Giovanni Di Bicci De Medici Essay

Pope Leo kept Michelangelo as the Medici family and now Catholic Church’s “main artist” of the time. He also had commissioned Brunelleschi for the reconstruction of the San Lorenzo Basilica. Pope Leo X was known for his lavish out of control spending and just over all failure in helping the church in every aspect except art. The next Medici Pope, Giulio de Medici known as Pope Clement VII, was very similar. Clement VII had also commissioned many artists such as; Michelangelo to paint the altar of the Sistine Chapel and Italian artist, Sebastiano del Piombo to paint the very famous portrait of himself on both stone and canvas. The Medici’s never really did make very good popes considering they were rather spoiled and not the holiest of people although they did bring some great historic works of art into the church. Both of their art patronages were very good for the papacy and bring a greater element of art into the church seemingly allowed the church to expand and welcome more people due to people wanting to be part of the works of those great

To many, the name Lorenzo de Medici just sounds like an irrelevant Italian man. At a closer look, Lorenzo was one of the most important people in the history of Italy. Born to Lucrezia Tornabuoni and Piero di Cosimo de ' Medici, Lorenzo ruled Florence from 1469 until his death in 1492 after his father’s death. He helped make Florence the most important city-state from 1469-1492. Lorenzo de Medici was the most important ruler of Florence because he formed political alliances to protect his people, he was a strong supporter of education, and he was an advocate to many great artists.

* Lorenzo’s brother had been assassinated by a rival family, the Pazzi, who had long plotted with the pope against the Medicis which made Lorenzo a cautious ruler

Cosimo de’ Medici was born on September 27, 1389 in Florence, Italy at the time his family was middle class bankers. At a young age his father Giovanni, introduced his son to the family business of banking. As Cosimo grew older, he took on more duties in the family business and eventually became the head of the bank the family owned. When he was a young man he had an important relationship with the Catholic Church, at this time the Church was the dominant religious faith of Europe, the one most powerful men in Europe was the Pope. Cosimo recognized the important role of the Catholic Church and made a friendship with the Pope. After this relationship the Medici banks were handling most of the Church’s financial accounts. Some

Giovanni De Bicci De Medici: Giovanni established political and financial power of the Medicis and was one of the richest bankers in Italy because he was also the Medici bank founder. Giovanni was the first Medici to really like the looks of art and decorate his house with it and support

1360-1429) choose to solve the family’s economic stature. Giovanni “established the Medici bank” (How did the de Medici contribute to the Renaissance? 2017) he used the family’s profits from the wool trade to do so. “The Medici bank was one of the most prosperous and most respected in Europe” (Medici family - New World Encyclopedia 2014). The Medici family gained even more financial security when they acquired another medieval power, the Catholic church.

Cosimo de’Medici filled his libraries with over seventy volumes and made sure to only include text worthy of reading with “the collection reflect[ing] his literary taste and consist[ing] of classical texts as well as a mix of secular and sacred works typical of collections at the time” (Meehann 15). Cosimo’s first library was constructed in 1433 outside of Florence as a gift for Venetian hospitality and good will. He built and furnished the library for the San Giorgio Maggiore monastery in Venice (Meehan 16). Cosimo’s behavior illustrates that not all members of the Medici family used art for gaining power. The parts of Cosimo’s library that did not go to the San Marco collection went to two of his sons, Piero and Giovanni. As the two boys grew up, they collected more books in competition, but unlike their father’s simple manuscript style, they collected miniatures that were created by leading

Giovanni di Bicci de’ Medici founded the Medici bank in 1397 after splitting from his nephew to establish a bank branch in Florence. As the new bank grew and expanded, so did the wealth and power of the Medici family. When Cosimo il Vecchio de’ Medici, Giovanni’s son, took over the banking business in 1434, the increasing economic power of the Medici family allowed them to establish themselves as effective rulers of Florence while keeping the republican system of government nominally intact. The bank provided the Medici family a combination of economic and political power that facilitated the stability of Medici rule. Thus, the failure of the Medici bank during the reign of Lorenzo il Magnifico was key to the collapse of the Medici

