Gloucester and Lear's Realizations of the Importances in Life

After King Lear’s two oldest daughters, Goneril and Regan express their love for their father in a flattering speech they were granted their share of the kingdom, and Cordelia his youngest daughter and favorite daughter refused to play along, Lear felts she was disrespectful and she was banished from his sight. Cordelia bids farewell to her sisters, and tells them that she knows they don’t love him, “I know you what you are, and like a sister am most loath to call your faults as they are named.” (1.2.273-275). “Time shall unfold what plighted cunning hides; who covers faults, at last shame them derides. Well may you prosper!” (1.2.284-286). Once Cordelia left, Goneril and Regan revealed to the audience that they had no love for their father.

Edgar is the next character who displays loyalty to his father even after he has been outlawed and was forced to hide and disguise himself. Gloucester favors Edgar's evil half-brother Edmund, who deceives him into believing that it is Edgar who is disloyal. However, after Gloucester's eyes are plucked out he realizes his mistake when he is told that it is Edmund who has betrayed him. When the blind Gloucester is led to the disguised Edgar, his son agrees to lead him to the cliffs of Dover. In order to prevent his father's attempted suicide, Edgar stages a scene where he leads his father to believe that he has fallen off the cliffs but has been miraculously saved. Edgar once again defends his father's life when he prevents Oswald from assassinating him. Through these events Edgar exemplifies loyalty by leading his blind father to safety, even though he had been wrongfully mistreated.

He also tells Edgar that Cornwall is not pleased with him over a dispute between Albany and Cornwall that Edgar knows nothing about. He then urges Edgar to flee just before he lies to Gloucester about Edgar’s intent. Gloucester, believing Edmund’s lies condemns Edgar to death and promises Edmund his lordship. Edmund, having disposed of his brother and securing his eventual reward sees an opportunity to acquire his land and status a little more swiftly. When Gloucester flees to help Lear he entrusts Edmund with ensuring Cornwall does not discover Gloucester’s plans and the location of letter regarding an imminent French invasion. Edmund immediately betrays his father and shows Cornwall the letter, making him believe Gloucester is working for the French. Gloucester is soon after discovered and brought before Cornwall and Reagan. While Gloucester is being blinded by Cornwall, Edmund is busy courting Goneril outside of her palace. Edmund decides to double his chances of becoming King by courting Reagan as well. Edmund’s final act of treachery occurs when he gives orders to the Captain to hang Lear and Cordelia. He lies even in his dying breath as he stalls in order to ensure the death of Cordelia: “Despite of mine own nature. Quickly send-/ Be brief in it - to th’ castle, for my writ/ Is on the life of Lear, and on Cordelia./ Nay, send in time.” (Shakespeare 5.3.292-295) Edmund’s actions led

In his tragedy King Lear, William Shakespeare presents two families: a family consisting of a father and his three daughters, and a family consisting of a father and his two sons, one of which is a bastard son. While he has the sons basically come out and admit that one of them is good and the other evil, the Bard chooses to have the feelings of the daughters appear more subtlely. At no point in King Lear does Shakespeare come out and blatantly tell his audience that Cordelia is the most caring and loving daughter, while her two sisters are uncaring and greedy, and love their father only when they stand to gain from it. However, via the three daughters’ speeches throughout King Lear, he does

Destruction of one’s state of existence is not only evident in 1984 but also in Shakespeare’s King Lear. Unlike 1984, the destructive love in this classic is not romantic love, but the love between a father and his son. Gloucester, a noble that serves King Lear, has two sons. His eldest son, Edgar, is legitimate while his younger son, Edmund is illegitimate. Edmund resents his status as a

     Gloucester’s death in the subplot is a parallel to that of King Lear’s in the main plot. Though Gloucester does not have the tragic catastrophic death of King Lear. King Lear’s anguish led him to insanity while Gloucester is led to despair and attempts suicide. Before Gloucester’s attempt at suicide, he realizes that he has wronged Edgar and condemns his blindness of Edmund’s plans.

