Gogol And Turgenev : The Structure Of The Russian Society

The last Tsar Nicholas II ascended the throne in 1894 and was faced with a country that was trying to free itself from its autocratic regime. The serfs had recently been emancipated, the industry and economy was just starting to develop and opposition to the Tsar was building up. Russia was still behind Europe in terms of the political regime, the social conditions and the economy. Nicholas II who was a weak and very influenced by his mother and his wife had to deal with Russia’s troubles during his reign. In order to ascertain how successfully Russia dealt with its problems by 1914, this essay will examine the October Manifesto and the split of the opposition, how the Tsar became more reactionary after the 1905 revolution, Stolypin’s

Mikhail Lermontov’s ‘A Hero of our Time’ is set in the 1840s, a crucial time in Russian history. Pechorin was a revolutionary character in Russian literature due to his cynical and amoral personality that alienates him from all social strata. ‘A Hero of our Time’ generated a large amount of outrage from the public due to Lermontov, claiming Pechorin to be the ‘hero’ of our its time. ’Bela’ is a framed narrative portrayed from the views of an old friend, Maxim Maximych, however, the story told by Maxim Maximych suggests it is an unjust and biased view of our ‘hero’ thus we as readers are to depict the true ‘hero’ Pechorin is. Examining the chapter ‘Bela,’ his actions signify his capability to damage a society, demonstrating him to be the callous and manipulative character he is.

The Great Terror was one of the single greatest loss of lives in the history of the world. It was a crusade of political tyranny in the Soviet Union that transpired during the late 1930’s. The Terrors implicated a wide spread cleansing of the Communist Party and government officials, control of peasants and the Red Army headship, extensive police over watch, suspicion of saboteurs, counter-revolutionaries, and illogical slayings. Opportunely, some good did come from the terrors nonetheless. Two of those goods being Sofia Petrovna and Requiem. Both works allow history to peer back into the Stalin Era and bear witness to the travesties that came with it. Through the use of fictional story telling and thematic devises Sofia Petrovna and Requiem, respectively, paint a grim yet descriptive picture in a very efficient manner.

How far were divisions amongst opponents responsible for the survival of Tsarist rule, 1881 - 1905?

Furthermore, in Leo Tolstoy‘s The Death of Ivan Ilyich, and analysis will demonstrate that the character Ivan Ilyich struggles throughout his life to achieve the ideals of liberty, life and the pursuit of happiness. It is through Ivan’s death and his friend’s narration of Ivan’s life that the reader comes to the realization the the middle-class Ivan has few strength’s besides his hard work to drive him towards his ideals for wealth and property. Ivan lived his whole life with the purpose of enjoying himself. He did this through winning power at work, spending money, buying things to impress his friends, throwing parties, and playing bridge. His pursuit of happiness in material things and pleasures is so great that his deliberately avoids anything unpleasant. This means that when he settled down with a family, which was expected of him, he never grows close to them.

Aleksandar Nikitenko was among one of the serfs who served in Russia during the early 1800s. He was born from Ukraininan parents in Voronezh Province. His parents, soon along with Aleksandar, were serfs of the immensely wealthy Sheremetev family. Nikitenko’s father was chosen at a very early age to go to Moscow to sing in Count Sheremetev’s choir. While there, he received an education that allowed him to pursue intellectual interests. Nikitenko looked up to his father and believed that having to be kept in bondage despite his knowledge was entirely unfair. Throughout his life, Nikitenko is accepted by intelligent teachers for being quite knowledgeable. However, he is time and time again held inferior because of his social status. His family, had it not been for serfdom, would have probably been a part of a provincial middle class because of their associations with nobles and merchants.

The end of the nineteenth century marked a brilliant period in Russian literature defined by innovation and experimentation. With political and economic changes sweeping over Russia, its literature displayed the anxious, even hostile reaction to the modernization of a nation that hadn’t seen transformations in decades. The Petty Demon, Wings, and Petersburg considered to be some of the greatest works of the time, were unique pieces of literature in the decadence period, although they borrowed and built on elements from other authors of the time. The analysis of these novels, in terms of conventional categories of literary analysis, including thematics, narration, and setting is not only a means to display the uncommon structure of the novel, but also to demonstrate its association with other influential authors. In the writings of The Petty Demon, Wings, and Petersburg these authors dismantle the ideas of other authors and then parody them, therefore subverting the norms of realist pros and making reader think of a particular style of writing and then goes to write the complete opposite.

