Gilgamesh And Happiness

The story of “Gilgamesh” depicts all of the heroic triumphs and heart-breaking pitfalls a heroic narrative should depict to be able to relate to today’s audience. However, “Gilgamesh” was once considered a lost and forgotten piece of literature for thousands of years, so there is a tremendous gap between the time it was created and the time it was translated into language that today’s audience can understand. That gap in history makes several aspects of the story of “Gilgamesh” strange and unfamiliar because what we now know about ancient Middle Eastern cultures and languages is a lot less than what we know about the cultures that prospered after ancient Middle Eastern cultures. Much of the content in the story of

The short epic revolves around the namesake character Gilgamesh, who regularly acts impulsively using his intuition and instincts without heeding the advice and wisdom of others. The adventures and downfalls of Gilgamesh illustrate why using reason matters so much. Gilgamesh’s propensity for rashness can be seen early on in the epic when he meets Enkidu and immediately decides to go after the monster Humbaba. Once he decides to go, nothing can persuade him otherwise (Gilgamesh 109-110). Even when Enkidu, who lived in the area where the monster guards, tells Gilgamesh “The haunt of Humbaba is a hopeless quest (110),” Gilgamesh remains steadfast in completing his conquest of the monster. When the elders hear about their king’s plan they sternly tell him:

Gilgamesh, written by David Ferry, illustrates a story about a man who knows everything, but continues to try and learn more. Although Gilgamesh may be arrogant, he still remains a great ruler and commander of Uruk. Throughout the book, the adventures of Gilgamesh fit Joseph Campbell’s idea of the hero’s journey. After analyzing the pieces to the hero’s journey, Gilgamesh is proven to be a true hero because his journey parallels that of the hero’s journey described by Campbell. The latter part of this paper will prove Gilgamesh is a hero using Campbell’s model, by analyzing the pieces of the hero’s journey: separation or departure, the initiation, and the return.

As human beings we are naturally wired to seek happiness wherever we can find it. When we don’t, we may enter a stage of anger, anxiety, or distress. That’s why it is our personal goal to look for happiness and preserve it once we acquire it. Many have explored ways to find what triggers this feeling of “happiness” and what we can do to keep it; nonetheless, the evidence found is hardly sufficient to make a public statement on how to find happiness. For this reason, most of the time we speculate what might provoke this feeling of contentment. “Happiness is a glass half empty,” an essay written by Oliver Burkeman, highlights the importance of happiness and discloses how we can find delight through unorthodox methods. The prime objective of this piece of writing is to inform the audience about the effect of happiness on their lives and how their usual attempts of becoming happier can sabotage achieving this feeling. Furthermore, he wants to promote the benefits of pessimism and describe how it can help us in the long run. The author utilizes pronouns, logos, and pathos in order to prove his point and draw the audience into his essay, in an attempt of making them reconsider the way they live their lives and adopt this new pessimistic way that would greatly boost their level of happiness.

In “Happiness: Enough Already,” Sharon Begley argues that happiness is overrated and it should not always be a priority in your life.

Abusch perceives Gilgamesh to be a man, hero, king and god who acts in a manner that accords limits and responsibility imposed upon him by his society. Abusch illustrates that: “Gilgamesh is aggressive and courageous, even impetuous, and he shows little or no concern for his own safety and focuses all of his energy upon battle, obligation, honor, and victory” (3). The author explains that even with the greatest power and achievements there is no humanly possible power that is able to withstand death. Abusch’s analysis talks about Gilgamesh coming to terms with his nature and learns about death. The main conflict in the article is between Gilgamesh being an epic hero and his ability to obtain moral growth. Gilgamesh exists in

One of the overarching themes that spanned over the many books we read over the semester, was the nature of love and the search for meaning. Love is an inherent aspect of humanity, and while it is an often inexplicable and complex sentiment, it is intrinsically connected with mankind's search for meaning in life. Love often leads a person in directions that they do not expect, and this is obvious in the very different applications of love in different books. However, one common idea about the relationship between love, suffering, and wisdom, can be argued for based off the ancient texts that we read. In The Epic of Gilgamesh, Antigone, and The Tale of Genji, love is used as a vehicle for wisdom through suffering and loss.

Mankind must by this time have acquired positive beliefs as to the effects of some actions on their happiness; and the beliefs which have thus come down are the rules of morality for the multitude, and for the philosopher until he has succeeded in finding better. That philosophers might easily do this, even now, on many subjects; that the received code of ethics is by no means of divine right; and that mankind have still much to learn as to the effects of actions on general happiness, I admit or rather earnestly maintain.

