Ghosts by Naomi Wood

“Your life does not get better by chance, it gets better by change.” Jim Rohns quote highlights the basis of Debra Oswald’s play Gary’s house, and also Miroshav Holubs poem The Door. This essay will explore the notion that change causes people to shift their thinking and actions after significant catalysts. Gary’s House illustrates many of the issues and predicaments confronted by the characters and how their alteration in behaviour can have a beneficial outcome for them or others around them. The concept of "The Door" is based on the idea of taking risks and embracing change. The poet uses persuasive techniques to encourage and provoke the audience to take action.

Mia has been living in New York City for about 9 months and coincidence brings Adam there alone. The two of them meet again and spend a night together exploring as Mia shows him her favorite places in the city reminiscing about the past and old times. Adam and

The main theme in the book, The Dark is Rising, is obviously the conflict between the dark and light. It is one of the many suspenseful fantasy books about the battle between good and evil, Susan Cooper wrote about the dark, light, and the mystical powers.

Accused witches were forced to admit to various practices believed to be witchcraft. Details from the French Court of Rieux and the insanity that ensued are jaw dropping by today’s standards. Suzanne Gaudry’s judgement confession was no different, being forced and tortured into confessions including having given herself to the devil, renouncement of God, lent and Baptism. Moreover, Gaudry was also forced to confess that she had cohabited with the devil as well received the devil’s mark on her shoulder and being at dances. Of note however, the judgement confession seems to acknowledge Gaudry having technically only confessed to having had killed by poison, Philip Coine’s horse. Nevertheless, Gaudry’s confession was made

The poem “Mothers and Daughters” is written by Pat Mora. Pat Mora is a contemporary award winning writer, who writes for children, youngsters and adults. She was born in El Paso, TX in the year 1942. She attains a title of a Hispanic writer; however, the most of her poems are in English. In her literary work, one can observe the different aspects of the immigrants’ lives such as language issues, family relationships, immigrants’ experiences and cultural differences (1187).

In “The Victims” by Sharon Olds it describes a divorce through the eyes of the parents’ children. The first section is shown through past tense as the speaker is a child and the last section is shown in present tense with the speaker already being an adult trying to make sense of past events. The word “it” in the first two lines carries a tremendous weight, hinting at the ever so present abuse and mistreatment, but remaining non-specific. The first part generates a negative tone toward the father who is referred to as malicious by the mother who “took it” from him “in silence” until she eventually “kicked him out.” Through the entirety of the poem the children are taught to hate their father. Who taught them? Their mother showed them that their father was a villain and were taught to have no sympathy for him but “to hate you and take it” and so they did so. Although the poem never directly states what the father did to receive the family’s hated, the speaker gives examples as to why he is hated.

The Spirit Catches You and You Fall Down, by Anne Fadiman, is the story of two very different cultures lacking understanding for one another leading to a tragedy due to cultural incompetence. Today in America there are very many different cultures. Health care providers need to be aware of cultural diversity and sensitivity when caring for patients. If a health care provider is not sensitive towards a patient’s culture it can cause a relationship of mistrust to form, lead to barriers in the plan of care, and increase health care cost. The current guidelines to promote cultural competence in the clinical setting include completing a cultural diversity self-assessment, identify the need of the population served, evaluate barriers in the community and practice, educate staff to cultural diversities, schedule longer appointments, clarify limitations, and identify alternatives offered (Cash & Glass, 2014).

Why acknowledge history? The solution is because we essentially must to achieve access to the laboratory of human involvement. In the essay “Haunted America”, Patricia Nelson takes a truly various and remarkably gallant stance on United States history. Through the recounting of the White/Modoc war in “Haunted America,” she brings to light the complexity and confusion of the White/Indian conflicts that is often missing in much of the history we read. Her account of the war, with the faults of both Whites and Indians revealed, is an unusual alternative to the stereotypical “Whites were good; Indians were bad” or the reverse stand point that “Indians were good; Whites were bad” conclusions that many historians reach. Limerick argues that a very brutal and bloody era has been simplified and romanticized, reducing the lives and deaths of hundreds to the telling of an uncomplicated story of “Good Guys” and “Bad Guys”.

