Gilgamesh and the Quest for Immortality Essay

The story of “Gilgamesh” depicts all of the heroic triumphs and heart-breaking pitfalls a heroic narrative should depict to be able to relate to today’s audience. However, “Gilgamesh” was once considered a lost and forgotten piece of literature for thousands of years, so there is a tremendous gap between the time it was created and the time it was translated into language that today’s audience can understand. That gap in history makes several aspects of the story of “Gilgamesh” strange and unfamiliar because what we now know about ancient Middle Eastern cultures and languages is a lot less than what we know about the cultures that prospered after ancient Middle Eastern cultures. Much of the content in the story of

Gilgamesh, written by David Ferry, illustrates a story about a man who knows everything, but continues to try and learn more. Although Gilgamesh may be arrogant, he still remains a great ruler and commander of Uruk. Throughout the book, the adventures of Gilgamesh fit Joseph Campbell’s idea of the hero’s journey. After analyzing the pieces to the hero’s journey, Gilgamesh is proven to be a true hero because his journey parallels that of the hero’s journey described by Campbell. The latter part of this paper will prove Gilgamesh is a hero using Campbell’s model, by analyzing the pieces of the hero’s journey: separation or departure, the initiation, and the return.

This explain that Enkidu is trying to point out how dangerous Humbaba is. Gilgamesh didn’t care how powerful Humbaba is because he believe that he could take anyone down, he didn’t care about Enkidu thoughts of Humbaba. “Gilgamesh opened his mouth to speak,/ say [to Enkidu:]/ why, my friend, do you speak like a weakling?/ with your spineless words you [make me] despondent.” (19). This shows that Gilgamesh is arrogant and immature, thinking he could defeat the monster himself without having any fear. Gilgamesh went back to the Uruk to make an announcement of battling Humbaba the vicious monster. Gilgamesh said, “I will conquer him in the Forest of Cedar:/ let the land learn Uruk’s offshoot is mighty!/ let me start out,/ I will cut down the Cedar./ I will establish for ever a name eternal!” (20). Next, Gilgamesh and Enkidu climbed up the hill into the forest to find Humbaba. They end up on the hillside to rest before the battle. Gilgamesh had his first dream, “[My friend, did you not call me? Why have I wakened ?]/ [Did you not touch me? Why am I startled ?]/ [Did a god not pass by? Why is my flesh frozen numb?]/ [My friend, I have had the first dream!]” (30). This symbolize fear, for the first time Gilgamesh experiencing the feeling of being afraid. Gilgamesh suddenly changed as he went onto a Journey to the Forest of Cedar. When Gilgamesh continue to see Humbaba knowing that he is

This journal article examines 3 versions of the Gilgamesh Epic: the Old Babylonian version; the Eleven-Tablet version; and the Twelve-Tablet version. Though all 3 versions deal with the issues and choices of human beings and also with the inescapable issue of Death, the 3 different versions focus on 3 different aspects of Gilgamesh. The Old Babylonian version is the oldest, probably written during the Old Babylonian Period of 2003-1595 BC, and focuses on the fight of hero vs. man. The Old Babylonian version was circulated in the Near East and underwent many revisions. One of those revisions was the Eleven-Tablet version, which focused on the fight of hero vs. king. The Eleven-Tablet version, written in the later second millennium, adds to the beginning and end of the Epic, plus the Utnapishtim meeting, and shows the Gilgamesh-Ishtar passage that was added in Tablet 6. Another revision of the Epic was the Twelve-Table version, which focused on the fight of hero vs. god. The Twelve-Tablet version adds a translation of the second half of "Gilgamesh, Enkidu and the Netherworld" and changes the nature of the Epic by showing a conflict between Gilgamesh's two identities as god and man, and the rules controlling life in the

maker of wine, since I have seen your face do not let me see the face

In the “Epic of Gilgamesh” translated by N.K. Sanders, Gilgamesh completes a series of many challenges and obstacles, fulfilling the conditions of an archetypal quest story. In order to fulfill an archetypal quest story, the hero or protagonist must complete a series of hurdles, on their way toward achieving their goal. In the “Epic of Gilgamesh”, Gilgamesh hunts for his main obsession, immortality, while he battles off monsters, with the help of some friends. Sensing Gilgamesh embraces too much power, the gods create a friend for Gilgamesh named Enkidu in the hopes of lessening Gilgamesh’s power. Enkidu and Gilgamesh turn out to be best friends after Enkidu loses a wrestling match