After having both eyes gouged out by the Duke of Cornwall, Gloucester exclaims: “O my follies! Then Edgar was abused” (3.7.91). Unaware of Edmund’s betrayal, Gloucester had earlier told Edmund about his alliance with France in their invasion of England. Wanting to remove his father from power, Edmund conveys this information to the Duke of Cornwall and as a punishment, Gloucester has his eyes gouged out. This quote is important because it ties directly into the theme of “Blindness vs Sight.” Although he is literally blinded, it is at this moment that Gloucester is able to see the truth. Previously, he believes his son Edgar has betrayed him and therefore places his trust onto his other son, Edmund. Upon losing his vision, he finally regains his sight by realising Edgar’s innocence and Edmund’s treachery.

In the play King Lear, the two characters Gloucester and King Lear, both run on very parallel paths. the turning point in the play where the reader starts to feel sorry for them is as soon as things start to go bad for them. Early in the play, Lear makes bad decisions on which daughters to give his land and power to, while Gloucester is making Edmund feel bad for being a bastard. Their decisions blow up in their faces and the reader starts to feel bad for them. King Lear is driven to madness and Gloucester has his eyes gouged out and want to kill himself. The impressions on both of these characters change throughout the course of the play in the same way.

Starting the play with the revelation of Edmund’s plans to see his half brother and father’s downfall, we receive an image of a father who cares only for pure bloods of higher class per say. One can conclude that this man is obviously high class and stereo typically favors the older, direct bloodline son, nevertheless, we can’t take a rash conclusion so fast. Thus, we wait for the plot to develop and let us glance into the true selves of the characters further. We come to the knowledge that Lord Gloucester realizes he values his ties with the king to a great extent, him risking and losing his title as lord due to aiding King Lear. Afterwards, we see him come to appreciation of virtues of honesty and his sons after he is captured by the Duke, losing his eyes as punishment. Gloucester as a character has developed greatly, going forth through challenges and misdemeanors against his pride and being, ending disgraced and blind. Yet, he holds a calm sense to himself, valuing what he has left and becoming more than humble with others. This is a transformation worthy of Shakespeare himself, rather impressive at the very least. This man has lived through the betrayal of his bastard child and being blinded violently for helping a distressed king, he has sacrificed much with spiritual values in return. Astounding that he didn’t suicide out of pure remorse that he will never be able to witness the world again. Unfortunately, he does die of a mixture of happiness and shock when he is revealed that Edgar still breathes life, so he has that going for

Shakespeare's tragedy King Lear can be interpreted in many ways and many responses. The imprecision’s and complication of the play has led

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

Justice that is present in King Lear proves that every risky action you take will eventually catch up with you. While in an argument with Goneril a messenger runs in and proclaims to Albany, "O my good lord, the Duke of Cornwall’s dead, slain by his servant, going to put out the other eye of Gloucester" (Shakespeare IV.II.69-72). Through a rush of power lust and arrogance, the Duke of Cornwall makes the decision to gouge out the eyes of Gloucester. The need to go through with this action is not being forced upon Cornwall and a much simpler discipline could have be given out for Gloucester's supposed betrayal. Due to Cornwall's extreme actions, one of the servants chooses to be a martyr for justice and use their own extreme actions to violently slay Cornwall. Without the rebellious initial actions taking place by Cornwall there would be no need for justice to occur and the death of Cornwall could have been prevented.

Madness in King Lear: Act 4 In Shakespeare's play King Lear, Shakespeare introduces many themes. The most important theme shown in King Lear is the theme of madness. During the course of this play madness is shown in the tragic hero, King Lear. King Lear develops madness right in the beginning of the play but he actually shows it in Act 4. In this act, King Lear is not only at the peak of madness but it is also shown him coming out of his madness as well.

The opportunity to view both productions of King Lear has appeared twice for me in the past two years. The first time I viewed Trevor Nunn’s 2009 production of King Lear my review would have been based solely on my ability to understand the dialogue and my appreciation of the acting of Ian McKellen. Two years later I have a better understanding of the actual play and while I still enjoy the 2009 production the 1982 production directed by Jonathan Miller presents the words of William Shakespeare in a more accurate and period specific manor.

Like Lear, Gloucester fails to see the true nature of his children and also invokes the language of nature in blind ways. After wrongly condemning Edgar he calls Edmund a "loyal and natural boy" (II. i. 85).