Go Tell It On The Mountain Analysis

Upon Richard's return to England, he learns of the events that had transpired in his absence. At first his own arrogance allows him to believe that since it is his God given right to rule as King, he will be protected. But then just as quickly, Richard's arrogance turns into despair upon the realization that Henry has gained support of the nobles and the people of England. Henry and Richard finally meet at Ramparts Castle leading to the climax of the play. Henry demands retribution for the allocation of his families' possessions and

Richard is not eye-catching due to physical deformity which he vividly describes as the cause of his misfit, and therefore acquires himself the status of a victim. No one pays attention to him because others neither find him handsome nor sexually appealing. But he magnetizes the audience, makes them complicit of his own deeds and dares it to look away.

Since Richard cannot do anything about his deformity and ugliness he turns his bitterness to ambition and lays the groundwork for his plan to betray King Edward IV. Richard tells the audience, “plots have I laid, inductions dangerous, by drunken prophecies, libels and dreams, to set my brother Clarence and the King in deadly hate against the other; and if King Edward be as true and just as I am subtle, false, and treacherous, this day should Clarence closely be mewed up, about a prophecy, which says that G OF Edward’s heirs the murderer shall be” (1.1.32-40). In these lines, Richard reveals his plan that he will turn Clarence and King Edward against each other so Edward will banish Clarence to the tower because he believes Clarence will be his murderer. Richard will do this through declaring a prophecy that this will be so. Richard explains that this will work because King Edward is as just as Richard is treacherous and Richard will use that against King Edward to cause his and Clarence’s demise. It is not known whether the character Richard would have revealed more about his plan this early in the play because he is interrupted by Clarence. Richard ends the speech with the lines, “dive thoughts down to my soul, here Clarence comes” (1.1.41), which basically means that he better keep

He comes from an extremely religious family, and as someone who doesn't fully believe in the church, he is very much so isolated. However, the abusive way they try to push their religion on him leads to further isolation. When he was a young child, his grandmother and Aunt Addie tried to force him into trying to join the church in order to save him. At one point, they even forced him to spend an hour a day praying (120). However, Richard did not believe in the church;this would isolate him from the rest of the family. “They begged me so continuously to come to God that it was impossible for me to ignore them without wounding them. Desperately I tried to think of some way to say no without making them hate me” (116). Richard’s family want him to join their church, to the point where he is afraid that they will not love him if he says no. This feeling causes Richard to feel isolated from his family. This feeling is furthered when his mother joins in on the cause. In chapter 6, Richard’s mother tries to force him to join her Black Methodist Church. Richard, still feeling disillusioned with the church, is further isolated from his family due to this incident. “It was no longer a question of my believing in God; it was no longer a matter of whether I would steal or lie or murder; … If I refused, it meant that I did not love my mother, and no man in that tight little black community had ever been

In the story, Richard had mentioned about the loss of his identity, his speaks of language and his family. We can see that when he said, “I did not know that I had a family, a history, a culture, a source of spirituality, a cosmology, or a traditional way of living. I had no awareness that I belonged somewhere. I grew up ashamed of my Native identity and the fact that I knew nothing about it”. This shows he was angry that there was no one tell him about where he belonged and his culture.

Ambition is an earnest desire for achievement. Both texts are self reflexive and emphasise Richard’s obsessive ambition, desire and longing for the throne. Each Richard strives towards capturing the throne regardless of consequences and bloodshed. Richard is depicted in both texts as an ambitious character who strives to gain power and independence through deception and self confessed villainy. ‘Since I cannot prove a lover. . . I am determined to prove a villain’ This obsession which drives Richard to commit horrific evils to gain and then protect his claim to the throne. His ambition, power and evil blinds him and inevitably is responsible for his downfall in both of the texts. A connection is formed between Looking for Richard and King Richard III in the final scenes Al Pacino’s interpretation and ‘Hollywood’ background influences an ending which can be interpreted as portraying Richmond as a coward. Elizabethan audiences

