Gladiator by Ridly Scott Essay

use the cinematography to add to the movies message. Throughout the film, the directors keep a main

A variety of camera techniques are used throughout the beginning sequence to enhance the mood and involve the audience. Camera techniques are harmonized with lighting effects to culminate this dramatic scene. I will begin by discussing examples of this. In the village, many close-ups and long shots are used to enhance facial expression and to set the sombre mood.

Directed by Ridley Scott, Gladiator is an epic tale of honor, love, loyalty and power.

Passions drive people, and the townspeople in “The Lottery” and Paul in “The Rocking-Horse Winner” are no different. Each of the members of the unnamed town has a strong passion for tradition. The original black box used for the lottery is described as being, “lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born” (Jackson 251). This sentence gives the reader an understanding that the lottery is an ancient tradition that has become an integral part of the town’s lifestyle. Such a tradition can only be carried on for this length of time if the people are passionate about preserving the tradition. Paul had a passion to be wealthy as a way to prove to his mother that he was lucky. From a young age, he saw that his family always wanted more money to support a better lifestyle, yet

Marjane Satrapi’s memoir Persepolis is considered a “coming of age” story based on her experiences growing up in Iran during the Islamic Revolution. This graphic novel explores the life she lead in Tehran which encompassed the overthrow of the Shah’s regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. Undergoing life with such a chaotic environment, it took Satrapi courage to act and live as her “authentic self” and explore what it meant to her to be authentic. Similar to Aristotle, May and Medinas Persepolis examines the concept of courage, through the view of innocence; through Satrapi’s childhood.

The first of the two stories I chose to compare and contrast is titled “The Lottery” by Shirley Jackson and the second story is titled “The Rocking-Horse Winner” by D.H. Lawrence. I will compare each of their themes, characters, and plot developments in which they are both similar and different. One of the strongest comparison would be that both stories deal with the subject of luck in one sense or another. The Lottery being considered a game of chance in which luck plays an important factor in being the chosen winner but Luck in the Lottery has a different twist of fate because the winner of the Lottery is actually the

Early movies were shot and viewed as slide shows. With narrations like The Life Of An American Fireman, where instead of cutting we would see full clips linked together. When the filmmakers brought us from one action to the next they, repeated actions instead of cutting and letting

Each film has a distinct purpose associated with it. Whether this purpose is as simple as teaching children a valuable lesson or as complex as criticizing a society 's barriers, there are explicit goals which must be discerningly conveyed. There are specific elements to filmmaking which are designed to contribute to the goals set forth when making a film. Such elements include what would be considered "aesthetics of astonishment," or striking images, editing conflict and other techniques associated with montage filmmaking. Each of these techniques imprint a thought or logic on a film – a kind of "watermark" – that pushes the film itself towards the accomplishment of the original goals. Regardless of the need for the completion of these

Digital software didn’t exist to make shapes and words fly across the screen at the touch of a button. A title sequence sets a tone and atmosphere for a viewer, characters become introduced to the audience; Bass told stories in his title sequences that included a beginning, middle, and end. The primary purpose of a title sequence has always been to introduce the name of a film, introduce the actors, and introduce the main people that work on it. Title sequences may be considered the most important aspect of a film to some. In a perfect world the title sequence sets up an expectation for the audience and causes excitement, but sometimes they may not be interested in the intro, that can cause them to have a negative attitude towards the rest of the

Indiana Jones and the Last Crusade is an epic movie. Joseph Campbell created “The Hero’s Journey” model. This model helps to characterize a specific piece of literature as an epic. It is a pattern of narrative. It explains the typical adventure of the Hero. The Hero achieves great deeds on behalf of the group. It helps a person dissect a piece of literature, a movie in this case, and learn about all the different parts. If the piece of literature fits into every part, then it classifies as an epic. Indiana Jones and the Last Crusade fulfills each part of this model. The 1989 movie Indiana Jones and the Last Crusade, written by George Lucas and directed by Steven Spielberg, meets all the criteria outline by Campbell in his “Hero’s Journey”

The directors chosen camera technique, a simple two composition that progresses the scene a steady pace, forces the audience to feel a part of the awkward exchange; obviously, a quality of film that could not be as profoundly achieved through the narrative in the novel.

Johnson explains the principle of flashing arrows to, “give the audience precisely the information they need to know in order to make sense of the ensuing plot” (Johnson 73).

generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting method, and the audience is drawn in immediately to one single detail. A man begins revealing the details of a tragic incident that befell his daughter. We don’t see who he is talking to. There is a spotlight directly above the man, and this is pretty much

When making a film a director tries to make the audience putting their emotions and their attentions on a particular object or character. If anything is of any importants in a scene the director would make an object stick out of a blurred background. When the audience sees this they will direct their attention to

These layers serve to establish tension and suspense before the story actually begins. There are many dramatic devices employed in these outer frames to heighten this sensation.