Gogh Vs Bacon

One of the last topics we discussed in class turned out to be a form of art that probably interests me more than almost every other type of art that we have discussed this entire semester. That form of art is the impressionist style of painting. I really love all the different brush strokes that form different images for different people. I also enjoy much of the images that the impressionists painted, because they are usually very relaxed and mellow images that put you into a comfortable place. The post-impressionist period, especially very early post-impressionist, is even better I think. I think it’s better because it is just a little more refined and puts more emphasis on the figure and form of different objects. Since I enjoyed the post-impressionist’s

There have been different art forms that have come and go over the course of time. Hence I will discuss, two significant movements like Post-impressionism and Pop art. Two important artists from these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very few similarities between these two movements and artists, although more differences. Van Gogh is one of the most captivating artists of post-impressionism. . Throughout his career Van Gogh has painted many works. One of those magnificent paintings is “Starry Night” by Vincent Van Gogh. In the other hand we will discuss one of the popular paintings “ Gold Marilyn” by Andy Warhol. Warhol is also the most famous of the Pop Artists and played a major role in making the art movement popular.

Vincent van Gogh and Claude Monet are two highly influential contributors to the art world. Both are renowned artists whose creations are on display in several art museums throughout the world. They are two artistic geniuses who are more alike than they appear to be. While there are many similarities between the lives and art of these two prodigies there are numerous differences as well in their technique/style, subject matter, and personal lives.

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Although Vincent van Gogh and Sol Lewitt share a similarity in their use of lines, overall, they have very different approaches in how they use these lines. Vincent van Gogh uses his lines in a loose, chaotic, free way. The way he uses the lines almost creates a mood within his artwork; it allows his pieces of art to show emotion and tell more of a story. As shown in Vincent van Gogh’s painting, The Sower, his use of different line types allows the painting to “…posses its own direction and flow”. Also, with van Gogh’s artwork, he seems to place the lines in groups, allowing them to create a more distinct picture.

As a child, he was shy and enjoyed dressing up even though this really upset his father. In 1926, Bacon was found admiring himself dressed in women’s undergarments and was thrown out of the home where his family lived (Wiki). Inside his mind, there was a battle that would never cease and this type of inner torment can be seen in his work. One such piece of work was Bacons rendition of the Portrait of Pope Innocent X (1650 Velazquez). The resemblances of the versions included the Pope sitting in a chair looking directly at the viewer. However, that is where the similarities end. In the 1953 painting, Bacon tore away the flesh from the Pope leaving a screaming skeleton in the place of the stern-faced pope in the original painting. Being up to interpretation, I view this painting in as if Bacons goal was to capture the anger that he had received his whole life from his father and religious leaders of the

Vincent Van Gogh is one of the most infamous and influential artists of all time. When I saw that Van Gogh’s painting “Olive Trees With Yellow Sky and Sun” was on display at the Minneapolis Institute of Art, I knew I had to choose it for this paper. Before doing the research for this assignment, I didn’t know much about Vincent Van Gogh, but the fact that pretty much everyone knows his name and recognizes him as a huge part of art history, it made me naturally really curious about him.

In this essay, I will be comparing and contrasting artists Pablo Picasso and Van Gogh, considering their intentions with their artwork. Van Gogh and Picasso two of the most famous artists out there and still are to this day. Uncountable books have been published and dedicated to them and their lives and careers of being true artist. Their art has changed the way people view things and the world around them.

Their individual perspectives in life ultimately shaped their education, experiences and overall point of view. This essay will outline the similarities and differences in subject matter, tone and imagery of these two artists’ bodies of work.

Although these paintings were painted two hundred and seventeen years apart, they share some similar artistic qualities, but they are not so similar as to be indistinguishable from their own time period. Both Jan Steen and Vincent Van Gogh paint subjects around the table with hats and head coverings, a vanity that seems to stretch through both time periods and up to the modern era as well. The visual textures of both paintings are very similar as well. Each painting gives the illusion of a soft table covering and hard surroundings. In each painting the subjects are enjoying a vice, smoking in The Merry Family and Coffee in The Potato Eaters. The focal point of both paintings is similar too. In each the viewer’s attention is pulled to the table itself and is hastening to observe the people gathered around it. That seems to be where the similarities stop. Jan Steen uses a warm palette with a daytime natural lighting that plays across the painting from the window. In contrast, Van Gogh uses a cool palette and paints his scene at night using the whispering light of an overhead lantern.

‘Study after Portrait of Innocent X’ wasn’t Bacon’s only appropriation of Velazquez’, but perhaps is his most famous one. Bacon never saw the original painting, only photographs and copies, but was

A great artist once wrote, “If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced”. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting. Creating a full timeline that stretches beyond Gogh’s life, this paper will discuss the life of Vincent van Gogh and the impression he made on the world.

During this assignment I will talk about three types of Work of Art from three different artists from the Baroque period through the postmodern era. 1). Michelangelo Merisi da Caravaggio; 2) Rembrandt van Rijn; and 3) Peter Paul Rubens, these three artists were known for their religious theme in their art work. The naturalism that was visibly demonstrated in each of the artist work with high contrast of lighting that noticeably appeared in these paintings. Each artist was well known and respected for their work.

Soon hereafter, Johanna van Gogh-Bonger, the wife of van Gogh’s broth Theo van Gogh, compiled and published the letters between van Gogh and Theo. This publication helped spread the absorbing mystique of van Gogh’s life. Accord to Saltzman’s book, the popular image of van Gogh was solidified in 1930s when the American novelist Irving Stone published a novel about van Gogh’s life in 1934 entitled “Lust for Life”. This book and later the movie of the same name added to further the artist's fame as an artistic martyr who driven by despair and ignored. In that time, some critics like Roger Fry and Clement Greenberg attended to discount van Gogh’s work as being driven by emotional rather than aesthetic concerns. I was surprised to learn that it was not until the 1980s a wave of revisionist scholarship reconstructed the facts of van Gogh's professionalism. Critics began to appreciate that van Gogh's bouts with depression were intermittent, that he was born into a family of artists and was well educated, and that he worked with a purposeful, intelligent genius. The process of recognizing van Gogh’s fame reveals the growing role of critics in the art

Turner’s early paintings emulate the style of great artists before him, such as Claude Lorrain and the first Dutch landscapists. This imitation or “pastiche” of the masters, gives his paintings a contrived feeling, as Turner attempted to paint not what he saw,