Globe Theater: The Globe

The poor were even given money to buy a ticket. There was no specific assigned seating, but all the people were separated into sections purely based off of their social class. The 500 member Executive Council of the Assembly was seated close to the stage based off of their importance in society. Many of the middle to upper class citizens were stamped with a greek symbol that directed them to their section of seating, (“Structure of the Greek Theater”). These people made up the majority of the theater meaning most people had the ability to pick specific seats in each section.

The theatre has been a part of entertainment since ancient Greece, around 4th century BC or thereabouts. The theatre grew out of festivals in honor of the god Dionysus. Aeschylus created the first play in her honor. The first Greek plays were all tragedies but eventually comedy made its way and these plays were performed at festivals all over Greece. Through the centuries theater played the main role of entertainment from noble and royalty to the common person in any city or village, and as we move into the twenties

to. Theater during this time period was used to divert people from what was going on around

Next, the performance at The Globe Theater help separate it’s self from the other theaters. “The plays at The Globe” article articulate, “As soon as a play had been written it was immediately produced and printed followed productions”(Alchin). Rival theaters would send out some of their workers to go to the plays to produce unauthorized copies, plays and they were copied quickly as possible. The fact that, other theaters copied The Globe Theater’s plays shows that the plays performed there had the other companies scared of losing their audience so they had to do something similar to The Globe Theater. It proves the plays performed were a huge success and very profitable. The plays and overall Theater had a tremendous influence on the people of England in several ways.

Shakespeare was at the height of creative powers, and his theatrical company, the King's Men, was the official royal acting company. He had the large Globe Theater, a large public playhouse on the south bank of the Thames. He would soon open the Blackfriars Theater, a small private

Poor people called the groundlings, or penny knaves, were famous their love of plays.  They would pay one penny to stand in front of the stage in an area called the open yard. Going to a play was a lively event.  Groundlings would frequently talk, yell, and even throw things (think rotten produce, etc.) during the play. If the audience liked or did not like the play or the actors, the groundlings would let everyone in the theater know it. Rich people would even sit on stage and make comments to the audience during the play. The most expensive seats in a theater were the in the top row of the theater, farthest from the audience.  The cheap seats were directly in front of the stage, although people in this area stood. Rich people would want to

„h The form of Elizabethan theatre derived from the innyards and animal baiting rings in which actors had been accustomed to perform in in the past. They were circular wooden buildings with a paved courtyard in the middle. Such a theatre would hold around 3,000 spectators. The yards were about 80 feet in diameter and the rectangular stage 40ft by 30ft in height

Theatre today as in ancient Greek times is a popular form of entertainment. Today’s theatres share many similarities with the Greek predecessors however they are also very different. There are in fact many differences for example; layout, special effects, seating arrangement, the importance of drama and religion, setting, location and architectural features.

     Once plays started being written, the number of interested spectators increased. In order to satisfy the Greeks amphitheaters were constructed all over Greece. Three well-known theaters were the theater at Delphi, the Attic Theater and the theater of Dionysus built at the foot of the Acropolis in Athens. During their prime time, the plays attracted crowds of 30,000 and more. The stands were built around the orchestra and up hillsides; somewhat like a baseball stadium today. This made it possible to seat more than 17,000 spectators at a time.

Elizabethan circumstances in the 1600s were a movement for the universe of the theater. A period named after Ruler Elizabeth I of Britain, it is from this period that cutting edge society has its establishment for media outlets. From the viciousness that was common in light of the Dark Demise, individuals swung to the auditorium for some reasons. Elizabethan venue was well known for its chance since Ruler Elizabeth supported expressions of the human experience, it was some place for each social class to go, and individuals could identify with the plays. One reason that Elizabethan performance center was so famous was that it was delighted in by Ruler Elizabeth herself.

Drama changed literature and theater into what it is today. I. History of Elizabethan Theater a. forming of theater 1. medieval church 2. mystery and morality b. actors 1. rogues and thieves 2. acting guilds II. Influences and people a. commanding actors 1. Shakespeare 2. Burbage b. other 1. wars of the roses (other historical influences) 2. laws restricting theater III. The theaters a. prices 1. seating 2. stage b. the theater and the globe 1. locations and characteristics 2. Burbage and other accomplishment Elizabethan Drama During the reign of Queen Elizabeth I, England underwent a dramatic change in priorities. The importance of art and literature became highly prevalent. The impact of the Elizabethan drama and

     "The arts of the western world have been largely dominated by the artistic standards established by the Greeks of the classical period" (Spreloosel 86). It is from the Greek word theatron, meaning a place for sitting, that we get our word theater. According to James Butler, "The Greeks were the first people to erect special structures to bring audiences and theatrical performers together" (27). "The theaters were normally located near a populated area at the bottom of or cut out of a carefully selected, sloping hillside overlooking a seascape, a plain, or a city" (Butler 30). "They eventually with few exceptions consisted of three distinct parts: theatron

Although condemned by London authorities, along with cock-fighting, bear-baiting and the bawdy attractions of taverns, the Southwark theater district operated outside the legal reach of the City's officials. But while the Globe Theatre, and indeed, the entire Elizabethan theater scene opened its doors to the low life of the pits, it also accommodated an audience of higher-status, well-heeled, and better educated individuals. As Harry Levin notes in his general introduction to the Riverside Shakespeare (1974), the "Globe was truly a microcosm or little world of man". With its logo of Hercules holding up the earth (as a temporary replacement to Atlas), the Globe Theatre constituted a "little world" in which the social elite rubbed up against a cross-section of common vulgarians, drunken idlers, and other shady, street-wise sorts. Yet, at the same time, the Globe was grand even in the eyes of Elizabethan society's most powerful and prosperous leaders. As Levin also observes in his prefatory essay, recently discovered documents indicate that reconstructions of the Globe as "a quaint little Tudor cottage" have been errant, since Burbage's house "may have had arches, pilaster, and other details of Baroque architecture". Contemporaneous accounts suggests that the Globe was far more impressive than the thatched and half-timbered models of it can capture, having a more spectacular look to its structure than is commonly recognized, one

The history of theatre in the 18th, 19th, and 20th centuries is one of the increasing commercialization of the art, accompanied by technological innovations, the introduction of serious critical review, expansion of the subject matters portrayed to include ordinary people, and an emphasis on more natural forms of acting. Theatre, which had been dominated by the church for centuries, and then by the tastes of monarchs for more than 200 years, became accessible to merchants, industrialists, and the less privileged and then the masses.

Imagine if it only cost you one penny to get tickets to a Broadway production. It would almost seem too good to be true! Well, back in the 1600s, in London, you could buy your way into a theater for as little as one penny. This price made it easy for anyone of any class to be able to partake in the festivities. Hence, the reason the theaters became so popular from 1562 to 1642. The theatres were very profitable based on the fact they were so popular in the community. The Elizabethan theatres were viewed as popular entertainment because of their fanciful attributes, their various events, and their several venues.