Git Up Get Out Tupac Analysis

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

Tupac’s America was a nation terrified of changes. He wrote, “It’s time to fight back, that’s what Huey said, 2 shots in the dark, now Huey’s dead” (2PAC LYRICS). He believed the government assassinated Huey Newton, the Black Panther leader, a militant group that employed violent means to protect black people from the police. In verse number three, Tupac compared the America’s war in Iraq to the violence in the high poverty neighborhoods (2PAC LYRICS). He then described government policies relating to “war on drugs," which resulted in mandatory arrest policies, harsh drug laws on crack cocaine, and the explosion of the African American population in penitentiaries. Tupac tried to convey to the listeners the society must change, but it will most likely change for the worst.

Music is a creative art form that allows the artist to construct something that expresses a purpose. It evolves over time and changes as the world changes, taking on many different motivations behind the melody and lyrics. In today’s society, anger, oppression, racism, and negative opinions rule the media and popular culture. I believe that African Americans need to show their self worth and not let white people hold them back. With the music in white culture often mocking African American culture and portraying negative stereotypes, African Americans have to find ways to gain respect. In acknowledgement of the negative portrayal of their culture, African Americans respond by creating songs and videos that express their pride in their culture and heritage, react to white oppression, and communicate their independence.

Throughout the song, Tupac gives an inside look on the social problems affecting African-Americans and suggests possible solutions. In the first stanza of the song, Tupac first talks about how certain social issues are linked together; he makes a correlation between his skin color and being poor. Tupac says “I'm tired of bein' poor and even worse I'm black.” Then he explains how poverty causes crime by saying “My stomach hurts, so I'm lookin' for a purse to snatch.” And finally, he demonstrates the relationship between police brutality and race by saying “Cops give a damn about a negro? Pull the trigger, kill a nigga, he's a hero.”

McBride uses emotional, logical, and ethical appeals to drive his point. His use of emotional appeals are used to get attention and provoke thought from people who may have similar backgrounds to his, or those who may have a strong opinion towards hip hop culture. An example of this would be “hip hop remains an enigma, a clarion call, a cry of ‘I am’ from the youth of the world” (McBride 1). A clarion call is a strongly expressed demand or request for action- a plea, essentially. This pairs with the word “cry” to create a sense of despair in the youth of the world. By grabbing the reader’s heart as well as their attention, this moves the reader to consider the music as more than just defiance.

Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all

“it's time to fight back," that's what Huey said. Two shots in the dark, now Huey's dead” are all references to the Black Panther Party, a neighbourhood watch who were formed in order to stop the police brutality among African Americans. Tupacs parents were affiliated with this party which would have meant that he had somewhat of an emotional attachment to this group. The use of allusion to a group that Tupac’s parents were a part of and by highlighting their mistakes, in that violence is not the way to solve issues and that changes must be made on how issues such as police brutality are solved. This can be proven through the use of enjambment as Tupac continues his reference to the Black Panther party by alluding to the death of huey newton, the founding member of the black panther party who was brutally killed at an early hour of the morning. Huey Newton’s radical militant viewpoint in order to eradicate police brutality would eventually end up in his death. By bringing up this Tupac hoped for the listener to understand that violence is not the way to solve violence.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Independently, Shakur’s lyrics suggest the inequalities he has experienced throughout his life and of his race in general. In the first verse, Shakur expresses his upbringing without a father and the struggles with the racial tension in his neighborhood. He implies that he has been pushed into a world of violence and crime because of his low socioeconomic status. He states that peace can only be attained if the African Americans are offered a place in the society. The second verse focuses upon the broader oppression of the black body where he addresses the police violence and inequalities of the system. His lyric analyzes the violence in the streets and the fear of police officers that are willing to shoot him because he appears threatening. Finally, the third verse expresses that he is still waiting on things to change, yet the answer is not present. The greater meaning to his

Within History, Rap has been considered the “CNN for black people”; what started as a way to express struggles in the ghettos of New York has transformed into one of the most popular genres of music in America. The popularity of rap has allowed many to have their voices heard, created new fashion trends, and even developed popular modern slang used by people throughout the world. The commercialization of rap has resulted in a significant following of the culture in America but also a large number of people who oppose the music. The culture of rap music has a substantial impact on popular culture in America, and by using an open mind and looking past the violence and language, people can better understand the meaning behind rap and the perception that follows it in America today.

For many years, the youth have been known for singing along to their favorite song and taking that song as whole and using it as their motto for life. It may seem that sometimes these kids do not know what is being said in the music but this shows that they do know what the lyrics are saying. According to Franklin B. Krohn and Frances L. Suazo in their article “Contemporary Urban Music: Controversial Messages in Hip-Hop and Rap Lyrics,” many teenagers and minority groups view rappers as their spokesmen because of their ability to speak in street language and bluntly express their frustration (Krohn, 1995). Unfortunately, hip hop lyrics usually tend to talk about drugs, sex and violence leading kids to think that everything they hear is okay and that is how they have to live their life. Yet, there are artists out there who take their lyricist skills to give positive lyrics and messages in their music, but these songs are not often played in the mainstream.

From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the

Barack Obama said, “Change will not come if we wait for some other person or some other time. We are the ones we've been waiting for. We are the change that we seek.” “Change” by Tupac Shakur talks about change is hard because people stereotype. Although, change is a difficult thing to do, one can change lifestyle if they wanted it to.

Throughout history, music has been used to express the feelings of people or groups whom may have no other outlet to express themselves. The best example of this occurrence would be the lower class of America’s use of rap music. Rap music started out as a fun variation of disco with the purpose to make people dance and enjoy themselves, but it later transformed into one of the best outlets to express the struggles of poverty in the United States. The genre gained popularity when the song “Rapper 's Delight” hit the charts in the early eighties; rap evolved into a plethora of different styles from there, Gangster Rap formed with NWA in the late eighties, and rap really hit it’s zenith in the mid nineties. Modern rap began in the early starts of the twentieth century. Because of the storytelling that rappers do in the music, it gained notice in the inner city where the demographic could relate. Many young teen in the inner city environment built dream to be famous rappers just like their own favorite artists . Rap connects to me by its style, its purpose, and its political incorrectness.

An American literary theorist and novelist, Kenneth Burke, once said, “Wherever there is persuasion, there is rhetoric, and wherever there is rhetoric, there is meaning.” (Burke) Barack Obama, Martin Luther King Jr. and Fannie Lou Hamer all delivered powerful persuasive speeches that will go down in history. The use of these motivational individuals’ language and persuasion played a pivotal role within the civil rights movement, the movement that achieved the most important breakthrough in the equal rights legislation. We can observe this in the speakers’ rhetoric devices like ethos, logos and pathos.