Goeth In Schindler's List

Elie observes and experiences many instances of indifference throughout his memoir. In the first chapter, the people of Sighet oppose Moshe the Beadle’s stories of his escape from the Nazis. They say in response to Moshe, “He's just trying to make us pity him. What an imagination he has! Poor fellow. He's gone mad” (4-5). This lack of sympathy causes Moshe to lose faith in his town and in himself. On the ride to Auschwitz, a soldier dehumanizes the Jews. He explains, “If anyone is missing, you’ll all be shot, like dogs” (22). The soldier shows no respect for the people,

There is a part where we watch as humans are so ugly that it is hard for us to imagine that what they had done is possible. Liesel is playing soccer in the park and all of a sudden all the kids stop because of a noise they hear coming down the street. They think it could be a herd of cattle, but that not what it is. It is a group of Jewish people being led, or forced, to the death camps by German soldiers. On there way we watch a man die “He was dead. The man was dead. Just give him five minutes and he would surely fall into the German gutter and die. They would all let him, and they would all watch”(Zusak 393). This is talking about how when a Jewish person would die, the Germans wouldn’t do anything. They wouldn’t care that a man died right in front of them. While the Jews are walking Hans, Liesel adopted father, gives them bread. While Hans is giving this man bread a German soldier notices what is going on. He walks over to the man and, “The Jew was whipped six times. On his back, his heart, and

On Elie’s “journey” to Auschwitz by cattle car, he witnesses a woman broken with grief: Mrs. Shachter. She, on page 25, screams, “Jews listen to me! I see fire! I see flames!” Because of this, the Jews in the car went to the extreme extent to beat her in order to keep her silent as a result of the fear of their unknown destiny.

There are many times one can see the Nazi’s brutalizing the Jews throughout the novel. From the moment the Nazi’s took the Jews as prisoners they were being mistreated. They were loaded into cattle cars, a vehicle made to transport animals, to the point where they were so full people could hardly breathe. They were sent to concentration camps where they were tortured and treated as slaves. As they entered the camps they were humiliated, SS officers yelled at them to “‘Strip! Hurry up! Raus! Hold on only to your belt and your shoes”(Wiesel 35). They were sent to cold showers and bathed in a sulfur-scented soap to be identifiable by their scent. They received only one small ration of food a day, these people were starved. Not only were they cared for like a group of worthless animals but some were never even given a chance.

Thus, it can be concluded that in the beginning of the movie Schindler does not fully grasp the tragedy at hand, and consequently does nothing attempt to aid the Jews. Schindler's realizations of the horrors of the holocaust begin in one scene near the middle of the film. During this infamous turning point of the movie, Schindler, on top of a barren hill, traces the path of a young and helpless Jewish girl who wanders haphazardly through the streets of a devastated camp. Her lone image personalizes the slaughter. Schindler tries to track her progress as she invisibly makes her way, aimless and alone, past the madness and chaos in the street - a woman is machine-gunned behind her. He loses sight of the small figure as she walks behind a building, but then he glimpses her again, walking by a file of Jews being herded down a sidewalk. During the roundup, a German soldier fires at a single-file lineup of men, killing five with one bullet. Distressed and stricken by the nightmare below and the plight of the little girl in red, Schindler sees her entering one of the empty apartment buildings. There, she climbs the stairs and crawls under a bed for cover in a ransacked room. Her safety is only temporary, for later she will be hunted down and cold-heartedly murdered, forgotten to the world, destroyed by her own people.

Victor Frankl once said, “Any person, regardless of the circumstances, can decide what shall become of them – mentally and spiritually.” This is true for Oskar Schindler and Amon Goeth, who both had very different reactions to World War II. Human goodness is when one sees the truth, accepts it, and makes rational decisions based on the truth. Human evil is irrational decision-making, and when a person sees and understands the truth but choses to defy it. In Steven Spielberg’s Schindler’s List, philosophers Kant and Rahner would agree that Schindler is a representation of human goodness, and Goeth represents human evil.

