Gian Lorenzo Bernini Research Paper

Giovanni Gabrieli was a legendary composer of the 16th century. As the fundamental structure and ideas of the Catholic Church were being challenged by the Protestant Reformation and the Counter-Reformation, Gabrieli’s compositions were given the opportunity to be successful and influential to music in the coming centuries. His works helped to transform not only church music of the Catholic Church, but also secular music as well. Giovanni Gabrieli wrote significant works that ultimately shaped the rise of the symphony, including the development of purely instrumental works, the art of orchestration, and the concerto style. Without his innovations in composition, it is arguable that instrumental music would not have developed as quickly, or developed

The masterworks of Bernini and Canova shared similarities along the lines of the sculptors’ works were crafted with precision and a keen eye for detail and were successful in giving their works a realistic effect. Both workers were masters in their own time and were able to manipulate marble to as though they were constructing a painting. They both incorporated classical forms in their works, depicting great scenes from mythical stories that could be viewed in great detail at a 360-degree angle.

One of the most famous painter and sculptors of the Italian Renaissance, the age of renewal and cultural achievement circa 1500, was the artistic genius Michelangelo Buonarroti. The man that desired nothing but perfection often reached it in his work. He captured the motion of the human figure and the anatomy of muscles in a way that was increasingly beautiful and startlingly realistic. Whether because of one of the most famous sculptures in history, “the David” or the paintings on the ceiling of the Sistine Chapel, that became the textbook examples for the art period of High Renaissance, Michelango’s art changed the world and he will continue to be studied with awe throughout history.

Benedetti was the youngest child in a family of six. His father wasn't around as much because of working in the mines and his mother was busying with the others to pay attention to him. When he was able to speak and walk, he started to follow his older brothers' around. Almost all of the brothers didn't care except his second youngest, Ermilo. Ermilo wasn't the smartest person around, but he knew enough to stay out of trouble.

Brought into this world on April 15th, 1452 was the famous artist Leanardo Da Vinchi. One of the atist that was able to master the “Vanishing point” Though he was mostly known for being an incredible artist, due to him not be a profile artist, he had many other outside interest. H e was known to be many other things, such as a painter, a sculptor, an architect, a military manufacture, an inventor, and a drafts man. However, within this essay, I’m going to be describing his journey through out his art work.

Without the guidance and support of Lorenzo Medici, a patron of the arts who lived in Florence (1449-1492), the art and architecture of the fifteenth century and its influence on later art would not be as great as it is today. Guided by the way he was raised, those he had around him, and what he did for the art community, even as a young patron, de’ Medici changed the time period itself. Earning the title Lorenzo de’ Magnifico for his success promoting and supporting artists, and not because of his political leadership, Lorenzo Medici made an important contribution to the world of art and architecture as one of the time’s major patrons. Throughout this research paper, I will write about several different aspects of de’ Medici’s life. First

A comparison of the style between the famous Italian Renaissance Sculptors Michelangelo, Bandinelli, and Giambologna

Paolo was born in the city of Verona in 1528. Paolo’s father worked as a stonecutter and his mother was the daughter of a nobleman called Caliari. Although Paolo’s mother was an illegitimate daughter of the nobleman, Caliari, Paolo still adopted that as his name, becoming Paolo Caliari. Paolo was nicknamed “Veronese” after his birthplace, Verona. As a young boy, Veronese was trained as a stonecutter, like his father, but when he was fourteen Antonio Badile, a painter, began training Veronese as his apprentice. Because of Badile, Veronese gained a passion for paintings that included people and architecture mixed together, as well as a basic painting technique. Aside from Badile, several painters including, Giambattista Zelotti, Paolo Farinati,

Michelangelo Buonarroti was born on March 6, 1475, in Caprese, Italy. He worked for the Florentine government. Florence in the Renaissance period, was an important art center, and opportune Michelangelo’s talent to develop. At 13, Michelangelo was a painter, and known for his murals. A year later, his talent take attention of Florence’s leading citizen, Lorenzo de’ Medici, who enjoyed his work invited Michelangelo to reside in a room of his home.Michelangelo learned the scholars and writers in Lorenzo’s circle, and his work later would be informed by what he learned about philosophy and politics in those years. Although Michelangelo expressed his genius, he always consider himself a sculptor first.

Gian Lorenzo Bernini was a traditional sculptor that was born in 1598 and created art pieces such as “Apollo and Daphne” for well-known churches in Rome. On the other hand, Ron Mueck is a contemporary sculptor from Australia who is known to use hyper-realism when creating magnificent sculptures of the human form.

Donato Bramante was best known for his architecture and his painting.This is what made him such an influential artist. Donato’s architectural skills far surpassed his

Now, even though Alberto grew up in a stable family home, events that happened in his later life caused him to feel alone and by himself in the world. As he got older he has a lot of family issues that he had to deal with, like his brother, Diego, getting very sick. This had a huge impact on him. In addition, his father died in June 1933.  Giacometti was not able to see his father before he died and this took a huge toll on the artist. “Instead of taking charge of funeral arrangements…Alberto took to bed in a nearby room of the hospital, lying rigidly stiff like his dead father.” (Alberto Giacometti: Myth, Magic, and The Man, Lauri Wilson) He only got out of bed after the funeral and he did not even attend it. Then, not shortly after that he

In 1408, I was back in Florence at the workshops of the cathedral and completed the life-sized marble sculpture, David. It has a Gothic style and an expressionless face. It reflects the influences of sculptors of the time. David is probably one of my most famous works. I also developed my own style with figures that are much more dramatic and emotional. Between 1411 and 1413, I sculpted the marble figure, St. Mark. In 1415 I completed the marble statue of a seated St. John the Evangelist for the cathedral in Florence. Around 1425, I began a partnership with Italian sculptor and architect Michelozzo. WE went to Rome and made several architectural sculptor tombs, including the tomb of Antipope John XXIII and the tomb of Cardinal Brancacci. In 1430 Cosimo de’ Medici assigned me to do another statue of David but this time in bronze. Then in 1443, I was called to the city of Padua by the family of Erasmo da Narni. In 1450, I completed a bronze statue called Gattamelata. It showed Erasmo riding a horse with full battle dress. Finally in 1455 I returned to Florence and completed Magdalene

Indeed, it is not possible to imagine someone could compete with Gianlorenzo Bernini in feeling of the Baroque style in sculpture. Thus, the most prominent works of the artist, known for

In 1498, Michelangelo relocated to Rome, where he caught the attention of another cardinal, Jean Bilheres de Lagraulas, who was also a representive of the french King Charles VIII to the pope. Michelangelo during this time created his “Pieta”, which is now presently in the St. Peter’s Basilica, in Vatican City