chicago.There, Georgia learned more about painting and exhibited her first paintings in 1916. She was recognized as an important artist when her paintings of flowers, landscapes, and skyscrapers became well known. Georgia died in 1986 at age 98. She was one of the greatest American modernism

Last but not least, both of the people in these paintings are woman. However, these two painting also have many differences. Georgia was painted in color while, Fanny was painted in black and white. Georgia was painted in 1984

Jeanne Dunning is an artist that studied at Oberlin College in Ohio and has exhibited the majority of her art in Chicago. Dunning works primarily with photography and is heavily inspired by the Surrealism movement, shifting reality in the way she portrays human body parts to convey strong themes of sexuality and feminism through a bizarre sense of humor. Dunning has a long history of creating images revolving around female sexuality, including a series she named “Untitled Landscapes,” which consisted of extreme close-ups of human body parts, as well as a series of photographs incorporating close-ups of fruit that strongly resemble female genitalia. Dunning also draws upon classic art categories such as portraits, landscapes, and the nude, playing on the expectations of these categories to reveal sexual implications. Her unique use of sexually charged images that play with the expectations of her viewers allows Dunning’s art to “[fit] within Postmodern concepts of sexual politics.”

A fear of social stigma was one factor that kept women from supporting each other. In "The Feminine Mystique", Betty Friedan discusses how American housewives went about