By creating a background for the town, Capote captivates the readers- with careful examination a parallel can be drawn between the physical deterioration of the town and the moral deterioration of murders Dick and Perry.The rarity of such descript imagery in nonfiction begs the question of author purpose: Capote could have merely adorned his descriptions for the creation of the metaphor, a distinct attribute of a fiction novelist. Moreover, Capote intensifies and dramatizes the setting by “[a]ltering numerical counts, for example, changing the number of churches in Garden City from twenty-two to twenty-eight”, thus further cultivating the religious atmosphere of Holcomb, connecting the readers to the text and attesting to the Christian zeal of the townspeople (De Bellis 522). Capote’s descriptive elaboration appears copiously throughout the entire novel; in the final line, Capote chillingly describes Dewey’s departure from Nancy’s grave, “he walked toward the trees, and under them, leaving behind him the big sky, the whisper of wind voices in the wind-bent wheat”, creating a lasting memory with his use of melodramatic alliteration: a successful accomplishment for any piece of fiction literature (Capote 343).

Richard then gloats over his success in a soliloquy stating how he has won her heart even though he is regarded by her as the devil with dissembling looks and he stabbed Edward her love just 3 months earlier. This highlights how he thinks of himself as the best as he brags about his misdeeds as though he is immortal.

The house of Lancaster treats Richard very poorly, he grew up with a hateful mother and his family always put him after all of his brothers. His deformity has made him a monster to all around him. Even Queen Elizabeth believes that Richard is a “Foul spider” and a “Bunch-backed toad” (Richard III IV.iv. 84). Richard’s mother, the Duchess, also talks about Richard poorly.

George could not turn his back on New York City because the city had never turned its back on him, even when he had absolutely nothing. The effects of being raised in this sometimes cruel, yet prosperous environment is evident in the life of George Andrews; he represents not only the harsh

Richard always abided by the label of “ordinary,” and Dedé was defined by her past, only known for the loss of her sisters. Eventually, though, both characters discovered themselves. Richard evolved into an extraordinary man, defeating the Beast and becoming a hero in London Below. He defied his once demure, awkward personality, and exuded gallantry and confidence. When he returned from London Below, he boldly negotiated for his apartment, even though “The old Richard, the one who lived in what was now the Buchanans’ home, would have crumbled at this point, apologized for being a nuisance, and gone away” (Gaiman 381). Similarly, Dedé spent almost the entire novel speaking about her life in the third person. Finally, in the end of the book, Dedé begins to speak in the first person, as if she is reclaiming herself as “the one who survived to tell the story,” (Alvarez 321), instead of just a component of the

He is now so overthrown that his wife is sleeping with another man, that he is willing to beat and attack Frank. Readers can portray this as a character's downfall, because this event reveals that he has an angry and violent personality. Richard was not satisfied with beating frank, and his unstable psychological state is what drives him to realize the only way to eliminate his anger is to exterminate Frank. However, after Richard heinously murders Frank he goes through yet again

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

Throughout the poem, the verses frequently describes the fortunate life of Richard Cory from an outside perspective. In the first few lines, the poem introduces with, “Whenever Richard Cory went downtown, / We people on the pavement looked at him” (1-2). The reference of “we” describes the point of view of someone other than Richard Cory and the quote shows how much attention Richard receives from the city. At a different point, the thought of the narrator reveals, “In fine, we thought that he was everything/ To make us wish that we were in his place” (11-12). Envy or perhaps admiration shows throughout the thoughts of the onlookers. Displays of the thoughts and admiration of the lower class citizens toward Richard show the audience how Richard appears in the public, however the presence of Richard Cory’s emotions or thoughts never revealed itself to the readers. Therefore, the narrator looks at the outside life of Richard Cory and envies Richard’s qualities without knowing the deeper reason why Richard would kill himself.

His family’s confidence never dwindled; time after time, they joined a crusade to save Richard’s soul. Tensions began to increase when Aunt Addie enrolled Richard in the religious school where she taught. Labeled as a black sheep, Richard continued to defy the iron fist of his family. The conflict between Aunt Addie and Richard exploded when he was accused of eating walnuts in class. Richard knew the boy in front of him was guilty, but he abided by the “street code” and said nothing. Despite Richard’s denial, Aunt Addie did not conduct an investigation and immediately beat Richard in front of the class. After submitting to his aunt, he finally confessed the guilty suspect. Rather than to commend Richard for the truth, Aunt Addie attempted to beat him again after school. However, brandishing a knife, Richard defended himself. He had stood up for his dignity and pride, something that was worth more to him than anything.