Giovanni And Lusanna Analysis

Alessandra Strozzi wrote many letters to her children which can convey to us the importance of family in Florence during the Renaissance. Alessandra’s husband Matteo died, and so these letters are written from the perspective of a widow, not a married woman. In Women of the Renaissance by Margaret L. King, it states that widows of the Renaissance could dispose of the family wealth themselves and were also able to carry on their husband’s trade. In this case, Alessandra took on the responsibility of finding spouses for her children. The following letter is written from Alessandra to her son Filippo concerning finding him a wife and shows how much thought was put

The Courtier, originally written as a “courtesy book”, can now be considered to provide significant insight into the norms and practices associated with courtship and gender during the Renaissance era. The book’s third volume is a particularly insightful window into 16th century romantic ideals. Throughout Book Three, Baldassare Castiglione builds an elaborate perspective on what makes the perfect court lady, what sexual and social behavior is acceptable, and how an ideal couple (both courtier and court lady) should function.

During the Renaissance period, sexuality impacted how people, both men and women, were treated and how they behaved. The lives of women were completely defined by the ideals of sexuality that were enforced during that time. Every area of a woman’s life from birth was influenced by outside influences rather than by they themselves. It took a particular type of woman to break past the clearly defined description of what a “Renaissance woman” should be.

Giovanni and Lusanna: Love and Marriage in Renaissance Florence by Gene Brucker provides a unique look into the life of commoners in the 15th century. This book follows the 1455 court case surrounding the alleged marriage between Giovanni della Casa and Lusanna, the daughter of Maestro Benedetto di Girolamo. Throughout this trial testimonies, from witnesses with a vast array of socioeconomic backgrounds are presented. These were people whose voices would likely have never been heard if not for this case. This particular cross-section of people creates a very clear picture of the hierarchical system in place during the renaissance. Throughout this book, it becomes clear that each person had his or her place within society.

This paper will explore the historical research that indicates what roles women were allowed to play in Rome, including the Ellis textbook for some of the basic facts. Additional research information comes from another

A critical point in European history was the Renaissance period, which took place between 1300-1700. The term Renaissance stands for ‘rebirth’, and in this context refers to the increased interest that was taken in learning from Greek and Roman classical writing. Recent exploration by historians into the Renaissance period has seen a fixation on the discussion of the role of gender during the Renaissance. A variety of historians, such as Joan Kelly and Merry E. Weisner, believe that women didn’t experience any form of a Renaissance during this period. It can be widely acknowledged that during this period society did experience a ‘rebirth’, especially in terms of the role of the men in Europe. Women, on the other hand, weren’t as fortunate.

There are many eerie stories in the Mexican culture. I didn't grow up with a grandma, so I didn't really know that story, till a few years ago. Well this is a short version of the story, la Llorona was a gorgeous young lady, she got married and her husband didn't give her attention. Her children got all the attention, and she got very jealous, so she drowned her kids in a river. So, to this day people say they hear her cry at night "oh my children, where are my children".The young woman walks along the rivers crying to find her children, La Llorona woman". La Llorona has many similarities to the Medea. She is one of the most is known in the Spanish language. The English language she is known as "the weeping known ghost in Texas. There are many stories about la

“I’ll be out of here and away from all you knaves for one time anyway, as not a month will pass before you’ll see whether I’m nobody or a somebody.” The story of Bianco Alfani reflected the nature of 14th century Florentine society where, as Alfani remarked, the election to public office could make or destroy a person. In late 14th century and early 15th century Florence, decreased population and expanding commerce provided a favorable environment for ambitious individuals. The real life examples of Buonaccorso Pitti and Gregorio Dati demonstrated the positive role of ambition in Florence. Pitti, a nobleman had an extremely successful career, partaking in military campaigns, holding public office in Florence and being an ambassador to

          Florence- Florence is one of Atonio’s friends. Although he does not believe in God, he attends catechism lessons with his friends. Florence’s mother died when he was three. Afterwards, his father slowly killed himself with alcohol. His sisters are now prostitutes at Rosie’s house. He asks Antonio insightful questions that point out the gaps in the Catholic Religion. When Antonio becomes