Therefore Elie shows how the prisoners of the Holocaust went through all different shapes and kinds of cruelty. They were forced to do things that did not want to do and go places they did not want to go because there was a threat of survival. The men and women who were imprisoned in the camp got barely enough food to survive and sometimes when days without any food or water. The cruelty shown by the SS men and women shaped how people thought and acted around

The Jews had been starved while being detained in forced labor camp. Those who weren’t fit to work were killed and cremated. The most eye-opening description of the Jewish peoples’ state in the concentration camp came at the very end of the book. After being freed, Wiesel looked in a mirror for the first since his arrival at the camp. Wiesel described his reflection as a “corpse” and stated “the look in his eyes… has never left me.” (Wiesel 115). Not only had the Nazis carried out a brutal campaign on the Jews’ physical being, but they had also infiltrated deep into their psyche. Upon arrival at camps, all Jews’ were forced to hand over all of their clothes and wearing matching uniforms. After that, the prisoners’ were sent to the barber. Wiesel described the process, stating, “[The barbers’] clippers tore out our hair, shaved every hair on our bodies.” (Wiesel 35). After this process, every Jew was tattooed with a number. This process lead to the ego-death of every prisoner. They were no longer people: they were numbers. Nothing differentiated one Jew from another, besides the numbers tattooed on them. This horrendous act could only be classified as psychological torture, carried out by monsters who had lost control of their own

According to article five of the Universal Declaration of Human Rights article five, “No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment” (United Nations Department of Public Information ). In the novel Night, Elie Wiesel narrates his story as a young Jewish boy during the Holocaust. The captured Jews were sent to concentration camps where they received the absolute worst forms of torture, abuse, and barbaric treatment. The diabolical treatment has clear physical effects, but it also ventilates psychological changes on those that are unfortunate enough to encounter it. However, these transfigurations to their complexion and righteousness cannot be accredited to the weakness of the Jewish adore, but rather to the remorseless treatment they received. Elie Wiesel, in his novel Night, exhibits the brutal torture and punishment he receives, in order to display just how horrendous the German Nazis’ dehumanization of the Jews was.

These examples show the ignorance and lack of action by the people of Germany and surrounding countries, as well as the helplessness of the Jews during the Holocaust. While in the ghetto of Sighet, Elie witnesses the brutality the Hungarian police use to control the Jewish people. “The Hungarian police struck out with truncheons and rifle butts, to right and left, without reason… their blows falling upon old men and women….” (25) Later on, German people do nothing to help the concentration camp victims when they pass through towns between camps. Finally, when riding the cattle car from Gleiwitz to Buchanan, citizens throw bread in the cars in order to watch the Jews fight for amusement. The quotes “They stopped and stared after us, but otherwise showed no surprise” (105) and “Dozens of starving men fought each other to death for a few crumbs. The German workmen took a lively interest in this spectacle” (105) display that the common public were cruel because they ignored Jewish persecution and even mocked it in a sense. They were bystanders. This relates to the theme because it shows how inaction can be worse than beating; because Jews received no help from the people around them, they were forced to endure the Holocaust. This is truly

Wiesel describes the actions as, “He threw himself on me like a wild beast, beating me in the chest, on the head, throwing me to the ground and picking me up again, crushing me with ever more violent blows, until I was covered in blood” (53). During this scene, Eliezer talked back to one of the guards in the factory he worked at. His actions resulted in the guard beating him harshly. Wiesel uses a simile in this scene to compare the way the guard beat Eliezer to a wild beast. This comparison also describes the attack in a more descriptive way, and creates a better mental picture. The guards attacking prisoners in concentration camps show how much hatred the guards had for the Jewish prisoners in concentration

In her book, Eichmann in Jerusalem, Hannah Arendt uses the life and trial of Adolf Eichmann to explore man's responsibility for evils committed under orders or as a result of the law. Due to the fact that she believed that Eichmann was neither anti-Semitic, nor a psychopath, Arendt was widely criticized for treating Eichmann too sympathetically. Still, her work on the Eichmann trial is among the most respected works on the issue to date.

Schindler broke the law by treating the Jewish people better than the Nazi’s wanted them to

Schindler's List The film Schindler's list directed by Steven Spielberg based on Thomas Keneally's Schindler's Arks tells the story of an entrepreneur and womaniser Oscar Schindler. Schindler uses the war to his gain by exploiting cheap Jewish labour to run his factory with dreams of earning "steamer trunks" full of money who with the twist of fate ends up saving the lives of 1100 Jews by bribing the Nazi with all his assets during one of the darkest period of history, the Holocaust. Although the film is based on a true story, it does get pampered with some Hollywood treatment to highlight Schindler's hero

"The sort of person that Eichmann appeared to be did not square either with the deeds for which he was being tried or with the traditional preconceptions about the kind of person who does evil" (Geddes). Throughout the trial, Arendt is conflicted by what she wants to seen when she analyzes Eichmann, and struggles greatly when she finds he does not embody the crude and inhumane thoughts she associated with the history of the Holocaust. It is this absence of the profound hatred of Jews, along with the normalcy he possesses, that creates the emblematic role of banal evil for Adolf Eichmann.