Giovanni di Bicci de’ Medici initiated the Medici family’s rise to power during the Renaissance by founding the Medici Bank. Giovanni was born in 1360 to his father, Averardo de’ Medici, and his mother, Jacopo, Spini. Although Giovanni was not born into a wealthy family he got his start working in bank management beside Vieri di Cambio de’ Medici. Vieri taught Giovanni about banking and in 1385 Giovanni ran the Rome branch of Vieira’s bank (Cole 1). After Vieri retired Giovanni gained control of the business and founded the Medici Bank in 1397.

With Giovanni’s death in 1429, there were those who tried to capitalize on the opportunity to displace the Medici family from its place in the social and political landscape of the time. One such opportunity was taken with the help of a wealthy rival, the Albizzi family, who put in motion a plot to have Giovanni’s son, Cosimo de Medici, arrested on accusations of treason and banished to Venice. This did not happen without consequences. With Cosimo’s exile he took with him a large source of Florentine capital, the Medici Bank. The Pope intervened and restored the Medici’s to power. Thus began Cosimo’s restoration of Florentine pride and the support of great artists that many admire today.

Giovanni Bellini, (born c. 1430, Venice [Italy]—died 1516, Venice), Italian painter who, in his work, reflects the increasing interest of the Venetian artistic milieu in the stylistic innovations and concerns of the Renaissance (metmuseum). Bellini was one of the most influential Venetian artists. He lived and worked in Venice all his life; his career spanned 65 years. Little is known about Bellini’s family. Bellini’s father, Jacopo, a painter was a pupil of the Gentile da Fabriano, in any case, Jacopo introduced the principles of the Florentine Renaissance to Venice before either of his sons (Britannica). Jacopo strove to ensure that his sons would become distinguished painters as well and, it is said, often pitted them each other.

The House of Medici, or the Medici family, was a very influential and extremely powerful family during the time of the Renaissance in Italy. The Renaissance took place starting in the late 14th century. During this time, the people started to take interest in and have an appreciation for the classical times. The beginning of this powerful family really begins with Giovanni di Bicci deˈ Medici. He was born in the year 1360 in Florence, Italy. Originally from the Tuscan hillside, the Medici family immigrated to Florence during the 12th century. Giovanni di Bicci deˈ Medici was the man who really got the family moving. He founded the Medici Bank and began using money to gain influence. The Medici Bank eventually became the official bank of

His many works include the “Palazzo di Parte Guelfa,” the “Rotonda degli Angeli,” and the “Ponte a Mare at Pisa.” There is however some debate to whether Brunelleschi was responsible for the original designs for the Pitti Palace. After his death he was buried in Santa Maria del Fiore. However, his tomb was not discovered until 1972 (Lombroso 5).

The focus of this investigation will be “The Medici family supported the artists of the Renaissance era by providing them financial support, throughout mentorship and because of the prevailing philosophy and humanism.” This investigation will focus on the background of the Medici family and how they supported artists of the Renaissances era. This investigation will use a primary source from an artist's work and a secondary source relating to the Medici family uprising.San Lorenzo (church). Medici chapel. Tomb of Lorenzo de' Medici which held Sculptures by Michelangelo and Adrien, De Roover Raymond. The Rise and Decline of the Medici Bank, 1397-1494. Norton Library, 2012.Both sources provide background to the Renaissance time period and how the Medic family treated artists with their power. The two sources are examples of how the Medicis changed the renaissance era through their money and power to pursue artists for their own benefit and for the time periods.

The members of the Medici bank also did their work sitting on benches and behind tables. The first location was in Via dell Arte della Lana, also known as, Wool Guild Street. Since they were confronted with different currencies they took out a commission for the conversion of the currency instead of charging interest. Since no interest was applied, there was no sin. Little by little they started expanding into areas such as Florence, Venice, and Rome. The Medici bank was doing everything right. They soon grew to be a powerful financial unit in