Gillo Pontecorvo's The Battle of Algiers Essay

He is able to use these parts to manipulate the audience’s emotions. The music playing from the car is an on-screen sound. As the man gets attacked, the volume increases. The sound helps intensify the scene that has been created by the film’s visual elements. The audience then subconsciously forms ideas, opinions, and feelings about what they are seeing. The viewers develop scared feelings as the scene intensifies to the happy upbeat tune. The increasing volume of the cheery song reflects the violence and the sinisterness of the scene. The song stops with the slamming of the car’s driver-side door as the man is abducted. There is a moment of silence and then a new song abruptly entered the silent scene. The music is non-diegetic and is an offscreen sound. The song is screechy, high pitched, and jagged sounding at first, continuing the anxious and scared mood. The song shifts into a sort of soulful hymn. The tone shifts along with the song. The audience begins to feel relieved and relaxes to the peaceful song.

Throughout history, symbols have had an overwhelming presence among citizens. The French Revolution had many symbols that represented power. Did the events leading up to the storming of the Bastille persuade the French citizens to believe that it was a symbol of power? There are many reasons why the French citizens would believe the Bastille to be a symbol of power. It was a very overwhelming stone structure, which stood robust, surrounded by small villages along with farmland. The architecture and placement of this fortress gave itself a reputation of strength and impregnation. It stood by itself, being the most intimidating structure of its time.

Even though the film is essentially a visual experience, the use of sound has become extremely important in modern film. The modern viewer hears a complicated soundtrack that is as meaningful as the image on the screen. Three elements comprise the film's soundtrack: the dialogue, the sound effects, and the musical score. The proper balance and mix of these elements produced the essential emphasis required, which created the desired effects. As explained by Joseph Boggs and Dennis Petrie,

The Marquis de Lafayette is best remembered for the part he played in the American War of Independence. He contributed in helping the Americans gain free control over the colonies by breaking away from British home rule. For sixty years he fought with consistency and insight for political ideals and social reforms that have dominated the history of the nineteenth and early twentieth centuries. Hence, Lafayette can be attributed to the spreading of liberty and freedom throughout America and France. Therefore, he is viewed as a symbol of liberalism in a once absolutist world.

New Orleans was founded in 1718 by Jean-Baptiste Le Moyne, Sieur de Bienville. Forty-five years later, in 1763, France signed treaties ceding Louisiana to Spain to whom it remained for the next forty years. Due to Mexican, Cuban and Spanish influence, the race rules in New Orleans were more liberal, allowing for a class of free people of color. In 1803 Louisiana was sold back to the French, who then twenty days later sold it to the United States in the Louisiana Purchase. New Orleans had become the largest city in the Confederacy by the start of the Civil War in 1861.

The elements of cinematography in the film include a low angle shot looking up at the farmer as he chops wood at the beginning of the scene. The shot is preceded by the infamous extreme long shot of the military convoy. The director uses close ups to capture emotions throughout the entire opening scene. Fear in the faces of the farmer’s daughters as they come face to face with the Jew Hunter. Fear in the face of the farmer when he prepares himself as the military convoy approaches. Close ups are used at the table when the confrontation looms; the camera zooms in when the farmer begins to crack under the

A composer depends entirely upon the nature of the film for all the clues needed to write a suitable score for a film. Brought into the production after a certain amount of film has been shot, the films concept will dictate how the composer will write the music. Whether based on the story line, or providing information by setting an atmospheric state, film music will always have different purposes between different films. Penguin Ballet by Nigel Westlake was composed to focuses upon the graceful, almost ballet like movements of the penguins underwater. Whereas, Writings on the wall by Sam Smith conveys ideas and messages which will be expressed throughout the film, especially through the use of lyrics. Although positioned within the film to provide contrasting messages, both these songs use similar musical elements to support the piece, and its position with the film. The discussion of this essay is that there are similarities between the musical elements that support the lyrics in a song and the action in a documentary. Through this, we will discuss the musical element’s of pitch, and timbre and texture.

The focus of the painting is based on the two soldiers passing the shell to each other and then into to the artillery to shoot against the German army. The gesture of working together in harsh realities carries the message of unity and self-sacrifice for the war. One soldier does not have his uniform on meaning no protective gear that characterizes unselfishness in the center of a great battle. Furthermore, there is a soldier, who has an injury on his hand, yet still continuing to fight. The wound shows contribution in the face of danger and heroism marked by the bandaged arm on his return to the conflict. It sets an example of selflessness and bravery and the artist shows that in war, sacrifice can be represented by their schedule of duty.

The director uses multiple camera shots to highlight the love during troublesome times and the emotions that are present. A wide shot is used when the audience watches Guido marching in front of the soldier shortly before his death. Guido does this as he is aware that his son is watching and still wants the experience of the camp to be a fun game and does not want Giosue to be afraid of what is happening. Close up shots are commonly used throughout the film to give more detail into the emotions that the characters are feeling. A

The Battle of Agincourt occurred in the middle Ages, on October 25, 1415. This battle is one of the most memorable and strategically fought battles between England and France. The Battle of Agincourt involved England and France near Agincourt. The Battle of Agincourt happened during the “Hundred Years War”. The hundred year War began in 1337 and ended in 1453. The hundred years war actually lasted 116 years. The Hundred Years war included England, France and later Burgundy. Sometimes England won the battles and sometimes France won (Keegan 79).

Between 1428 and 1429 during the Hundred Years’ War between France and England, the city of Orleans was besieged by English forces. The 5000 English soldiers lead by Thomas de Montecute, attacked for months. Around this time, Joan of Arc Appeared in at the court of Charles, and lifted the siege in 1429. This was the major turning point for the French in the war.

In the cinematic analysis that preceded over the Algerian struggle for their independence from France exposed the ambiguous nature of Western imperialism in an effort to combat the resistance and terrorism that followed. Judging by how the filmmakers oriented the visuals throughout the movie, it was clear that they depicted the French as having some sort of counterinsurgency tactic such

The end of World War II and the start of the Algerian War of Independence defined France during the mid 1900s. Many black intellectuals, including poet Léopold Sédar Senghor and writer William Gardner Smith grappled with the war, colonialism and racism that permeated French culture, whether overtly or subtly. Despite the similar imagery within their prose, the authors showcase two distinct points of view. Both authors describe ugly, inhuman visages, but in Senghor’s work, these twisted faces are merely masks, as removable as the humanly-constructed horror of the era, whereas Smith sees the twistedness as fully ingrained in the human countenance.

Perhaps the most important lesson of the film—and the French experience in Algeria—is that successful military tactics do not lead to lasting peace unless accompanied with a successful political strategy. The use of torture inevitably backfired on the French, reducing public support for the occupation. Although the FLN was crushed, the closing scene of the movie portrays Algerians in 1964 taking to the streets and demanding

The Liberation of Paris, also referred to as the Liberation of France, took place during World War II from the 19th of August 1944 until the surrender of the occupying German army on the 25th of August. The Liberation began with an uprising by the French Resistance against the German troops. The capital of France had been governed by Nazi Germany since the signing of the Second Compiègne Armistice in June 1940, when the German Army occupied northern and westernmost France, and when the puppet regime of Vichy France was established in the town of Vichy in central France.