Giotto Di Bondone Essay

Dante Alighieri, exiled in Italy during the times of political and corrupted wrote an epic poem to reflect his upon his Catholic beliefs called The Inferno. In the story, Alighieri creates a protagonist named Dante, which character is named after himself. Yet, in the story Dante travels through Hell and is accompanied by his guide, Virgil, and meets various sinners. However, in the poem, Dante every so often would exhibit compassion or hostility using imagery, or diction, or both to different sinners, such as Ciacco the Hog, Bocca, and Count Ugolino.

Giotto di Bondone, usually referred to as Giotto, was a very well known and highly respected Italian painter and architect from Florence in the late 13th to mid 14th centuries. He is remembered not just for his own outstanding work, but for the lasting effects he had on the evolution of painting in Europe. Giotto is considered one of the first of many artists who took part in the foundation the Italian Renaissance in both painting and architecture by breaking away from traditional styles.

CLS- He achieved a mystical attribute into all of his images with the inspiration from various paintings that shared the same aspect and editing them to have a natural effect.

This painting consists of two small panels in which one panel depicts the crucifixion of Jesus and the other portrays scenes that associate themselves with the Last Judgement. In the first panel you can see a crowd surround Jesus during his crucifixion. In the background, you can see a clear picture of Jerusalem. On the bottom you can you see five people that appear to be

Every artist has his or her own style of painting. Each painting tells some sort of story or has some type of personal meaning to the artist. One of the most important figures in modern art is Pablo Picasso. Not only was Pablo Picasso a genius in the field of abstract art, but he also experimented with sculpting and ceramics. Pablo Picasso has taken the world to many places with his unique style of work which is why I believe he is considered to be a genius of the 20th century.

Dante Alighieri was a major Italian poet of the Late Middle Ages, he was born into a family with a complex involvement in the Florence political scene. In the Dante Alighieri's epic poem The Inferno, Dante, the protagonist, witnesses the Circles of Hell, guided by Virgil the character representing Human Reason. Alighieri shows compassion towards different sinners in Hell, which provides an insight on the way he feels about people who do not repent. Although they are illustrated as good people by the poet, they are punished within the different circles of Hell because they did not cleanse themselves of sin. Through the uses of diction, actions of Dante and Virgil, and imagery, Alighieri was able to show readers he felt compassion towards Farinata Degli Uberti, Pier Delle Vigne, and Count Ugliono.

Born and raised in Florence during periods of political instability and fragmentation, Dante Alighieri, a devoted White Guelph and poet, became very familiar with the conflicts rising between the Guelphs and the Ghibellines––and between the Blacks and Whites. When the Blacks eventually overpowered the Whites, Alighieri was exiled and wrote The Inferno, in which he directly described the politics of his life and pressed on the topics of sin, treachery, and loyalty, while mentioning specific Florentine people he respected and others who, he felt, were deserving of harsh punishments because of their actions throughout their lives. In this epic poem, Alighieri writes himself as the main protagonist, Dante, in describing his journey through the nine circles of Hell, while meeting several sinners and witnessing their tormenting punishments along the way. When Dante encounters both loyal and traitorous Florentines, Alighieri uses diction, imagery, and actions to express compassion to three Sodomites––Jacopo Rusticucci, Guido Guerra, and Tegghiaio Aldobrandi––and Farinata Degli Uberti, and hostility to Bocca Degli Abati, revealing that Alighieri’s amount of sympathy and malevolence towards the sinners depended on their loyalty or betrayal to Florence.

Cimabue, Madonna and Child with Angels and Prophets (ca. 1280-1290), 12’ 7” X 7’ 4”.

His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.

To give a background, linear perspective is a mathematical system for creating the illusion of space and distance on a flat surface. An artist must first imagine the picture surface as an "open window" through which to see the painted world when he or she wants to use perspective in his or her paintings. Straight lines are then drawn on the canvas to represent the horizon and "visual rays" connecting the viewer's eye to a point in the distance. One must draw these lines to connect the viewer's eye to a vanishing-point line, just like where the sky meets the ground. Orthogonal lines are then drawn over the canvas or work space. The point where orthogonal lines meet is called the vanishing point. One can compare this to train tracks in the distance. [fix this paragraph]

Giotti di Bondone (1266-1337) was an Italian artist and architect from Florence in the very late Middle Ages. He is considered to be one of the most important artists in Italy because he contributed greatly to the Renaissance style of painting and art in general. Many historians today believe that di Bondone started "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years.”

Giotto di Bondone is an Italian painter who was born in 1266-76 and died in 1337. He is identified as the father of Renaissance painting, as his works were significantly acknowledged by other artists at that period of time. The style of his works is normally formed in Byzantine style of paintings as he developed expressive figures in pictorial space. Furthermore, Giotto worked with artists from all over the Europe, attributed and demonstrated four fresco cycles with those artists from 1288 to 1292, finished by 1297. The life of Christ and two other cycles have significant characters in every one of them. Giotto’s earliest achievement definitely is The decoration of the Arena chapel in Padua, its background history shows in Riccobaldo Ferrarese's

It is a scene which is shown after Jesus was crucified, where his body has been removed from the cross and his friends and family mourn over his body. Many artists have focused this scene by just painting four people: the body of Christ, His mother, Saint Mary Magdalene and Joseph of Arimathea.

and gave the thirty pieces of silver back to the chief priests and then went out to hang himself.

Throughout the Italian Renaissance it was normal for a painter to work under a master in order to develop his skills and different learning techniques so that he could take that knowledge and become a master to his own pupil one day. In the case of Cimabue and Giotto, Giotto went above and beyond anything that his master did. Giotto surpassed him with both his talents and skills, but he also changed the way the world saw paintings in the techniques he used. Giotto, an artist in the 14th century, is known for how he broke away from the plane medieval style of spiritual illustration in paintings, and flourishing in creating three dimensional artwork that had a naturalistic realism style.