God's Grandeur Poetry Analysis

Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.

Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.

as a part of the season which is known as spring; it can be assumed he means all life and all things are subject to the ravages of time. Mortality is all around us and with it the stages of all life and time pass. In terms of the opening lines, thought, youth and beauty are fleeting indeed.

The tone of despair and loneliness is carried on to the proceeding stanzas, and is more evident in the last two. By saying that “Water limpid as the solitudes that flee

This last stanza uses more elevated language to express more complicated emotions such as awe, humility and repentance. The early verses express simple anger in simple terms. This last stanza differs noticeably from the first two in the language it uses and the sentiments it expresses. To start off he admits he has made a mistake “I see that I’ve been carried away” l.43. This is the first time he uses a 1st person narrative. It helps the reader believe he is sincere. The poet adopts a humbled tone when he expresses embarrassment at his earlier attack on the “coward trees” and feels ashamed: “foolish in my judgments” l.46. Instead of denying his previous statements he takes responsibility for them.

God’s command to “fill the earth and subdue it, and have dominion” (Gen 1:28) by tilling the earth shows that man’s capacity to dominate the earth lies within himself, transforming it to his own needs.

The environment that one is living in can supply hope. Todd Davis showed this through a seasonal metaphor. The narrator of the poem talks about weather changing and getting better, providing the metaphor. The weather getting warmer and the arrival of spring symbolizes new life and a new start. The narrator ponders, “I’m not sure/ why he couldn’t wait,” then later talks about blossoms opening (Davis 787, 4-5). This quote and other hints about spring are discussing how the new season is bringing new hope for many. The narrator says that “we understand/ the ones who decide to leave us in February” (Davis 787, 5-6). This is discussing how during the winter, life can feel so

The Vacuum by Howard Nemerov talks about a widower and his late wife, and how he uses the vacuum as a symbol for her death. The poem expresses deep sorrow and sadness that derive from the loneliness of the speaker, after his other half’s passing away. Nemerov attempts to take his readers on a grief-stricken journey, by strategically employing figurative language (mainly personification, metaphor, simile, and alliteration), fractured rhyme schemes and turns in stanza breaks in the poem.

In this poem, we see the tone light and free, also much imagery. We see this immediately with the first line saying, the “afternoon was the colour of water falling through sunlight” (1). We immediately get a sense of a beautiful day, maybe even fall with the trees descriptions in the following line, “trees glittered with the tumbling of leaves” (2). Lowell shows such beautiful imagery throughout her poem especially in her first two stanzas, that when we read that they are in the middle of war in the third stanza, that it is slightly shocking. That there are “two little boys, lying flat on their faces” (7) and that they are, “carefully gathering red berries” (8). Here Lowell shows that it is still a beautiful day but the darker reality is that they are currently in a war. Then we start to see the poem more in a melancholy light. That these two little boys are picking berries to save for later, instead of enjoying it right now. However one day the boys wish that “there will be no more war” (10), and that then, they could in fact enjoy their berries, their afternoon and “turn it in my fingers”. In this poem, we clearly see the different tones throughout. Lowell shows us the light tone, then a more melancholy tone and then finally a hopeful tone.

The tone of the speaker was very sad, cold and lonely for misses his father. Evidence that support that he misses his father can be found in the poem. The second and the third stanza reflects how he feels about the weather and I think he meant the fall season in which he uses a cold tone “the garden is bare now. The ground is cold, brown and old”, he clearly just mentioning the negative sounding around fall. A lonely tone also found in the last few stanzas, when he mentioned that his food is almost cooked “White rice steaming, almost done. Sweet green peas fried in onions. Shrimp braised in sesame oil and garlic. And my own loneliness. What more could I, a young man, want.”. The part where he said, “And my own

Man’s biggest flaw is its weakness in the face of temptation because temptation also lies in its heart. Man’s free will is inherently corrupted by the temptations of life and the world. While free will pushed man’s creativity to what seems to be a limitless boundary, it has also played a part in man’s own undoing. Man’s undoing lies in their ego and desire for self-gratification and self-glorification. They constantly strive to expand their presence and knowledge so much so that it seems to know no bounds. However even with man’s ambition it is all subject to God’s

The speaker feels that faith has disappeared and has separated her or him from the "ebb and flow" of life. This lost faith is compared to a sea that is very similar to the sea described in the first stanza. Words of lightness and beauty are used once more. The shore "lays like the folds of a bright girdle furl'd." There is a sense of encompassing joy in this phrase. This bright and joyful image is then contrasted by the last five lines of the stanza. "The Sea of Faith" has now retreated, like a tide withdraws from the shore. It is interesting to note the similarities and differences between the words of these five lines and the words from the first stanza. The sweet "night-air"becomes "the night-wind," and the cliffs that were once "glimmering and vast" are still vast, but only dreary edges. The sea that was "round" and "full" has now left the world empty and exposed. Similarly, the speaker has lost his faith and feels alone and vulnerable.

Then, Williams finds a way to change the depressing mood of his poem by using specific words to convey feelings of hope. He does this in his fourth stanza with the lines: “Lifeless in appearance, sluggish/dazed spring approaches” (L14-15). Williams is saying that the plants, the trees, and the vines only appear to be dead, but they are not. Once again imagery is being used here. Also, what is going to save this otherwise seemingly desolate land is the approaching spring; “sluggish” and “dazed” as it may be, it is imminent – life is forthcoming. Williams also proffers up more hope with the lines: “One by one objects are defined/rooted, they/grip down and begin to awaken” (L22,26-27).

Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.

The world [in this context meaning the unworked natural world] proceeds from the same spirit as the body of man. It is a remoter and inferior incarnation of God, a projection of God in the unconscious. But it differs from the body in one important respect. It is not, like that, now subjected to the human will. Its serene order is inviolable by us. It is, therefore, to us, the present expositor of the divine mind. It is a fixed point whereby we may measure our departure. As we degenerate, the contrast between our house and us is more evident. We are as much strangers in nature as we are aliens from God. (46)