This investigation strives to compare and contrast of the role of women during the Roman Empire and the Middle Ages. The inquiry is significant because in order to understand the culture and ethics of the Roman Empire and the Middle Ages it is crucial to understand the importance of women. The issues that will be addressed include: the role of women in the Roman Empire, the role of women in the Middle Ages, and the similarities as well as the differences of the two major time periods. This investigation will focus on the time period of 27 BC to 1485 BC and the places investigated will include Europe, more specifically Rome. This will be accomplished through a detailed examination of the role of women in the

The Prioress’s eagerness to impress Ambrosio, the celebrity of Madrid sheds light on her ambition which is further illustrated in a later scene during the Procession where the Prioress harboured “secret pride at displaying the pomp and opulence of her Convent” (269). These details underline how the Prioress essentially treats St. Clare Convent as her own domain where she can gain fulfilment by enhancing its prestige. As such, she subjects Agnes to “all the rigour of which severe laws admit” as a vengeance over her injured pride. Her fixation on her own aspiration at the expense of others which verges on cruelty is represented by her indifference towards Agnes’s “tears and sighs” which demonstrates her “penitence” and “contrition”. (177) The Prioress metes out extreme punishment to Agnes despite other nuns including Mother Camilla and Mother St. Ursula supplicating her to “mitigate the severity of [Agnes’s] sentence” because she deems ruthless treatment of Agnes as the only way to “convince Ambrosio that [she] abhors such crimes” (177). The Prioress’s tendency to abuse power is further exacerbated by the fact that she exercises “absolute will” in St. Clare Convent as shown by her dismissal of the “opposition to [her] will and assertion that those supplications “will be unavailing” because “[her]

With Giovanni’s death in 1429, there were those who tried to capitalize on the opportunity to displace the Medici family from its place in the social and political landscape of the time. One such opportunity was taken with the help of a wealthy rival, the Albizzi family, who put in motion a plot to have Giovanni’s son, Cosimo de Medici, arrested on accusations of treason and banished to Venice. This did not happen without consequences. With Cosimo’s exile he took with him a large source of Florentine capital, the Medici Bank. The Pope intervened and restored the Medici’s to power. Thus began Cosimo’s restoration of Florentine pride and the support of great artists that many admire today.

According to Paul Grendler, the conservative, clerical pedagogical theorist Silvio Antoniano (1540-1603) reflected on women’s educational status in Renaissance Italy in one of his written works, claiming that “…a girl (should not) learn ‘pleading and writing poetry’; the vain sex must not reach too high…A girl should attend to sewing, cooking, and other female activities, leaving to men what was theirs”. Apparently, this was the common-held view concerning women’s education during that time. Although women were actually encouraged to literacy, their subservient social role as wives and mothers could not allow them to learn as much as men did (Grendler, 1989).

The purpose of the book Women of the Renaissance by Margaret King is to explain the various roles of that women occupied during the renaissance. She mainly focusses on women of western Europe between 1350 and 1650. In the chapter titled “Daughters of Eve: Women in the Family” King writes about the positions of women in the family. In the part of the chapter that we were assigned, she depicts the role of mother. She explains the importance having children, the differences between healthy and lower class mothers, and the relationship between these mothers and their children. During the renaissance, motherhood was an extremely important job, and many women were defined by it.

The focus of this investigation will be “The Medici family supported the artists of the Renaissance era by providing them financial support, throughout mentorship and because of the prevailing philosophy and humanism.” This investigation will focus on the background of the Medici family and how they supported artists of the Renaissances era. This investigation will use a primary source from an artist's work and a secondary source relating to the Medici family uprising.San Lorenzo (church). Medici chapel. Tomb of Lorenzo de' Medici which held Sculptures by Michelangelo and Adrien, De Roover Raymond. The Rise and Decline of the Medici Bank, 1397-1494. Norton Library, 2012.Both sources provide background to the Renaissance time period and how the Medic family treated artists with their power. The two sources are examples of how the Medicis changed the renaissance era through their money and power to pursue artists for their own benefit and for the time periods.