This passage from Tablet II takes place shortly after Enkidu and Gilgamesh first meet, and it illustrates Gilgamesh’s blind pride by his shaming of Enkidu for objecting to his proposal to fight Humbaba. This excerpt serves to characterize Gilgamesh as brash and overzealous in his support for a seemingly impossible quest. Gilgamesh eventually coaxes Enkidu to go along with his plan which inadvertently leads to Enkidu’s death through Gilgamesh’s inability to hold his tongue. This later episode further supports the reckless mindset displayed by Gilgamesh in the excerpt at the beginning of this paper. Judging by this excerpt it can be inferred that one’s pride and honor played a very important role in ancient Mesopotamian culture. This is because Gilgamesh attacked Enkidu’s pride and honor in the last six lines of the excerpt to cajole Enkidu to assist him. Gilgamesh also asserted to Enkidu that he was going to fight Humbaba, even at the cost of his own life, regardless of if Enkidu decided to help him.

Have you ever wanted something so badly that you would quite literally go to the end of the world to retrieve it? This is an attribute that perfectly describes the character of Gilgamesh. Gilgamesh is the main character of the ancient Uruk epic that is known as the epic of Gilgamesh. He experiences a lot of hardship and tribulations throughout the story. Some of the things are the loss of his “brother” Enkidu, which makes him want to become Immortal, the death of Humbaba This changes him in many different ways, like how he changes the way he acts from acting like a god to a noble and fair king. My goal in this paper is to show you how the events of the death of Humbaba, the death of Enkidu and his quest for his immortality

Death is a very large theme in the "The Epic of Gilgamesh." Being that this epic largely represented the Sumerian and Mesopotamians idea I believe the feeling of Gilgamesh himself on death and it 's aftermath would be very much the same for most of the society in the time that it was written. Gilgamesh was largely afraid of dying and did everything he could to avoid this inevitable fate.

The world seems to be a dark and unforgiving place, but happiness is hidden within. It is found in a beautiful view, an uplifting song, or a compliment from a friend. According to the Ted Talk video, The Habits of Happiness, Matthieu Ricard claims that everyone “has a deep, profound desire for well-being or happiness”(Ricard 2:39). Ricard uses the three techniques of Ethos, Pathos, and Logos to captivate and move his audience. With the use of metaphors, personal experiences, and even graphs Matthieu explained to his audience the full force and perception of the bendable word that is happiness. This Ted Talk dove into philosophical meaning on just how to achieve well-being, without having everything in the world.

In the beginning, Gilgamesh likes to show off and for instance, even tried to sleep with a bride before her husband at a wedding. Then he is guided by Enkidu shortly after to teach him how to be a better, kinder, and wiser king. That way he can rule over his people. “Becoming aware of himself, he sought a friend.” (1.194-204) Enkidu and Gilgamesh have gotten into a fight and accept each others strengths, then the two become best friends. One day Gilgamesh proposes an idea to Enkidu that the two should go on an adventure because he wants him and Enkidu to become heroes. So, they decided to go face and kill Humbaba. Humbaba was a

“I’ll establish my name: Gilgamesh, who joined battle with fierce Humbaba (they’ll say). An eternal name I will make for myself.” (pgs. 19, 20) But in this respect, he makes the same mistake that Adam made; he takes something that does not belong to him, Humbaba’s life, and because of that, he looses the life of his best friend, his companion, Enkidu. Not only that, but now he may also have lost the chance at the one thing he truly desires, immortality. He too angers his gods, and he too is punished with the loss of Enkidu’s life, and perhaps his own as well.

It is common sense that all the human beings would like to live a happy life and they will spare no efforts in order to realize the purpose of really living a happy life in the end. However, different people have different definitions toward what a happy life is and they tend to have different standards as for how a life is that can be regarded as a happy life. There is no doubt that people will then try different means in order to pursue a happy life based on their definition toward what a happy life is. Therefore, the following will talk about the pursuit of a happy life from the perspectives of both Dalai Lama in The Art of Happiness and Viktor E. Frankl in Man’s Searching for Meaning, during which the experiences of some characters from the film Forrest Gump will be applied as evidence. Generally speaking, the pursuit of a happy life in the minds of Dalai Lama and Viktor E. Frankl can be achieved via experiencing sufferings and adversity. It is hoped that this analysis can help people understand what a happy is from a different point of view.