Giovanni Bellini Research Paper

Leonardo Pisano commonly referred to as Fibonacci revolutionized education and economics by reviving ancient mathematics and creating his own theories (Stetson, University). Through some of his well known books are mathematical advancements and broken barriers in the world of mathematics. His desire to learn more and ability to travel led him to create important mathematical advancements that changed history forever (Henderson, H).

Giovanni Gabrieli was a legendary composer of the 16th century. As the fundamental structure and ideas of the Catholic Church were being challenged by the Protestant Reformation and the Counter-Reformation, Gabrieli’s compositions were given the opportunity to be successful and influential to music in the coming centuries. His works helped to transform not only church music of the Catholic Church, but also secular music as well. Giovanni Gabrieli wrote significant works that ultimately shaped the rise of the symphony, including the development of purely instrumental works, the art of orchestration, and the concerto style. Without his innovations in composition, it is arguable that instrumental music would not have developed as quickly, or developed

Caravaggio’s, however, was darker and more dramatic. Caravaggio started an intense style called tenebrism. Tenebrism is a more prominent form of chiaroscuro, where there are vehement contrasts between light and dark. Fred Kleiner best describes Caravaggio’s style, “In his art, Caravaggio injected naturalism into both religion and the classics, reducing them to human dramas played out in the harsh and dingy settings of his time and place” (Kleiner, 681). Caravaggio painted during the Italian Baroque in the 1600’s. Italian Baroque artists like Caravaggio embraced theatricality and extravagant ornamentation, while Renaissance artists focused more on precise classical models. Now Caravaggio wasn’t exactly an upstanding member of society, most of what the art world knows about him is through his police reports. Caravaggio’s Entombment was created in 1603 and, like Giotto’s Lamentation, depicts the death of Jesus. While they both depict the same religious scene and use styles that are new for their time, Caravaggio’s painting has some drastic differences from Giotto’s. Caravaggio’s painting is oil painted on canvas, which gives Caravaggio the opportunity to be more detailed in his painting than Giotto can with fresco. Caravaggio creates these intense dramatic scenes of diagonals and intense movement. Unlike Giotto, Caravaggio uses linear perspective to direct his viewer’s attention to the body of Jesus. Caravaggio does this by using a diagonal cascade of mourners descending towards Jesus’ body. Inclusively, Caravaggio started a darker, more dramatic movement that gave naturalism a new realistic element.

World Renowned Sculptor Manuel Neri is one of the most brilliant artists of the 20th century. His works includes Mujer Pegada Series, paintings, drawings, and prints, though his primary medium is sculpture, his artistic talents has positions him in many facets of the art world. Born in 1930 in Sanger, California he spent most of his childhood in the San Joaquin and San Fernando valleys, where his parents worked as laborers. Neri attended San Francisco City College from 1949-50 with the intention of becoming an electrical engineer. A single class in ceramics turned him to art and a move to California College of Arts and Crafts and subsequent studies at California School of Fine Arts 1956–1958 (now the San Francisco Art Institute).

Renaissance art created standards and principles that every painting and artist had to utilize in order to even be considered good, let alone great. Characteristics such as the phenomenon of natural light, one-point and linear perspective, and highly idealized religious or mythological figures changed into the Baroque techniques of manipulating light to create emphasis, dramatizing the illustrated allegory, and unidealized realism. Additionally, “… the Baroque trend dominated and gave its name to the age… [but it was the presence of both styles] that give the Italian seventeenth century its richness and diversity.” (4) Italy, and Rome especially, is home to what can

“Pur dicesti, o bocca bella” was composed by Antonio Lotti, who was born on January 5, 1667 in Venice, Italy. In 1862 Lotti began studying with Lodovico Fuga and the notable composer Giovanni Legrenzi, who worked at St Mark's Basilica, Venice's most important church. One of his first known musical jobs was as an extra singer for the fraternity of Santa Cecilia when it was newly established at St. Mark's basilica. On May 30, 1689, Antonio Lotti was hired as a regular alto singer. After this position, Antonio Lotti continued to make his way to the top as assistant to the second organist in 1690, second organist in 1692, first organist in 1704, temporary primo maestro di cappella in 173, and finally, permanent primo maestro di cappella, which

In the womb of his mother's belly, getting an ultrasound, which is one of the many best sights in the world while having a baby, the parents hearts dropped when they saw what was going to happen to their child. The parents’ know that one day they would have to go back to the doctor to help them with this difficulty. Born with a child with a disorder or a disease is one the most devastating moments. Giovanni Cascio was born with a disease called arthrogryposis, a neuromusculoskeletal disorder that affects various joints in the body.

