Gloria Anzaldua's Poem 'To Live In Borderlands Means You'

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

In this Chapter I feel that Anzaldua is trying to get the reader to understand the differences and atruggles amongst cultures. The clash of cultures results in mental and emotional confusion. Living inbetween more than one culture, you often get opposing messages from these cultures. Sometimes when living within the Chicana culture common white beleifs conflict with the beleifs of the Mexican culture. They both hold beleifs of the indifinous peopel and their culture. It creates a problem that the dominant cultures views and beleifs are defiant to the others. This is very wrong because it creats the problem of one being superior to the other. This especially relates to the Mexican culture and white culture. This creates the assimilation problem when one culture is not accepted or considered below another.

During the 1960’s, the Civil Rights Movement wasn’t the only one occurring. Struggling to assimilate into American culture, and suppressed by social injustices convicted by their Anglo counterparts, the Chicano movement was born. In the epic poem “I am Joaquin” written by Rodolfo Gonzales in 1969, we dive into what it means to be a Chicano. Through this poem, we see the struggles of the Chicano people portrayed by the narrator, in an attempt to grasp the American’s attention during the time of these movements. Hoping to shed light on the issues and struggles the Chicano population faced, Gonzales writes this epic in an attempt to strengthen the movement taking place, and to give Chicanos a sense of belonging and solidarity in this now

“How to Tame a Wild Tongue” is published in Borderlands/La Frontera: The New MEstiza (1987), by Gloria Anzaldua and “the book talks about how she is concerned with many kinds of borders--between nations, cultures, classes, genders, and languages.” Anzaldua gives many examples of how she felt when being classified as a Chicana. Her thesis in this is that she is “arguing for the ways in which identity is intertwined with the way we speak and for

Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously

The mother in “Borders” by Thomas King reveals her pride and courage for her identity as she crosses the border to visit her daughter Laetitia in Salt Lake City. Challenges like self-identity are faced every step of the way, but it a person with pride and bravery who accepts it gladly. This is best demonstrated by King and his use of conflict, repetition and literary devices.

In the boiling pot of America most people have been asked “what are you?” when referring to one’s race or nationality. In the short story “Borders” by Thomas King he explores one of the many difficulties of living in a world that was stripped from his race. In a country that is as diverse as North America, culture and self-identity are hard to maintain. King’s short story “Borders” deals with a conflict that I have come to know well of. The mother in “Borders” is just in preserving her race and the background of her people. The mother manages to maintain her identity that many people lose from environmental pressure.

The racist connotation that Miss Jimenez associates with who she thinks would “fit in” society’s box is a definite reflection of the hardships Valdez witnessed in his community. For example, the Zoot Suit Riots that occurred in 1944 was rooted by a reaction by young Mexican-American males against a culture that did not want them to be a part of it. Stuart Cosgrove examines this issue when he states, "In the most obvious ways they had been stripped of their customs, beliefs and language.” (*Vargas 317) These youths were going through an identity crisis because they did not know which culture they could identify with. Miss Jimenez is a character that embodies that repression Valdez explains in “Los Vendidos.”

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

Anzaldúa cannot be defined by any one culture because of the area of Texas she lives in, the languages she speaks, her identity, and where she fits into society. In the United States, the most common language people speak is English because it surpasses the language border. Culture leans more to the sides of men and that they can do more than a woman can do in society. The founding fathers were all men that created the Declaration of Independence. Men of that time expected to be well dressed, socially responsible in how they acted, and what they said. Women were held to higher standards because the women made sure everything was in order in the house and that the children had at least one good example for how to live in society.

With the increase of Mexican immigrants present around Topanga Canyon, the residents of the suburban gated community, Arroyo Blanco, begin to feel as though their suburban space and spatial identities are being threatened. In an effort to combat that threat, the residents of Arroyo Blanco redefine their space and build a wall around their community. Through Arroyo Blanco's residents' Delaney and Kyra Mossbacher's experiences with Cándido Rincón, José Navidad, and the coyotes surrounding the Arroyo Blanco community of Topanga Canyon, Boyle conveys the futility of erecting walls as a way to preserve suburban space and suburban spatial identities in a post-suburban environment like Los Angeles.

One must learn to adjust themselves to the dominant culture while having their own cultural values, Anzaldua called it “plural personality”. Mestiza for her is possibility of thinking at border length. Rejection of binary thinking of border and it system of diffraction. All cultural identity is built in the story that is being told which passed down culture, identity and traditions. This encourages tolerance of ambiguity. There’s no Mestiza for her because it’s tainted and forged through power and domination. It’s a combination of inequality, rejection of traditional culture and the acceptance to create a new culture that gives rise to a new consciousness. Anzalua’s “new” identity is very significant to idea to a certain extent, other than defining herself according to society’s definition of what constitutes being Hispanic

The idea of mestiza consciousness is an acknowledgement of both the genetic and cultural mixing that come from falling between the cracks of two cultures. Gloria Anzaldua uses the idea of mestiza consciousness to describe the constant shifting between two or more cultures that Chicana women experience. She describes the issues that arise within various communities due to an “us vs. them” mentality, and argues that mestiza consciousness can also act as a tool to heal these wounds, and to reshape one’s identity by merging various identities.

Anzaldua’s purpose is to show others they shouldn't be ashamed of who they are and to not let anyone tame their tongue. She also broadcasts the discrimination brought upon not just her chicana language, but others as well. Her tone throughout the story is a passionate, determined and critical tone to appeal to those who have shared the same feelings of lost and experiences.

Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.