Georgina’s Struggle for Freedom in The Cook, the Thief, his Wife and her Lover

Melton McLaurin’s book Celia, A Slave is the account of the trial, conviction, and execution of a female slave for the murder of her “master” Robert Newsom in 1855. The author uses evidence compiled through studying documents from Callaway County, Missouri and the surrounding area during the middle of the Nineteenth Century. Although much of what can be determine about this event is merely speculation, McLaurin proposes arguments for the different motives that contribute to the way in which many of the events unfold. Now throughout the book the “main characters”, being Celia, her lawyer Jameson, and the judge William Hall, are all faced with moral decisions that affect the lives of two different people.

At the beginning of the short drama, “Trifles,” Mrs. Peters, the sheriff’s wife, is painted as timid and submissive wife. She willingly submits herself to the responsibilities she has as a wife. As the play unfolds, Mrs. Peter’s submissiveness begins to diminish. Mrs. Peters and Mrs. Hale work together to uncover the murder of Minnie Wright’s husband. When the women find the evidence, they refuse to share it with the men. Mrs. Peter’s character transforms into a more confident individual over the course of the play.

“My Last Duchess” by Robert Browning and “ The Rape of the lock” by Alexander Pope are two poems that convey a theme of love and objectification towards women.For instance, both poems are similar in their use imagery and metaphors to grasp their audience attention. For example, in “My last duchess” the author shows the wife in the poem as an item controlled by her husband and uses his love for her as an excuse to abuse his power. Her life is ruled by him and she would have to deal with his insane jealousy because his obsessiveness is dominating his reality of his relationship . In this poem the male role has many characteristics one of them being paranoid and not helping him reflect on reality by him owning shrine of items that belonged to all his earlier wife’s. His late wife is shown as a piece of imagery where she is kept on a wall trapped not able to leave his sight or be allowed interact with others. (Browning,1-2) In “ The Rape of the Lock “ the poem starts off with Belinda,the main character, in a dream sent to her by her guardian Sylph. The dream sends a message to Belinda that she must be careful with all men in her life once she has received the message she awakens to a love letter at her sight and forgets the dream in its entirety. Throughout the course of the poem Belinda’s Sylphs are required to protect her chastity and help her contain her purity.. The man in her life is using her as an item and not as a human being.Pope encourages these characteristics

The Book Thief, is a Death narrated novel by Markus Zusak. The story takes place in Nazi Germany, 1939, where Liesel Meminger arrives on Himmel Street to start a new life with her foster parents, Hans and Rosa Hubermann. She lives to a very old age and when Death finally comes to take her away, he wants to tell Liesel about beauty and brutality. But what could he tell her about beauty and brutality that she didn’t know, the Book Thief had lived through it all. The time she saw Max marching to Dachau, the time Rudy went into the Amper River to save The Whistler, and the final moments she spent with Mama. Liesel Meminger’s life had always represent beauty in the wake of brutality.

In the passages from the novels The Georges and the Jewels and Black Beauty: The Autobiography of a Horse Both were written in the first person point of view. In the first passage from The Georges and the Jewels the point of view is first and it is told in a person's point of view. In the second passage from Black Beauty: The Autobiography of a Horse the point of view is first, but it is a horse's point of view. There are a couple more similarities and differences on how the author uses the point of view to develop a character

However, Susan Glaspell uses the kitchen in the plot as another theatrical metaphor for a domain of gender identification because it is a women’s domestic territory where women’s life is revealed through common kitchen items. Throughout the play, we can distinguish the roles given to women in that era. In this era, women’s roles were generally reproductive, so they have been relegated to the home with less interaction with the outside world. Because kitchens have often served as work spaces, women have found a sense of empowerment through domestic tasks such as cooking, food knowledge, and efficiency of the kitchen. These conditions reveal the state of mind of women in the play. Minnie Wright’s “gloomy kitchen” (Glaspell 443) is “left without having been put in order—unwashed pans under the sink, a loaf of bread outside the breadbox, a dish towel on the table—other signs of incompleted work” (Glaspell 443). She lost her motivation to do housework chores, which represents that her mind is battered and leads to Mr. Wright’s murder—he has distorted her life.