The Epic of Gilgamesh is a tale from ancient Babylon. Its hero, Gilgamesh the king of Uruk, is two-thirds god and one-third man. Throughout the epic, which consists of three stories, the character of Gilgamesh is developed. This is accomplished by changing the vices he possesses at the start of the epic, and replacing them with virtues he receives by its completion. “A virtue is a quality of righteousness, goodness, or moral excellence; any good quality or admirable trait of a character.” (Halsey Collier’s Dictionary 1114) “A vice is an immoral or harmful habit or practice; fault or fall” (Halsey Collier’s Dictionary 1111). Gilgamesh is not the only character in the

The two immediately become companions because Gilgamesh finally finds his match. They set off on an adventure to destroy the cedar forest and its guardian, Humbaba, all to be forever remembered. Gilgamesh appears to be improving his ways and not exasperating his people. However, Gilgamesh then takes his journey to be remembered one step too far and kills the bull of heaven. This infuriates the gods so greatly that they decide that one out of Gilgamesh and Enkidu must pay for their actions. The gods therefore bestow a deadly illness upon Enkidu, which brings about his death. Enkidu’s death devastates Gilgamesh, for he not only loses his best friend, but also comes to the realization that he soon too will die. Not only does Gilgamesh lose his best friend, but he also comes to the realization that he will also die some day. Thus, Gilgamesh decides to seek out immortality so he will not have to endure death.

In The Epic of Gilgamesh, Gilgamesh’s pursuit for immortality is marked by ignorance and selfish desire. Desire and ignorance, as The Buddha-karita of Asvaghosha suggests, pollutes man’s judgment resulting in his inability to break the cycle of birth and death. At the core of Gilgamesh’s desire resides his inability to accept the inevitability of death, making his rationality behind the pursuit of immortality ignorant and selfish. Implicitly, Gilgamesh’s corrupt desire for immortality conveys that Gilgamesh does not mature as a character.

Gilgamesh expresses sorrow to Ur-shanabi over losing the regenerative plant, truly opening up his human self at the end of the journey. Gilgamesh’s loss of his “bounty” to the “Lion of the Earth” brings out the main shift in his identity (XI 313-314). The key to understanding the shift is the symbolism of lions. Prior to this event, Gilgamesh had been dominant over the wild and once killed lions for clothing. Now, Gilgamesh lost his regenerative plant to a snake, the lion of the earth. The contrasting relationships with the wild highlight Gilgamesh’s changing status. His vulnerability to the wild becomes an aspect of himself that he must confront. A human side is breaking out of the prison that was once the godly Gilgamesh and taking over. Human Gilgamesh “ha[s] done a favour” to “the “Lion of the Earth”” which Gilgamesh hates and would take back (XI 314). However, in the end, the benefit may have been to Gilgamesh because he is now on the path to becoming wise by facing his mortality.

The Epic of Gilgamesh has its place as one of the first examples of epic poetry in recorded history. The epic describes the adventures of the demigod-king Gilgamesh who, after the death of his close friend Enkidu, seeks immortality but is ultimately unsuccessful. This story arc is not dissimilar to those found in the epics of the ancient Greeks centuries later. This excerpt from The Epic of Gilgamesh clearly demonstrates Gilgamesh’s reckless lust for pride and fame at all costs.

Both Gilgamesh and Enkidu go to the cedar forest and cut down the trees and kill Humababa. Killing Humababa contributes a lot to Gilgamesh journey; when Gilgamesh kills Humababa he will be considered a hero in the eyes of the people. The people will love Gilgamesh because he saved them from the monster. Gilgamesh wants to feel honored by the people because he has done a great achievement. As Gilgamesh and Enkidu go back to the city of Uruk they face a monster named the Bull of Heaven. Bull of Heaven was sent by Ishtar father; Ishtar loved Gilgamesh, but Gilgamesh rejected her. Ishtar father sends the Bull of Heaven to kill Gilgamesh and Enkidu, but then they end up killing the Bull of Heaven. The Bull of Heaven is one of the obstacles that face Gilgamesh through the journey. When Gilgamesh and Enkidu kill the Bull of Heaven, it proves that they both have great power to kill two monsters one after the other.

In the ?Epic of Gilgamesh,? Gilgamesh deals with an issue that nearly destroyed him. He sought after immortality so much that he put his own life on the edge. Centuries later, this quest unites our high tech, fast paced culture with the remote and different culture of Gilgamesh. Humanity has yet to find the secret of letting go of the idea of everlasting life.

Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.

There once lived a king, the great king of Uruk in Mesopotamia. This great leader was Gilgamesh. His preserved epic is of great significance to modern day culture. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. In the Epic of Gilgamesh, it is a great love, followed by a lingering grief that cause a significant change in the character of Gilgamesh.