Gladiator And Braveheart Tragic Hero

The word hamartia refers to a fatal flaw leading to the downfall of a tragic hero,

A tragic hero is a person who has qualities of a hero such as intelligence and strength but makes choices that lead to their self-destruction. The tragic hero is usually from a noble family or high position. Oedipus from The Sophocles is a tragic hero because he possesses tragic flaws such as hubris, hamartia, and too much curiosity. Marcus Brutus, a Roman politician, also serves to be a tragic hero since he is too naive, honest, and sometimes impulsive. Both Oedipus and Brutus have certain characteristics that determine them to be a tragic hero.

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

Most people would consider a hero as someone who has impacted the world in a positive fashion, but doing a single positive action does not abolish all of the bad deeds that a person has committed. The great philosopher, Aristotle classifies a tragic hero through the principals hamartia and hubris, meaning a character in a dramatic tragedy who expresses a tragic flaw and excessive pride, conclusively leading to their downfall. In the tragic play “Macbeth” by William Shakespeare, the main character, Macbeth is a considered a tragic hero since he represents the principal hamartia through his tragic flaw of ambition and he exhibits the principal hubris through his excessive pride.

A tragic hero is a person who has sacrificed their lives for a principle. It is shown in the play that ordinary people can be tragic heroes. They believed so passionately in an idea that they were willing to make the ultimate sacrifice, their lives, for it. There are four main aspects that represent a tragic hero. They are hubris, hamartia, catharsis and lastly catastrophe. Hubris is the excess, usually of pride, or overwhelming self confidence. Hamartia is the weakness, usually an error in judgement. Also, known as a tragic flaw. Catharsis is the tragic

According to Aristotle’s definition of tragic hero, it is a literary character who makes a judgment error that inevitably leads to his/her own misfortune. For instance, a real life example of a tragic hero is Martin Luther King Jr. He was a venerated man that was determined to perceive equality for African Americans, he was ambitious in reaching this goal but, unfortunately, his ambition caused his downfall. Luther's flaw would be his ambition for equality and his misfortune was not deserved, thereby, he is a real life tragic hero.

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

Tragic Greek dramas featured tragic heroes, mortals who suffered incredible 
losses as a result of an inescapable fate or bad decisions. According to Aristotle, a tragic hero is a character, usually of high birth, which is pre-eminently great, meaning they are not perfect, and whose downfall is brought about
 by a tragic weakness or error in judgment. The three Greek heroes Oedipus, Medea and Agamemnon, who each killed a member of their family, carry most of the qualities that make up a tragic hero: being of noble birth, being surrounded by an extraordinary circumstance, and gaining self-awareness or some kind of knowledge through their downfall. There is an important need for the audience to identify with the Aristotelian hero through

He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.

In literature a tragic flaw refers in plain words when the main character ends up dead or defeated a characteristic feature of the heroes of Nathaniel Hawthorne’s short stories, “Young Goodman Brown,” “The Minister’s Black Veil”, and “The Birthmark”. However this concept is even more extensive and best explained in terms of “Hamartia”. According to the Encyclopedia Britannica that word can be understood as an inherent defect in the hero of a tragedy or a moral flaw, other sources point out “Hamartia” as an error in judgment or accident that may lead the hero to ruin as a result. From “The Birthmark” the reader can notice how the story starts with a happy romance

After its debut in America on May 5th of 2000, the movie Gladiator has been a nationwide symbol of heroism(Imdb). The film was directed by Ridley Scott and the lead roles of the film were carried out by Russell Crowe as Maximus and Joaquin Phoenix as Commodus(Imdb). The movie takes place during the reign of the Holy Roman Empire in the year 180 A.D. The Emperor, Marcus Aurelius, is dying and wishes to leave the Roman Empire under the control of Roman General Maximus Meridius. The Emperor’s son Commodus betrays Maximus, kills his father, and takes control of Rome. In betraying Maximus, Commodus has his family killed. Maximus knowing this returns to Rome as a gladiator under the alias “Spaniard” in search of revenge(Imdb). According to

It is necessary to have a clear definition of a “tragic hero”. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment” and brings his downfall to evoke the feelings of pity and fear among the audience. Aristotle also names five key characteristics that make a tragic hero a tragic hero. They are as follows: hubris, anagnorisis, catharsis, hamartia, and nemesis. We can recognize these five stages by following Karenin’s thought process throughout this passage.

As Oedipus comes to a close and all revelations have been foretold, the audience is left with Choragos's words, “Let every man in mankind's frailty consider his last day and let none presume on his good fortune until he find life at his death a memory without pain” (Soph. 1. 4. 300. 64.), which in short tells that no one is guaranteed an easy pass through life. As Aristotle describes the tragic hero, often the tragic flaw is hubris, an excessive pride that causes the hero to ignore a divine warning or to break a moral law. Aristotle also adds that the tragic hero may achieve some revelation or recognition about human fate, destiny, and the will of the gods. "Tragedy, then, is a process of imitating an action which has serious implications, is complete, and possesses magnitude; by means of language which has been made sensuously attractive, with each of its varieties found separately in the parts; enacted by the persons themselves and not presented through narrative; through a course of pity and fear completing the purification of tragic acts which have those emotional characteristics." (Aristotle. 66)

Hamartia is defined as a fatal flaw leading to the downfall of a tragic hero. Aristotle defines a tragic hero to be a man “who is not completely good and just, whose misfortune is brought out not by vice or immorality, but by some error or weakness.” The three key requirements of Aristotle in regards to a tragic hero are; a high social standing, goodness or moral excellence, or error committed by the hero in unawareness or ignorance. Two quality examples of men that portray Aristotle’s idea of a tragic hero, and who also fit the three main requirements are Oedipus Rex and Willy Loman. Oedipus Rex clearly and without a doubt answers to each of the three requirements laid out by Aristotle is regards to a tragic hero. He is a man of social reputation, and possesses exceptional qualities, but is in no means perfect. It is safe to say that Oedipus’ hamartia is the cause of his own downfall. Willy Loman on the other hand is also considered to be a tragic hero. Like Oedipus, Willy goes through his life, for the most part, blindly, and never really realizes the complete truth of himself. Through his delusional personality, and his continual blindness, Willy’s hamartia is also the main cause of his downfall, where in his case, leads to his death. Through further analysis of both Oedipus Rex and Willy Loman’s tragic flaws, along with literary criticism from Aristotle’s poetics, their hamartia, which ultimately leads them to their

In the tragedy “Antony and Cleopatra”, Shakespeare presents our protagonist Mark Antony as a tragic hero. He does this by using a number of dramatically effective methods, including language, staging techniques and structure. Aristotle defines a tragic hero as a character of noble stature who has a tragic flaw (usually hubris which is over confidence/arrogance) and suffers a downfall that is partially their fault but also due to factors beyond their control. The downfall they suffer exceeds the “crime” but the tragic hero gains some sort of self-awareness.