In the late 19th century Russia had been notably behind Europe economically, they weren’t in possession of the modern farming technologies that could efficiently provide for a large country. As a result 90% of the Russian population were peasants (Massey, 4). The serfs lived in deep poverty; they didn’t have the appropriate apparatus to produce enough crops and most of their landlords had unbelievably high demands. In an effort to reform the economy’s recession tsar Alexander II liberated the serfs. However this created more bad for both the serfs and the nobles. In the beginning the serfs saw this is a great victory and another reason to be thankful for their tsar. But as timed pass by the peasants saw this life of liberty and freedom to

In many books, like Crime and Punishment by Richard Pevear and Larissa Volokhonsky the main character usually faces both good and bad influences from supporting characters. In this book, mainly Svidrigailov and Sonia influenced Raskolnikov who presumed to be the main character. The influences from Sonia and Svidrigailov both shape and change Raskolnikov and develop the plot of the book. Since Raskolnikov was a character being mixed of good and bad traits, it allowed him to easily be influenced in which are expressed as the book progresses.

Author Daniel Beer is a senior lecturer in the Department of History at the Royal Holloway, University of London. In addition to The House of the Dead, Beer is author of another book, Renovating Russia: the Human Sciences and the Fate of Liberal Modernity and has contributed on several articles about nineteenth century Imperial Russia. Beer exhibits vast knowledge, extensive research, and ongoing devotion to this topic. With the many articles and books he has written, international educational trips to archives and academies, and ranking as senior lecturer, his expertise and care for nineteenth century Russia is clearly demonstrated.

Hadji Murat, Tolstoy’s second book with the Caucasus as its setting can be considered a work of historical fiction that is a beautiful tale of resistance, and a window into not only the Caucasian War of the mid-nineteenth century, but also the culture of the Russian Empire during this period. As a work of fiction the reader must be wary of depictions of actual persons such as Tsar Nicholas I, whom Tolstoy was not enamored with, to say the least, but many insights about the period and its people can be gleaned from the story. The novel is one of great contrasts between Chechens and Russians and also of what life was like during this time.

Hadji Murat, Tolstoy's second book with the Caucasus as its setting can be considered a work of historical fiction that is a beautiful tale of resistance, and a window into not only the Caucasian War of the mid-nineteenth century, but also the culture of the Russian Empire during this period. As a work of fiction the reader must be wary of depictions of actual persons such as Tsar Nicholas I, whom Tolstoy was not enamored with, to say the least, but many insights about the period and its people can be gleaned from the story. The novel is one of great contrasts between Chechens and Russians and also of what life was like during this time.

In this paper, I plan to explain Dostoevsky’s criticism of Western Individualism. Dostoevsky’s first criticism resides in the idea to “love life more than the meaning of it, “which is presented by the character Alyosha (Dostoevsky 3). Allowing this character to discuss this topic, along with the commentary of Ivan, demonstrates their mindset to solely focus on their own lives, opposed to caring for others. This leads to them living for the now, and not focusing on how their decisions will affect their future or others. Dostoevsky disapproves of this notion because living by this mentality encourages the guidance of logic, which is dangerous because it could tell you to kill yourself. From Dostoevsky’s Eastern Orthodox background, he believes that the only way from living from this situation is to deny it. By denying this way of living, the focus toward life will not be directed toward yourself, but toward the way you can impact the environment around you. Ivan clearly does not believe in these values, due to his intentions to commit suicide at the age of thirty. As said before, living by the idea to “love life more than the meaning of it” leads to death, and Ivan indulges in this to the fullest (Dostoevsky 3).

In 19th century Russian literature there was often a gender inequality depicted between the male and female characters. Women were expected to get married, start a family, and obey their husbands. Women often made sacrifices and married men they weren’t fond of in order to support their families. Anton Chekhov’s writing questions these gender relationships. The female characters have a strong presence within Chekhov’s works, and they transcend typical gender roles.

Nihilism in Turgenev’s Fathers and Sons has several characters that hold strong views of the world. For example, Pavel believes that Russia needs structure from such things as institution, religion, and class hierarchy. On the other hand, Madame Odintzov views the world as simple so long as she keeps it systematic and free from interference.