God's Grandeur Diction

In Zora Neale Hurston’s Their Eyes Were Watching God uses figurative language to demonstrate that love is not always how it seams. Janie Crawford is a young woman trying to find her voice or the first time but counters many obstacles growing up as a child to an adult. Zora Neale Hurston through a world of mss leading of love as well as sadness. The author uses different types of figurative language to describe Janies fairy tail love is not what it really seems to be.

The theme of new beginnings and the harness of the past in another natural setting is discussed again in the second stanza, but now with a focus on time. The visual image presented my the passage as the sun hesitating and losing its direction show allow the reader to observe the symbolism of the sun. The sun universally represents time, the rise and set of sun symbolizing the beginning and ending of each day, days leading into months, years, and lifetimes. The rise of the sun is a new beginning, but it "seems to hesitate," and "lose its/ incandescent aim." The new beginning brought on by the rising of the sun was held back and lost "in that second." Hope and the fresh start were halted by the sun, who was not ready to let time pass and continue. The passage concludes with an affirmation of the symbolism, that "the past is brighter yet" than the sun who could not pull the new start cleanly into the future.

The narrator shares this story from his youth in the words of an educated man. His actions as a teen are in stark contrast to his phraseology as an adult. Early in the story, he viewed “nature” as sex, drugs and rock and roll (Boyle 112-113). However, as the story ends and the turmoil subsides, the narrator sees nature for the first time, through the eyes of a person matured by this traumatic experience. The “sun firing buds and opening blossoms” replaced the once revered beer and

Dawn revisited is a poem about the new ideas one could have in life and how it is easy to start again if things don’t go too well, as the poem starts with ‘imagine you wake up with a second chance’ which automatically introduces the topic to the reader. The poem is laid-out in a way that – especially ‘hawks his pretty wares’ - gives us an unimaginable image of the beauty of dawn, a description that would want people to manage their time in order to see it. The poet states ‘if you don’t look back the future never happens’ which shows us that one could only learn by making mistakes and that she perhaps learnt from experience and does not want people to miss out on the beauty of nature just like she might have done previously. She suggests

In Sinners in the Hands of an Angry God, Jonathan Edwards delivers a powerful sermon to his congregation about the horrors of hell. Throughout the piece, the author explains there is no escape from “eternal destruction,” and one must join God to reach salvation (para. 27). Edwards uses dark, gruesome imagery along with gloomy diction in order to instill fear into the audience, and persuade them to more devoutly worship God.

Throughout ‘At Mornington’, Harwood uses descriptions, “night fell”, and similes, “the piece of this day will shine like light” when referring to the power of memory. During ‘The Violets’, Harwood uses imagery such as “ambiguous light” and metaphors such as “unreturning light” and “blurring darkness” to portray time’s ability to pass, and the way that you cannot regain time that is lost. During ‘The Violets’, Harwood also uses the metaphor of the “melting west” to represent a closing day, capturing the vivid colours of the natural phenomenon through the use of evocative imagery. Indeed, the second poem of the diptych of ‘Father and Child’ is ‘Nightfall’. These references to darkness, light and the closing of days can all be seen as symbolic of life, death and the transience of time, as when one day ends and night falls, the transience of that moment will be held in one’s memory regardless of the moment never being able to be relived.

The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.

During the hurricane Tea Cake asks Janie if she regrets leaving Eatonville to which she replies, “Naw, We been tuhgether round two years. If you kin see de light at daybreak, you don’t keer if you die at dusk. It’s so many people never seen de light at all.” At daybreak there is a horizon- this connects to the situation as Janie implies that she has seen and captured her horizon, she has obtained her dream. Dusk happens after sunset, it’s the coming of darkness. Janie does not care if she has to die in the terrible hurricane. Janie notes that there are people who never “seen the light”- meaning they’ve never seen or captured their own horizon and dreams. Just by being with Tea Cake Janie believes she has a part of her horizon. This is expressed as a point that Tea Cake is expressed as “the sun of the Evening Sun.” During sunset in the evening, the evening sun is part of the horizon. This symbolizes that Tea Cake is part of the dream of Janie in becoming free and being able to love. After trial, Janie thinks “The sun was almost down and Janie had seen the sun rise on her troubled love and then she had shot Tea Cake and had been in jail and had been tried for her life and now she was free. Nothing to do with the little that was left of the day but to visit the kind white friends who had realized her feelings and thank them. So the sun went down.” This quote represents more than that given day- it represents the life of Janie. In the end, Janie had gone through 2 marriages as the sun rose on her “troubled love”, Janie had to kill her lover and be tried in court. Now, the sun would go down and the horizon would arise. This shows how Janie had to go through all her struggles and sacrifices in order to reach her horizon. Now Janie is free- she is free from having to be in pursuit of her

