Girl Her Room

Society is often seen to have different biases or perspectives on topics such as the role and perception of women. The short story, “Girl” by Jamaica Kincaid, consists primarily of a catalog of commands and instructions, the purpose of which is to make sure that the mother’s daughter is constantly in check and not getting into any trouble. Jamaica Kincaid utilizes a wide range of techniques such as symbolism and diction in order to showcase the theme of how the depiction of women rely mainly on how they present themselves in the public and how they are so easily described as impure or filthy.

In Jamaica Kincaid’s short story “Girl,” the narration of a mother lecturing her daughter with sharp, commanding diction and unusual syntax, both affect the evolution of a scornful tone, that her daughter’s behavior will eventually lead her to a life of promiscuity that will affect the way people perceive her and respect her within her social circle. As well as the fact that it emphasizes expectations for young women to conform to a certain feminine ideal of domesticity as a social norm during this time and the danger of female sexuality.

“Girl” is a short story in which the author, Jamaica Kincaid, unofficially presents the stereotypes of girls in the mid 1900s. Kincaid includes two major characters in the story “Girl”, they are the mother and the girl. Although the daughter only asks two questions in this story, she is the major character. The mother feels like her daughter is going in the wrong direction and not making the best decisions in her life. The whole story is basically the mother telling her daughter what affects her decisions will have in the future. The mother believes that because her daughter isn’t sitting, talking, cleaning, walking or singing correctly it will lead her to a path of destruction. “Girl” is a reflection of female sexuality, the power of family, and how family can help overcome future dangers.

Reviving Ophelia: Saving the Selves of Adolescent Girls, is author, Mary Pipher’s attempt to understand her experiences in therapy with adolescent girls (Pipher, p. 11). In the text adolescence is described as a border between childhood and adulthood (Pipher, p. 292). In her quest to understand adolescent girls, Pipher attempts to answer these questions: Why are so many girls in therapy in the 1990s? Why are there more self-mutilators? What is the meaning of lip, nose and eyebrow piercings? How do I help thirteen-year-olds deal with herpes or genital warts? Why are drugs and alcohol so common in the stories of seventh-graders? Why do so many girls hate their parents? (Pipher, p. 11-12). These questions are answered through self-reflection, stories from clients, and interviews with adolescent girls at different levels of maturation.

girl’s life from childhood to her early adult life. Johnson begins her piece by talking about the

It is substantial to include primary sources when when writing informative essays or other forms of writing. The author uses interviews as her research method and includes dialog from them. Nearly all women and girls can relate to the conversations. Tannen’s uses an appeal to pathos , ethics and the use of dialogue, which is commendable and help supports her work.

“Girl”, a short story by Jamaica Kincaid is narrated from a girl’s point of view of her mother telling and teaching her how, in her mother’s eyes, to be the perfect lady. The story takes place in a cultural setting of the islands of Antigua where the author was raised. The title “Girl” makes us assume that this isn’t just a personal story, but a somewhat universal childhood that we all face as women and the cultural standards we all face to become the perfect lady.

This trait of a submissive female is reversed within Rrap’s exhibition; Persona and Shadow: Puberty 1984. This piece is an appropriation and deconstruction of Edvard Munch’s work; Puberty 1894 which

When we look at this piece, we tend to see the differences in ways a subject can be organized and displayed. This assemblage by Betye Saar shows us how using different pieces of medium can bring about the wholeness of the point of view in which the artist is trying to portray. So in part, this piece speaks about stereotyping and how it is seen through the eyes of an artist.

Being on the verge of adulthood and having just left the simplicity of childhood, teenagers have always been particularly complex and enigmatic individuals. While most people struggle to see things from an adolescent perspective, Canadian playwright Joan MacLeod is well-known for her accurate portrayal of teenagers. In 2002, she published The Shape of a Girl, a play related to the dramatic story of a young girl named Reena Virk who was tragically affected by bullying, a characteristic behavior of adolescent development. Throughout The Shape of a Girl, MacLeod effectively exploits the Aristotelian dramatic elements and she uses Reena Virk’s story as well as the thoughts that it produces in the antagonist’s mind to portray both adolescent character traits and behavioral patterns.

From the start the girlchild was given gifts that stained in her mind as what she was suppose to become in life. With the little dolls, GE stoves and irons, and lipstick her parents put this ideal image of the perfect woman in her head. With these types of presents the girlchild is already learning her role in society.

For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.

Rania Matar was born and raised in Lebanon and moved to the U.S. in 1984. Originally educated in architect at the America University of Beirut, Matar studied photography at the New England school. Matar’s work focuses on girls and women. Rania Matar published her photo, “Izzy, Brookline MA,” taken in 2011, to give awareness in to teens that struggles with eating disorder in today’s society. The work of Matar represent a young women who is sitting down bracing herself forward with a cigarette in her mouth and cut marks on her arms showing her accomplishment of conquering an eating disorder

Sharifi uses photography to document the modern lives of Iranian youth and has also used the individual figures in collages with traditional figures from Persian artwork. Her series ‘the space within’ documents the lives of young people inside their homes and how modern culture influences their lives. The image of the girls and women

Aziza’s early years were carefree and happy. She went to school and played with her friends and classmates. “I was an energetic child but when I was in my fifth grade at my elementary school, my mom had a car accident. I did not know anything because after six months or more, then they told me that my mom had an accident. I did not know; I did not see my mom for six months. They hid it from me.”