Gloria Anzaldua's How To Tame A Wild Tongue

Up to “half a year passed…” (Rodriguez, 287) until his teachers “…began to connect [his] behaviour with the difficult progress of [his] older sister and brother were making” (287). Note the fact that the teacher’s realization was because of his siblings and not because of his solitude, silent attitude. The message, as Anzaldua perfectly evokes in his short story, is that it’s our very “tongue [which] diminishes our sense of self” (298). A similar image Anzaldua depicts in ‘How to Tame a Wild Tongue’ – coincidently at the rather beginning of the text just like Rodriguez – is when the Anglo teacher said “If you want to be American, speak ‘American’. If you don’t like it, go back to Mexico where you belong” (295). On this occasion, Anzaldua’s mother also tells him off as she was “…mortified that [her son] spoke English like a Mexican” (295). Here, the pressure derives from the mom and the teacher, making Anzaldua feel out of place. He believes that “wild tongues can’t be tamed, they can only be cut” (295) emphasizing that one’s identity must be forgotten if he/she wants to learn another language (English), ultimately gaining a new identity. Another example of lack of identity recognition is when Kingston, in ‘Tongue Tied’, specifies that only the Chinese girls were left out when the class went to the auditorium. Kingston “…knew the silence had to do with being a Chinese girl” (284), hence, her self-esteem diminishes, she feels excluded from the class;

Gloria Anzaldua, author of the article " How to tame a Wild Tongue", expresses very strong views on how she feels her native Chicano Spanish language needs to be preserved in order to maintain cultural unity when used as a private form of communication. Her statement, " for a people who cannot identify with either standard (formal, Castilian) Spanish, nor standard English, what recourse is left to them but to create their own language?" suggests that despite the societal pressures of needing to learn more formal and ‘properly' accepted English and Spanish, the very nature of the Chicano language is a unique creation of acceptance, through language within the Mexican culture. She is opposed to assimilation on

Scholar, Gloria Anzaldúa, in her narrative essay, “How To Tame A Wild Tongue’, speaks her many experiences on being pressured on what language to use. She then expresses how the discrimination made her to realize the ugly truth--that people reject languages that aren’t their own. She adopts logos, ethos and pathos in order to appeal toward her audience who is anyone who is not bilingual. One of the perspectives she takes on in her piece clearly expresses the relationship between language and identity and how it creates a conflict between her and the world.

Gloria Anzaldua, the author of “How to Tame a Wild Tongue,” expresses a very strong tie that she has to her native language. Anzaldua grew up in the United States, but spoke mostly Spanish. She did not speak the normal form of Spanish though; she spoke Chicano Spanish, a language very close to her heart. The text focuses on the idea of her losing her home accent, or tongue, to conform to the environment she is growing up in. From a very young age, Anzaldua knows that she is not treated the same as everyone else is treated. She knows that she is second to others, and her language is far from second to others as well. Anzaldua stays true to her language by identifying herself with her language and keeping

Anzaldua’s audience is everyone, ranging from immigrants to native United States citizens. In her text she uses examples that many people can relate to when English isn’t their first language or they have a unique difference from the majority. An example I chose to back up my claim is one from Anzaldua's past experiences, this takes place in her childhood dentist office where from the imagery she gives us shows she annoyed with some of the state the dentist is saying about her “strong [and] stubborn” (206) tongue. Even though the comments made by the dentist wasn’t directed towards her language and accent, the way she feels while he’s speaking to her show that she already has some insecurities with the way she speaks. She believes that her language is something that defines her, and if people have a problem with how she speaks they have made up negative assumptions about her.

Anzaldua begins her fight in “how to tame a wild tongue” by sharing her experience with language. She goes on to shares times where she was discriminated for the language she spoke and how others would try to silence not just her voice but her culture. She goes into depth of this topic by using visionary writing along with her emotion capturing the audience’s feelings and attention. She uses metaphor of someone trying to take her culture away by stating, “We’re going to have to control your tongue,” the dentist says, pulling out all the metal from my mouth. Silver bits plop and tinkle into the basin. My mouth is a motherlode. The dentist is cleaning out my roots,”(206). The dentist being a person who is not a minority is trying to get her to confine in a culture that is not hers, by forcing her to speak a different language that would erase her roots.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

In another way, language also provides this dynamic that Anzaldúa aims for. Anzaldúa takes the separate Spanish and English languages and her own Chicana tongue and creates a book that makes uses of both. Both languages are vital in some way. While the book is primarily written in English, often titles, sentences, and poetry parts are in a Spanish that more than likely is not easily translatable to those who are not bilingual. Language seems to best sum up the importance of her borderlands in genre and life. Anzaldúa says,

When Anzaldua says “So, if you want to really hurt me, talk badly about my language” she wants you to feel every aspect of what she is saying. In “How to Tame a Wild Tongue” she persuades her readers to believe the way she feels and that she has went through hell to fight for what she believes in.

Language is an essential part of a person; through language, you will find a person’s culture and nationality. In “How to Tame a Wild Tongue”, Gloria Anzaldua, demonstrates her stance of language and how she proudly admits that language, to her, is an identity that makes her feel whole . She also expresses hardship growing up because some people are not willing to accept her for who she is and forcefully attempts to make her change.

“How to Tame a Wild Tongue”, by Gloria Anzaldua, is a very expressive story about a Mexican American women’s struggle to preserve her culture. Her main fight revolves around a struggle to keep a form of Spanish, called “Chicano Spanish”, a live. In the short story she says, " for a people who cannot entirely identify with either standard (formal, Castilian) Spanish, or standard English, what recourse is left to them but to create their own language?"(page 55). She is stating that despite what the societies both Mexican and American want her to do she will not concede defeat. The American Society would like her to speak proper English, while the Mexican Society wishes she would speak proper

In Gloria Anzaldúa article “How to Tame a Wild Tongue,” she shows us how different worlds so close can be so different. Anzaldúa shows that people have restricted freedom in society by the social norms set in them. Anzaldúa pressed her awareness and distraught on how people treat her depending on the type of language she uses. She also explains some of her emotions towards the way people are like with speaking and listening to accents. The article is how Anzaldúa explains how culture and accent shapes a person’s identity by being controlled and oppressed to fit into the social norms, which is how she creates cracks using language and code switching.

In the article, How to Tame a Wild Tongue, throughout the entire essay Anzaldua is very emotional when it come to her writing. She puts her own personal experiences, for examples in her writing, and this give her an edge. When she talks about the punishments that she would get just for speaking her language. Anzaldua said, “I remember being caught speaking Spanish at recess---that was good for three licks on the knuckles with a ruler.” (727).

The passage How to Tame a Wild Tongue by Gloria Anzaldua exposes the difficulties that many ethnicities of immigrants are exposed to, when they recently migrate to the United States. Gloria Anzaldua stands up for the minorities who are underrepresented, as well as talks of her own personal experiences. Anzaldua does not let linguistic terrorism be a negative influence, resulting in her own language being robbed from her, and pridefully speaks the language, regardless of the situation that she is presented with.

This article is interesting because we are in perspective of Gloria and we learn different languages from her experiences of learning Spanish. Gloria has met a lot of people and learned a lot of ways of leaning Spanish. The point of the title is that the tongue is what helps us produce language and for us we tame it so that we can use it more for different languages. Gloria learned Spanish from different situations and now she has experienced the skills and to use it for her own identity. Learning different languages helps you understand different culture and be a part of that community. She is the “serpent tongue”. Like I said before this is an interesting article because of the way she has to experience and learn Spanish, the way she wants