Gloria Anzald�a Analysis

In America today, we are faced with several different minority groups arriving to the United States. The most common of all minority groups are the Hispanics. America is known for their language being English, but as the year's approach, that language has faded and a new face in English language has taken over, it's called Spanish. We as the people of America have become controversial over this major change, and due to that major bilingualism and political movements that have occurred from the government to the education departments. In this paper, I am going to talk about the four most common Hispanic groups in our country today and the political, social, linguistic, economic, religious, and familial conventions and/or statuses that they

Tanya Barrientos explained her struggle with her identity growing up in her writing “Se Habla Español”. Barrientos describes herself as being “Guatemalan by birth but pure gringa by circumstance” (83). These circumstances began when her family relocated to the United States when she was three years old. Once the family moved to the states, her parents only spoke Spanish between themselves. The children learned to how read, write and speak the English language to fit into society at that time in 1963. (83) Barrientos explained how society shifted and “the nation changed its views on ethnic identity” (85) after she graduated college and it came as a backlash to her because she had isolated herself from the stereotype she constructed in her head. She was insulted to be called Mexican and to her speaking the Spanish language translated into being poor. She had felt superior to Latino waitresses and their maid when she told them that she didn’t speak Spanish. After the shift in society Barrientos wondered where she fit it since the Spanish language was the glue that held the new Latino American community together. Barrientos then set out on a difficult awkward journey to learn the language that others would assume she would already know. She wanted to nurture the seed of pride to be called Mexican that her father planted when her father sent her on a summer trip to Mexico City. Once Barrientos had learned more Spanish and could handle the present, past and future tenses she still

In “How to Tame a Wild Tongue” by Gloria Anzaldua, she speaks from personal experiences she grows up with while living as a Chicana in the United States. Throughout her life she was subjected to being oppressed because of her native language. From a very young age she felt as if she was not allowed to express and acknowledge herself while speaking Spanish. Anzaldua believes that “If you want to really hurt me, talk bad about my language. Ethnic identity is twin skin to linguistic identity – I am my language”. What I get from this quote is if a person is really looking forward to tearing me down, speak poorly of my roots or culture since that is a part of my identity. Since both are all I know, it would be extremely offensive. In “How to

Gonzalez opens this chapter with, conceivably, the harshest narrative he could find to support his claims: He writes of a Latina mother forced by a judge to speak English to her daughter at home if she wanted to retain custody (Gonzalez 206). He continues on to describe the three categories of people affected by the

In her passage, Anzaldua claims that language is an identity. She stresses the importance of how people who speak Chicano Spanish are viewed as inferior due to it not being a real language. Anzaldua reveals that “repeated attacks on [their] native tongue diminish[es] [their] sense of self” (532). Being criticized by the language one speaks causes a low self-esteem and a misconstruction of identity. It can lead a person to stop or hide the usage of their language thus suppressing one’s self. She highlights the discrimination of Chicanos, so people are aware of it therefore encouraging tolerance and social justice. Anzaldua argues that “until [she is] free to write bilingually and to switch codes without having to always translate. . .[her] tongue will be illegitimate” (533). This shows how truly she

The main idea of Gloria Anzaldua in How to tame a wild Tongue is that she came from a different country and it is hard for her to cope up with academic way of talking and the talking style of her own cultures. It is as in her cultures, they speak Standard English, working class and slang English, standard Spanish, standard Mexican Spanish, north Mexican Spanish dialect, Chicano Spanish, such as ( Texas new Mexico, Arizona and California), tex-Mex and Pachuca (called calb) ..

Anzaldúa recounts her experience growing up in a community where her Chicana culture wasn’t widely accepted. She would be punished for speaking the language her culture influenced to create a language, which corresponds to a way of life. In Gloria Anzaldúa’s “How to Tame a Wild Tongue” the variety of languages helps her compare, contrast and define her argument of the distinguished languages concerning her Chicana identity.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

Anzaldua persuades her audience of Chicanos by her examples of her credibility. She is told many times that she needs to be able to speak Spanish without an accent. This affected her when she was younger a lot. She was not able to speak Spanish at school without her teacher telling her “If you want to be American, speak American! If you don’t like it, go back to Mexico where you belong.” She also had to fight with her mother about this because she wanted Anzaldua to not have the accent. She would tell her “I want you to speak English. Pa’ hallar buen trabajo tienes que saber hablar el ingles bien. Que vale toda tu educacion si todavia hablas ingles con un accent.” This translated to “To find good work you must know how to speak English well. That is worth all your education if you still speak English with an accent.” Anzaldua explains how she was mortified of this because she spoke English like a Mexican. She explains that she had to take two classes in order to get rid of her accents. She went on to become a teacher in 1971 and she was teaching High School English to Chicano