This applied theory paper will analyze both the macro and micro analysis of the Novel, The Spirit Catches You and You Fall Down, by Anne Fadiman (Fadiman, 1997). In the book “The Spirit Catches You and Falls Down”, the character Lia illness resulted in a cultural divide between the Hmong culture and the American culture. Throughout this paper both the conflict theory and the family systems theory will be used to examine themes of behaviors among the characters in the text. The family and medical team use the applications of a number of different social work theories to navigate through her illness implementing a number of different strategies to nurse her to health. The author Fadiman explores the Lee’s family

In the “Invisible Child” written by Andrea Elliot, a lifestyle of a homeless girl named Dasani and her family is shown. Elliot displays Dasani’s culture, and some of the struggles that she and her family face daily because they are homeless. Dasani is very dedicated to her school work. She wants to be better than anyone in her family ever was so she doesn’t have to worry about being homeless for the rest of her life. In some ways I can relate to Dasani, I am very passionate about my school work as well. I want to excel so I can be my very best in the future. However, our reasoning’s for wanting to be the best we can be are a little different. She wants to excel so she no longer has to worry about being homeless whereas I’ve never been homeless so I cannot say the exact same. I grew up being a very privileged kid. Both of my parents worked full time good paying jobs. I’ve never had to want for much of anything. My parents have always spoiled me with nice things, they have always made sure my siblings and I had nice clothes and a decent meal to eat. They are even paying for me to attain a college education. Dasani and her family however are a lot different from mine. In the “Invisible Child” Elliot tells us how Dasani’s parents do not have legit jobs, instead they have side “hustles” that only bring in a few dollars. Elliot states (2013) that a lot of mornings Dasani was starving at school because she had no breakfast. Dasani and her siblings also had to wear clothes that were

For this paper, I read the graphic novel, One Hundred Demons by Lynda Barry. Barry’s novel is similar to Kochalka’s series, American Elf since her life is the main plot and focus. Like the title, Barry divulges into instances from her life that could be considered a demon, or something negative. For example, the first demon she discussed was about her first love and how much he differed from one of her boyfriends. This was considered a demon to her because of how he treated her and how she felt better off without him. In a way, this novel is Barry’s method of expressing her negative moments and sharing them to the public. Not only does this graphic novel encourage others to speak about their demons, Barry is healing herself from her negative

Ghostly representations of “the other” imagine a social evil that has not been put to rest. These images reoccur in the Western canon, marking the persistence of slavery long after its abolition. Haunting, ghosts and skeletons in Benito Cereno act as a vehicle through which the suppressed return to the stage with a message. The ghosts carry with them all that the imperialists wanted to control, including emotions, and more precisely, the emotions of the oppressed. I argue that ghosts and skeletons comprise an area of tension in which the appearance of the “other” reveals that the dominant party’s control is incomplete. Yet, the presence is merely ghostly due to the constant policing and lack of respect for the Other. These ghosts also break through the boundaries of the dominant culture’s paradigms and identities (Harpham 17), signaling potential political crisis. This text signals the fear of the retaliation of the Other through ghostly representations by projecting on to the other, their own identities of brutality and irrationality. “Benito Cereno” by Herman Melville overturns the racist images of the colonized by relocating evil in the order of slavery. Hauntings carry the perspectives and powers of the slaves by preserving the dead amidst the living and the past amidst the present, they muddle up the concept of time and therefore defy the Western dream of complete control.

A urine smell mingles with the smell of popcorn when I enter Callaway’s Nursing Home in Sulphur, Oklahoma. I wrinkle my nose. It is three in the afternoon on a Friday in February, and the television in the lobby is showing Bonanza, and a few residents are intently watching the troubles of the Cartwright family. I see Amy Wilke (who is a hospice nurse for Valley Hospice) sitting in a well-worn recliner in the lobby talking to an elderly male resident. Amy is dressed in white scrubs with pink smiley faces. Amy has a kind face with twinkling blue eyes that can express compassion, joy, and sorrow. She has on a glittery pink headband, and her attire clashes with the subdued clothing of the residents and the bleak

The short story was very interesting due to the main character Silvia. She was over one hundred years old and only a head. She was completely relying

“Night, Mother,” by Marsha Norman deals with the topic of suicide and the thoughts associated with coming to this final conclusion. The reader is introduced to Jessie, a recently divorced woman and Thelma her mother. Jessie’s characterized as being in her thirties and epileptic. One would think that this epilepsy would be the main contributing factor in Jessie’s decision to commit suicide however it is but a minute factor in the final conclusion. Towards the ending of the play Mama is trying her hardest to keep Jessie from committing suicide but the scenes do not seem to only be about Jessie.