Giotto Research Paper

Giotto was born at Colle, near Florence in 1266. A late 16th century Italian painter, architect, writer and historian known as Giorgio Vasari, best known for his book “Lives of the Artists,” recounts that Giotto was a bright and intelligent shepherd boy

This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

The following piece although very similar in theme, is created by Giotto di bondone whom was taught by Cimabue himself. Although comparable to Cimabue’s, it also displays many artistic differences with gothic influence. It uniquely displays a greater spatial consistency and sculptural solidity; this particular painting seemingly depicts the seeking of light theme so common in the gothic period. Praised for the lifelike figure with three-dimensional forms, it seemingly begins to rid of the Byzantine influences.

The Trinity, by Masaccio (1428) renders the crucifixion in a fresco in the Church of Santa Maria Novella, Florence, Italy. The context of this early Italian Renaissance work demonstrates the innovations that embodied the contemporary concerns and influences of the early fifteenth century and would become an influential reference for generations to come. Masaccio’s amalgamation of religion and science influenced the artistic foundation of the early Italian Renaissance. In the early fifteenth century the papacy was the governing force and was very common to have religious subject matter commissioned.

Born in the mid-13th century, Florence Italy, Giotto was revered growing up as a child prodigy. In his youth, he quickly mastered geometry to such a degree he could draw any shape with unbelievable accuracy without any measuring tools or instruments. So well known, the Pope once attempted to recruit him as his own personal painter. Observers were shocked by to see a painter to break free from Byzantine art to develop their very own mode of art. Serving as a Renaissance pioneers, he expanded humanism to a never yet seen level in artistic history. Giotto realistically portrayed humans instead of painting idealized interpretations and for that very reason he is great. Giotto painted in many religious settings such as, basilicas, chapels, and churches all over Italy. While painting abroad, Giotto honed his artistic skill to a level to which he could materialize works out of architecture out glass, iron, timber and brick of through sheer concentration alone. This ability also allows for him to convene useful tools or weapons to fight the criminal of his

The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.

Gisele is discovered at age 13 by the modeling agent Dilson Stein as he walked with his mother through the streets of a small Brazilian city, since then, has modeled for the houses of the fashion industry: Zara, Bvlgari, Chloe, Celine , Versace, Michael Kors, Ralph Lauren, Victoria's Secret, among many

Giotto, the first Renaissance painter was important for many reasons such as taking sacred objects and expressing them in a natural setting, His importance to the Renaissance, and his techniques that he employs. Before Giotto’s change in the style the styles in medieval paintings were stiff. He really changed the style of painting in the Renaissance and influenced others to join. Giotto was trained by Italian painter Cimabue, who later Giotto outshined. When one thinks of Giotto they do not think about Cimabue, but he is the reason for Giotto’s talents.

To begin, Leonardo Da Vinci was born on April 15, 1452, in a farmhouse located in Tuscany, Italy. His parents were Florentine notary Ser Piero and a young peasant woman named Caterina. Young Da Vinci was raised by his father and various step mothers, and also lived with his uncle and grandparents, after moving to his father’s family estate at age five. He received a basic education of just reading, writing and mathematics. However, from a young age he always showed artistic talents (“Leonardo Da Vinci”).

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

There were many great artists spread across the time of the Renaissance. Some of them were leading the way in new artistic techniques created during the Renaissance, while others used inspiration from a past artisan to establish their own styles and methods. About a century before the art caught on, a Florentine painter by the name of Giotto was the first to break away from the Middle Age style of painting. "Giotto was the towering artistic genius of the 14th century, so far ahead of his time that no other painter approached his level of work for almost a hundred years" (Walker 78). Even though Giotto was ahead, he lacked the awareness of perspective, but he used space, light, and color to create a very strong sense of the human form, along with a storyteller's ability to capture the central moment in a particular scene (Walker 78). One of the important pieces of the revolution that Giotto started was that he established painting as a major art for the next six centuries, and he also founded the method of pictorial experiment through observation (Gardener 568). After Giotto there was a architect that came along in the early

The Annunciation is a Christian celebration of the iconic moment that the archangel Gabriel announced to the Virgin Mary that she would conceive and become the mother to the Son of God, Jesus. The story of the Annunciation derives chiefly from the biblical Gospel of Luke, and has been portrayed abundantly and variously in many visual art forms from the earliest centuries of Christianity and Christian iconography. This essay will explore the depiction of the Annunciation and symbolism in the period of the Italian Renaissance and pay particular attention towards the development of the focus on spiritualism towards naturalism through the refined language of expression and gesture from the 14th century to the late 15th century.

What would you do if you were asked by the pope to prove your artistic skills? You could send him a portfolio of your best work. You could list all the honors you have received. Or you could make yourself stand out much like Giotto Di Bondone. Giotto did something very distinct to express his talents, he drew a perfect circle. Many consider Giotto De Bondone to be the father of Renaissance for his contribution to the art world. Giotto’s Madonna and child reflects a time when artists were initiating a return to naturalism through beauty and harmony and stepping away from tradition by emphasizing figurative realism.

With the continuous growth of paintings and artists, prestige for art increased dramatically to the point in which religious aspects were shown through landscapes, portraits, and temperas. This then allowed the creation of new styles and mathematical input that manifested everyday life with religious aspects. One such artist was Giovanni Bellini who introduced bright, rich, strong colors into his palette and landscapes that expressed the happiness, calmness, and prosperity that Italy carried throughout the Renaissance. These characteristics and styles of paintings subsequently became a popular Venetian cornerstone. Other important figures in the Italian Renaissance that demonstrated the movement?s ideas through their ingenious paintings and architectural methods were Pier Della Francesca and Leon Battista Alberti. Francesca, who was and expert in mathematics, developed the art form of perspective. Alberti, on the other hand, as an architect developed the pediment which became popular throughout the entire Renaissance. His monasteries and churches depicted many of the religious ideas, as evident in one of his famous works, the Santa Maria Novella. All in all, the use of the common religious themes such as the annunciation, adoration, Crucifixion, and the popular Madonna