Giselle And The Romantic Era

The Romantic era began in 1770, with its peak being from 1800 to 1850. With emphasis on the imagination and emotion, Romanticism emerged as a result of the Enlightenment period, which heavily placed values upon reason and order. Thus, Romanticism depends heavily on “the practical accomplishments of the prior un-Romantic era— a relationship between material wealth and scientific knowledge on one hand, and personal, spiritual, or emotional transcendence on the other, that twenty-first century Americans continue to manage.” The simplest explanation for what is Romantic is “‘anything but the here and now’ or whatever is not realistic” (“Romanticism”). The

The history of ballet dates back to the 18th century starting with Baroque dance. Fabritio Caroso da Sermoneta was a famous Italian Renaissance dancing master. He was born around 1526-1535 and died around 1605-1620. His dance manual "Ballarino" was published in 1581, with a subsequent edition, significantly different, Nobiltà de dame, printed in 1600 and again after his death in 1630. In the 19th century there was the pre-romantic, romantic and the classical ballets. Anthony Tudor deserves an honorable mention for his choreography and teaching. Pre-romantic ballet occurred sometime circa ?? up to 1831. The romantic period covered the early to mid 1800's. This era also introduced the calf-length dress. A few of the great Romantic dancers were Marie Taglioni, Fanny Elssler and Carlotta Grisi. The tequnique became more developed, but the role

The corps de ballet should be used for plot development and as a means of expression.

The romantic movement occurred in the 1800 and 1900’s. There may be some confusion or disagreement on an exact definition but the overall movement focused on the individual more than society, an individual’s imagination and feelings (Romanticism), and ideal perspective on nature, conflict between good and evil and some would include the element of the supernatural (Dincer 218).

Costumes during the period immediately preceding the Revolution, commonly known as the Baroque period, were extremely showy. Dances were typically cold and extremely stylized, they did not seek to connect with the audience but rather to astound them with extreme wealth. Watching a ballet from the time period would more likely leave the audience in awe at the scenery and intricacies rather than feeling raw emotion from a moving storyline. Ballet’s that were shown in the theaters leading up to the fall of the Bastille were always subject to scrutiny and censorship. Each ballet or play that was shown on stage had to be consistent with the political and social views of the monarchy.

While observing this dance ballet, there were many things that caught my attention. First, the theater itself was extremely large, and the stage itself was big, and the dancers had plenty of room to move across the stage and perform their routines. There were many dancers, and they all played various roles that ranged from Clara, Fritz, Herr Drosselmeyer, the Rat King, the Nutcracker, the Sugar Plum Fairy and her Cavalier, and many more. All of the performers wore vivid costumes

As world has changed over the last century or so, the ballet world has been changing with it. There are many people who have helped shape that change. The changes in style were mainly influenced by George Balanchine. George Balanchine, a Russian choreographer and ballet dancer, also known as the father of American ballet, was the man who was said to have changed the style of ballet forever. Along with these changes in style came changes in visual design elements, inspirational figures, and changes in what the ballets themselves tend to rely on. Many of the features given to ballet in Russia in the 15th and 16th century still remain to this day, but many features have been altered to fit . Let’s take a closer look at what features truly

Whether we look at a romantic ballet like La Sylphide or a classical ballet such as Sleeping Beauty, audiences are constantly mesmerized by the gracefulness and weightlessness of the ballet dancers. They seem to defy the laws of physics, which is greatly possible due to the use of the pointe shoe. However, many masterworks that were created in the Romantic era did not solely rely on the pointe shoe to help convey messages. Instead, the choreography, dancers, scenic elements, subject matter, and music all helped shaped masterworks such as La Sylphide, Napoli, and Giselle. Similarly, in the Classical era, these elements all played a role in shaping famous ballets like La Bayadere, Sleeping Beauty, and Swan Lake. But once we take a closer look at these ballets from the Classical era, we can see how much ballet evolved. Nevertheless, it is important to note that the Romantic era was the stepping stone for this pure art form that we have been able to preserve for more than 160 years.

Giselle is one of the few many famous ballets still know in the ballet world today. A little about this ballet is a peasant girl in a village

Listening to Music class has taught me a new way to listen and enjoy music. I have learned how to differentiate the melodies, rhythms, and instruments in a song. It has also introduced me to different genres in the music world, aside from what is usually played on the radio. I can now attend any concert, listen to any genre, or watch any ballet and easily recognize the many specific aspects the music being played has. Ballets are very interesting to me. The audience is able to enjoy the music being played as it is telling a story, and being acted out through the performer’s body language. In the two ballets, The Rite of Spring and The Nutcracker, a great story is told in both referencing the many great dynamics music has. These two specific ballets are written by different composers, and each one of them have certain conditions they were written under. As well as different receptions, popularity, and development. The Rite of Spring and The Nutcracker’s differences has made some sort of an impact in the performing world back then as well as now.

Classical ballet took a step forward and revived prominent roles for men; whom previously the Romantic era had solely focused on the art of the

Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two dance forms also use different types of costumes and different narrative strategies. Romanticism greatly impacted the world of art in the 19th century. Romantic ballet emerged and allowed an escape for the dancers and audience from the distress due to the falling of the French Revolution. The following century brought a deeper understanding of Classical ballet via the Ballet Russes. The Ballet Russes allowed a freer expression and an overall appreciation of dance alongside other art forms. However, with all of those differences, they both use ballet technique for expression and

The history of ballet is rich, complex and full of powerful meanings depending on the time period. Ballet in the 15th century was seen as something that only select individuals could do, whereas, the 20th century ballet can be preformed by anyone. By thinking about how ballet performers have changed, a question may be thought is, have the people attending these ballet performances changed as well as the performers themselves? Today, children from ages two and up start taking ballet and family members come and watch their final recitals. National ballet companies are also an event and often draw attention to the higher-class individuals who have a taste for ballet. The ballet world could be seen as to having a quite array of attendees, events and functions, but that might not have always been the

French Ballet began in the 17th century. It was a flamboyant entertainment presented in front of the aristocracy and royalty in the courts. French Ballet was also performed when they were celebrating marriages and showing off the wealth and power of the ruler. Besides, Ballet was called “la belle danse”, and it means “the beautiful dance.” In order to help the audience to recognize the characters in the story, dancers usually wore extravagant costumes. Moreover, the idea of different ballet movements was based on the social dance of royal courts, like beautiful arm and upper body movements and floor patterns were included. Also, in the beginning, only men were allowed to dance ballet, and women played the first ballet with parts until 1681.

Ballet is not only a well-known art form with a language that is nearly universal, but also involves a combination of several elements, including dancers, music, and scenery; commonly performed in pointe shoes, the movements are very fluid and graceful. The very first era of ballet is referred to as the romantic period, during which famous ballets with lengthy, complicated story plots such as Giselle took place. A young woman named Giselle falls in love with a male character named Albrecht and marries him; only to die of a broken heart when a third character comes in. His name is Hilarion, and he is also in love with Giselle; he reveals that apparently Albrecht has deceived her. After an extreme reaction, Giselle is seen as a virgin spirit dancing with a group of other undead young women who died of a broken heart.