Gloria Anzaldua is among the many feminist theorists that has moved into the realm of addressing post-modern identities. In Gloria Anzaldua’s articulation of the new mestiza consciousness, she makes the argument of identities as multiple, hybrid, and more specifically created as a result of the Borderlands. However, according to Anzaldua, and despite the difficulties engendered by her very existence, the mestiza is also a figure of enormous potential, as her multiplicity allows a new kind of consciousness to emerge. This mestiza consciousness moves beyond the binary relationships and dichotomies that characterize traditional modes of thought, and seeks to build bridges between all minority communities to achieve social and political change.

In the Preface of Major Problems in Mexican American History Zaragosa Vargas writes, "Nearly two thirds of Latinos in the United States are of Mexican descent, or Chicanos- a term of self definition that emerged during the 1960's and early 1970s civil rights movement. Chicanos reside mainly in the Southwest, the Pacific Northwest, and the Midwest. Their history begins in the precolonial Spanish era, and they share a rich mestizo cultural heritage of Spanish, Indian, and African origins. The Chicanos' past is underscored by conquest of the present-day American Southwest first by the Spanish and then by the United States following the Mexican American War" (xv). When one thinks of a Chicano one thinks of the Mayans and Aztecs, the conquests,

“How to Tame a Wild Tongue”, by Gloria Anzaldua, is a very expressive story about a Mexican American women’s struggle to preserve her culture. Her main fight revolves around a struggle to keep a form of Spanish, called “Chicano Spanish”, a live. In the short story she says, " for a people who cannot entirely identify with either standard (formal, Castilian) Spanish, or standard English, what recourse is left to them but to create their own language?"(page 55). She is stating that despite what the societies both Mexican and American want her to do she will not concede defeat. The American Society would like her to speak proper English, while the Mexican Society wishes she would speak proper

The Latinos in my class differed in the way that they were proud to say they were Puerto Rican, Mexican, and Dominican. Thus, I pursued a relationship with these classmates and I began to feel differently about Latinos. I realized that I was taking part in the prejudice thoughts my previous classmates had toward Latinos by concealing my identity. I also recognized that Latinos were struggling to pursue a better life and that we are looked down upon. As a result of discrimination, it is difficult for us to accomplish our goals in life. Presently, every opportunity I get, I talk about my culture. I discuss the hardships Latinos face and I describe my experience growing up Puerto Rican. Although I am Puerto Rican, I don't know as much about my culture as I should. Reading Harvest of Empire: A History of Latinos in America by Juan Gonzalez has brought new insights to my knowledge of Puerto Ricans and Latinos in general. Gonzalez focuses on language and writes that speaking Spanish is treated as a handicap instead of as an asset.

Anzaldua takes great pride in her language, “So if you want to really hurt me, talk badly about my language. Ethnic diversity is twin skin to linguistic identity – I am my language” (p89). She states that her language is a part of herself so when you insult Chicano it’s like a strike to the heart of Anzaldua. Anzaldua goes on to explains that although Chicanos all over the US speak different dialects of Chicano Spanish, they are still all Chicanos. Just because the language varies a little does not diminish its authenticity. People who speak a variation on a language should not be ashamed because they speak a little differently. “There is the quiet of the Indian about us. We know how to survive. When other races have given up their tongue we’ve kept ours. We know what it is to live under the hammer blow of the dominant norteamericano culture. but more we count the blows, we count the days the weeks the years the centuries the aeons until the white laws and commerce and customs will rot in the deserts they’ve created” (p93). She strongly urges Los Chicanos to not give up their culture and endure. She believes that the will of their culture will outlast any obstacle they encounter and demands that they not give in to the temptation to conform.

Language is essential to culture, and culture is essential to identity. Gloria Anzaldúa uses her novel to highlight her existential crisis between speaking English and Chicano Spanish. She points to several experiences where she caught herself speaking the wrong language in the wrong situation. Her most vivid experience occurred during recess: “[I was] sent to the corner of the classroom for ‘talking back’ to the Anglo teacher when all I was trying to do was tell her how to pronounce my name” (Anzaldúa 26). At the same time, Anzaldúa faced equal pressure for speaking English at home: “Pocho, cultural traitor, you’re speaking the oppressor’s language by speaking English, you’re ruining the Spanish language” (Anzaldúa 27). By facing such cultural pressure derived from language, Anzaldúa is left living in a multicultural borderland, where she is not accepted by either culture.