In his story, Banks makes us meet our main character, Gregory Dodd, who is going through a psychological crisis. After ending his two previous marriages, first in adolescence and second—a fifteen-year-long marriage—in late manhood, he is now dating a woman named Susan who is ten years younger than him. Gregory’s life—as successful and fulfilled as it may seem at first glance, is far from how it is portrayed to be in actuality. On closer inspection, we see that Gregory lives in self-deception. One of his first delusion surfaces when we come across his fear of

The Palace Thief, a short story written by Ethan Canin, explains the bond through the narrator communications. The interactions with the characters demonstrate the character's personalities, experiences and the family shapes of individuals selfhood. The narrator of the story mainly focuses on the twist of an individual character. In this essay, I'm going to go over the relationships and correlations of characters William Hundert (Mr. Hundert), the three-year teacher at St. Benedict Academy, Charles Ellebry, who went against Mr. Hundert for teaching duties, Sedgewick Bell, who was a very clever student, and Senator Bell, who was a powerful demagogue.

The play ?Trifles?, by Susan Glaspell , is an examination of the different levels of early 1900?s mid-western farming society?s attitudes towards women and equality. The obvious theme in this story is men discounting women?s intelligence and their ability to play a man?s role, as detectives, in the story. A less apparent theme is the empathy the women in the plot find for each other. Looking at the play from this perspective we see a distinct set of characters, a plot, and a final act of sacrifice.

Glaspell develops the theme of gender roles by what Mrs. Hale and Mrs. Peters fret about at the crime scene. For instance, the first concern that Mrs. Peters voices revolves around Mrs. Wright’s fruit preserves and implies that the women are housekeepers. Both the Sheriff and Mr. Hale remark about how the women are “worryin’ about her preserves” and “worrying over trifles” (Glaspell 3). Later, when the men go upstairs to look for evidence, the women decide to bring Mrs. Wright’s apron, fruit, shawl, and quilt for her in prison. To further establish Mrs. Wright as a domesticated housewife, Mrs. Peters suggests that Mrs. Wright wants her apron “to make her feel more natural” (Glaspell 5). Because of what Mrs. Hale and Mrs. Peters discuss at the crime scene, Glaspell verifies that the women play the role of housekeeper and cook.

    The renowned poet, Richard Lovelace, once wrote that "Stone walls do not a prison make, nor iron bars a cage." Although many think of a prison as a physical building or a jailhouse, it can also be a state of mind. A great number of people are imprisoned mentally and emotionally. Charles Dickens expresses this message in his eminent novel, Great Expectations. This book is about a simple laboring boy who grew into a gentleman, and slowly realized that no matter what happened in his life it couldn't change who he was on the inside. On the road to this revelation, Pip meets many incarcerated people. Through these people, Dickens delivers the message that people can be

Catherine is so wrapped up in her fictional world of reading that she becomes ignorant of her real life issues with Henry Tilney, for whom she has been love-struck since their introduction. She entertains herself with wild imaginings about his life and family. Catherine's imaginings foreshadow her eager desire for mischief as Austen's story develops. Catherine is endowed with a vivid imagination, but she has not yet learned to use it in concert with her perception, especially in understanding the interactions between people.

“The Devil’s Wife” by Carol Ann Duffy is a tragic and powerful poem. Written in the form of a dramatic monologue, Duffy adopts the persona of Myra Hindley, the notorious Moors Murderer. The poem consists of five individually titled sections, each describing an individual part of Hindley’s experiences from meeting Brady to feeling sorry for herself while sitting in her prison cell. At the end of her life. Themes relating to avoiding responsibility, self-pity and her fear of society’s reaction to her crimes are explored as Duffy creates an effective persona.

Mrs Hayward is a contradictory character who is established through Stephen’s fragmented memory to be both a character of smiling perfection and a broken woman, sitting in the dust weeping. She is both the embodiment of a perfect British wartime wife and a character of suspicion; a spy, a traitor, the epitome of deceit and the focus of two young boys’ overzealous imagination.

The Vengeful Miss Havisham - Great Expectations. In Great Expectations, by Charles Dickens, Miss Havisham is a complex character whose past remains a mystery. We know about her broken engagement, an event that changes her life forever. Miss Havisham desperately wants revenge, and Estella, her adopted daughter, is the perfect tool to carry out her motives.