The line ‘driven like stakes into the earth’ is a simile and can be interpreted in two different ways. It can be seen as the fact that man is trying to build a city of impermanence, and the other is the literal meaning of mans crucification of the earth with buildings. Robert Gray also uses contrasting juxtaposition of imagery extensively in the poem. ‘On a highway over the marshland...cars like skulls, that is rolling in its sand dunes.’ This not only emphasises humankind’s assault on nature and the urbanisation that is contaminating natural spaces, but also compares the two landscapes as existing together. It once again forces the responder to visualise the situation, one of which they may be able to relate too and question life’s morals. The poem shows the destructive nature of mans actions, which is an issue in society that is prevalent.

The environment that one is living in can supply hope. Todd Davis showed this through a seasonal metaphor. The narrator of the poem talks about weather changing and getting better, providing the metaphor. The weather getting warmer and the arrival of spring symbolizes new life and a new start. The narrator ponders, “I’m not sure/ why he couldn’t wait,” then later talks about blossoms opening (Davis 787, 4-5). This quote and other hints about spring are discussing how the new season is bringing new hope for many. The narrator says that “we understand/ the ones who decide to leave us in February” (Davis 787, 5-6). This is discussing how during the winter, life can feel so

Once his heart is lifted, he sees the true beauty of nature and it’s true meaning.

By the end of the poem there is another shift in tone. The tone takes on a more hopeful meaning. Now, Bryant uses the spring season to compare to a new age. He mentions, “The youth in life's green spring, and he who goes/ In the full strength of years, matron, and maid,/ The bow'd with age, the infant in the smiles.”(68-70) The rebirth of human life compares to nature in the sense that when nature is reborn in springtime everything turns green. The reader ends the poem with an enlightened sense of feeling instead of the dark and gloomy feeling they felt at the beginning of the poem.

As kids we all experience important moments in our lives, whether they’re times of grieving or celebration. It is those moments that may alter or influence the dreams we once had. “A Sunrise on the Veld” by Doris Lessing, portrays the human experience of a young man that changes his perspective of life and its purpose. He comes to realize that there are some things in life we cannot control and as unpredictable life is, everything happens for a reason. We can analyze the story of Doris Lessing and his theme that life is uncontrollable through three elements, setting in early morning African veld, symbolism of the buck and diction of

Then, Williams finds a way to change the depressing mood of his poem by using specific words to convey feelings of hope. He does this in his fourth stanza with the lines: “Lifeless in appearance, sluggish/dazed spring approaches” (L14-15). Williams is saying that the plants, the trees, and the vines only appear to be dead, but they are not. Once again imagery is being used here. Also, what is going to save this otherwise seemingly desolate land is the approaching spring; “sluggish” and “dazed” as it may be, it is imminent – life is forthcoming. Williams also proffers up more hope with the lines: “One by one objects are defined/rooted, they/grip down and begin to awaken” (L22,26-27).

Again, the author selects a new set of imagery, such as stars, moon, sun, ocean, and wood to remind of the heaven in which the speaker used to live, and then to sweep it off right away. The last statement “For nothing now can ever come to any good” (16) finally reinforces the speaker’s loss and unhappiness. In loneliness, the speaker’s love becomes fiercer and more truthful. It is the fierceness and truthfulness that lead the speaker to the last stair of hopelessness. The end of the poem is also the hopeless end of the speaker’s life because of “nothing …good.”