Vincent A. Conti, D.D.S. is a dental practice that is located in Mineola, New York. Vincent A. Conti, D.D.S. specializes in dental hygiene, implants, cosmetic dentistry, endodontics or root canal therapy, restorative dentistry, pediatric dentistry, plus more. This dental practice is also an expert in periodontic dentistry, oral surgery, and orthodontic dentistry. Vincent A. Conti, D.D.S. provides the dental implants and mini implants. The cosmetic dentistry services they offer include veneers, Lumineers, whitening, Snap-On Smile, bonding and white fillings, inlays and onlays, and VIP amenities. Vincent A. Conti, D.D.S. is always up to date with the latest technology. Their technology includes the intraoral camera, oral cancer screenings, and

The work of art that I have chosen to write about, is the Three Miracles of Saint Zenobius (1500-10). This painting is part of a bigger collection that depicts scenes from the life of Saint Zenobius. It’s sister pieces are spread out in different parts of the world, such places as, London, Dresden and New York itself. The painter of this entire collection is Sandro Botticelli (1445-1510) and he belongs to the Early part of the Renaissance. It is worth to note, that Botticelli was taught by Filippo Lippi. Fra Filippo Lippi was a prominent artist of his time and he painted his work with great color and as well with a narrative quality. Botticelli himself made a name for himself by his artistic style and to his contribution to painting the frescoes of the Sistine Chapel and even though his most notable work of art was the Birth of Venus that was created eighteen years prior to the Three Miracles, this piece of work takes a different approach than his other paintings. The painting itself resembles the Scenes from the life of Saint John the Baptist (1490/95) and it could be said that Botticelli was inspired by it.

Enrico Cecchetti was born on June 21, 1850 in a dressing room at the Tordinona Theatre in Rome, Italy. His parents were both dancers, who wanted Enrico to get a career in business pr law. Enrico wanted to be a dancer and worked hard to convince his parents of that. At first he was trained in ballet by his father but later was trained by Giovanni Lepri. Enrico also learned from Cesare Coppini and Filippo Taglioni. When Enrico had his debut in Milan at 20 he received many reviews and throughout his career he was considered one of the finest male dancers of his time. He performed in Russia always amazing audiences with leaps, pirouettes and feats of batterie. Enrico created the Blue Bird and the role of Carabosse in Peptipa’s The Sleeping Beauty

Born to Rodrigo Borgia in 1475, Cesare worked his way up and gained multiple positions of power and authority which imprinted his influence for centuries to come. Although a controversial figure during the Renaissance. Cesare Borgia is known as “The Prince” because of his ambitious spirit and strong leadership.

Born in Milan, Italy, on March 15, 1738, Cesare Beccaria’s father was an aristocrat born of the Austrian Habsburg Empire, although he earned only a modest income. Cesare Beccaria received his primary education at a Jesuit school in Parma, Italy, and he would later describe his early education as "fanatical" and oppressive of "the development of human feelings" (Monachesi, 1973). Despite his frustration at school, Beccaria was an excellent math student. Following his education at the hands of the Jesuits, he attended the University of Parma, receiving a degree in 1758 in

Giovanni Bellini, (born c. 1430, Venice [Italy]—died 1516, Venice), Italian painter who, in his work, reflects the increasing interest of the Venetian artistic milieu in the stylistic innovations and concerns of the Renaissance (metmuseum). Bellini was one of the most influential Venetian artists. He lived and worked in Venice all his life; his career spanned 65 years. Little is known about Bellini’s family. Bellini’s father, Jacopo, a painter was a pupil of the Gentile da Fabriano, in any case, Jacopo introduced the principles of the Florentine Renaissance to Venice before either of his sons (Britannica). Jacopo strove to ensure that his sons would become distinguished painters as well and, it is said, often pitted them each other.

The art in Venice represents what the people during the Renaissance were thinking and doing. There were many people and things that influenced the art but one of the most significant families was the Bellini family. The members of this family Jacobo, Giovanni, Gentile, Andrea, Mantegna, and Giorgiona created many techniques that are used today. Their style of painting was called a Venetian style, and it included paintings with deep rich colors and emphasis on patterns, and a strong interest on the the effects of light. They also used perspective in their paintings. People learned the technique of oil painting from trading with northern Europe. Giovanni Bellini combined perspective and oil painting. Some other painting styles that were introduced in the Renaissance were using wood pallets and looser brush strokes,and having differences between thin and thick paint.

With the continuous growth of paintings and artists, prestige for art increased dramatically to the point in which religious aspects were shown through landscapes, portraits, and temperas. This then allowed the creation of new styles and mathematical input that manifested everyday life with religious aspects. One such artist was Giovanni Bellini who introduced bright, rich, strong colors into his palette and landscapes that expressed the happiness, calmness, and prosperity that Italy carried throughout the Renaissance. These characteristics and styles of paintings subsequently became a popular Venetian cornerstone. Other important figures in the Italian Renaissance that demonstrated the movement?s ideas through their ingenious paintings and architectural methods were Pier Della Francesca and Leon Battista Alberti. Francesca, who was and expert in mathematics, developed the art form of perspective. Alberti, on the other hand, as an architect developed the pediment which became popular throughout the entire Renaissance. His monasteries and churches depicted many of the religious ideas, as evident in one of his famous works, the Santa Maria Novella. All in all, the use of the common religious themes such as the annunciation, adoration, Crucifixion, and the popular Madonna