Before all electronic devices were invented, people watched plays at theater for entertainment. Plays were the common things back then, and they were where drama came from. According to Merriam-Webster Encyclopedia, the word, “drama”, is from Greek, meaning to do, act. That is why drama is usually conducts on stages and in theaters. According to Meriiam-Webster, drama is defined as a serious story that is expressed as dialogues, and is presented by actors on stages and televisions. Fiction and drama both have plots. They introduce the problem, build the climax, and then solve it. Compared to fiction, drama doesn’t specifically describe the characters’ structures. Fiction helps the readers to imagine the characters’ outlooks. Drama is …show more content…
However, their deceptions don’t cause harms to others, they just want to help Beatrice and Benedick to know each other’s true heart. On the other hand, Don John repeatedly makes up false rumors. First he told Claudio Don Pedro tricks him about helping him with Hero. Don Pedro just wants Hero for himself. It causes a misunderstanding between Claudio and Don Pedro. Later, he lies to Claudio and Don Pedro about Hero’s reputation, leading to Claudio and Hero’s ruined wedding. Don John’s deceptions are to make people misery and destroy relationships. Shakespeare skillfully presents two different deceptions into a drama, so audiences compare and know why one is good and the other is bad. Another moral lesson is to blindly believe in everything one hears. For instance, Claudio easily falls into Don John’s tricks because he is so gullible. After the first time of being tricked by Don John, Claudio should question the valid of Don John’s claims. He just sees a figure that wears Hero’s nightgown at her window with another man, and believes it is her. Claudio doesn’t neither have trust in Hero nor know her well enough. Shakespeare wants to warn people should not believe easily everything they hear or see. They should make assumption based on people’s actions and characters. Each character portrays a different lesson about morality. Audiences find Shakespeare’s characters portray people in real life and easily relate to them. That is why
One of the primary themes within the play is deception, its motivations and repercussions. Hero’s faked death is the most prominent example of deception within the play. Leonato and his family circle use Hero’s false death as a way to punish Claudio for his injustice towards Hero. In this case, deception is used as a disciplinary measure. Through this chain of events, Shakespeare conveys the power of deception in affecting someone’s emotions, to the extent that it is used as a form of vengeance. Another less dramatic instance where deception manifests itself within the play is in the interaction between Benedick and Beatrice at the masked ball. Both of them were aware of who the other was yet continued to participate in the facade of obliviousness.
The humiliation caused to Hero in the event would be inconceivable to an audience at the time, being accused of adultery would no doubt ruin a woman’s reputation and therefore create difficulty for her when finding a husband; especially for a woman of high status such as Hero. Claudio is being presented as a potential threat at this part in the play, contrasting with the gallant war hero we were first introduced to. This emphasizes how bitter and sinister Claudio has turned, consequently reminding the audience by irony that is he only interested in wealth and status when marrying Hero. Claudio’s shallow fickleness plays into the villain’s hands. Shakespeare uses the threat of Claudio to generate further anxiety in the audience and concern for Hero’s welfare. This scene shows the men of the play coinciding with each other in their response to the defamation of Hero. Don Pedro personally insults Hero during the commotion of this scene, “to link my dear friend to a common stale,” he suggests here that he believes her status has been lowered by what she has supposedly done and rendered her ‘common’. This personal attack on Hero which has come from someone who shouldn’t really be involved advocates the idea that she is isolated in a patriarchal society in which men group together to defend male interests. Hero’s reputation is being publicly ruined here, and at the time this would have ruined Hero’s life and her
Unlike Don Pedro, Don John is more interested in seeing Claudio and Don Pedro suffer. To achieve this, Don John first tricked Claudio into believing Don Pedro was going to steal Hero for himself as presented in “Signor, you are very near my brother in his love”. He is enamored with Hero.” (Shakespeare, 41). Because of his excellent scheming, Claudio believed him.
Don John is filled with hatred towards him brother, Don Pedro. This is because of the family money and status will fall to Don Pedro and not him. He desire to see his brother be miserable. To do this, in the play, he plans to lie to Claudio(friend of Don Pedro) to compose the idea that Don Pedro is stealing his girl in Claudio mind. The drive of Don John to lie was stated by himself when he claimed,” Come, come, let us thriller. This way proves food to my displeasure….. Their cheer is the greater that I am subdued would the cook were on my mind.”(I,iii,11) This entails that the motivations of Don John to lie is from the displeasure of Don Pedro plans. When he claimed,”This way proves food to my displeasure,”(I,iii,11) he heard of the joyful plan of Don Pedro and seeks to destroy the plans. This is because it displeases Don John that Don Pedro and his friend are being cheerful, and this makes Don John want to ruin via lieing to sabotage Don Pedro’s plans. This explains that people want to lie because of their desire. Don John fills this desire by trying to create displeasure and attempting to lie to achieve it. However, Don Pedro, on the other hand, is friendly and
Shakespeare has demonstrated the ramifications of human nature that have arisen through the misunderstandings of the characters. Shakespeare does this by effectively conveying the dramatic technique reversal. The purpose of the technique is to show the reader the complexities of human nature by demonstrating that even a common example of misunderstanding could change the direction of one's life, and the perception of an object. This is evident through the quote “That I love her, I feel” in Act 1 scene 1, said by Claudio about Hero, which is later contradicted with the quote “There, Leonato, take her back again. Give not this rotten orange to your friend”, who is referencing Claudio’s betrayal. Claudio believed that the person Borachio was making love to was Hero instead of Margaret, due to the succession of Don John’s master plan. During this scene, Claudio displays a sense of misunderstanding by falsely concluding that his fiancée had been ‘unfaithful’ to him. Reversal is shown when Claudio is enraged by the fictitious actions of Hero when he abandons her at the day of their wedding. Shakespeare has demonstrated misunderstanding through the dramatic technique, reversal to explore the complexities of human nature.
Shakespeare, the author of Much Ado About Nothing, presents the idea that manipulation and trickery is carried out by the characters among the play. Even though deception was directed towards Claudio and Hero in dissolving their love for each other, it was the force that brought Beatrice and Benedick closer together. Not only did deceit help characters in the play, it also contributes to help present the play’s dramatic focus. Referring to “Deception in Much Ado About Nothing”, Richard Henze states, “Much Ado About Nothing is about right deception that leads to marriage and the end of deceit, and wrong deception that breeds conflict and distrust” (Henze 1). This compliments the fact, that in Claudio and Hero’s relationship, one can see how
Shakespeare uses the literary device, motif with the image of the masked characters and with the masked language of Benedick and Beatrice. In each instance that a masked character or masked language is used, deception intensifies. In Act I, Scene 1, Claudio says about Hero, “That I love her, I feel” (Shakespeare 1.1.205). Bear in mind, Claudio just arrived in Messina and laid eyes on Hero for the first time. Thus, his declaration of love seems impulsive and uncertain. Claudio knows little about Hero, so his desire to have her must rest on her appearance alone. Still, Don Pedro offers to help unite Claudio with Hero. He initiates a matchmaking scheme. He says, “I will assume thy part in some disguise / And tell fair Hero I am
Drama is written to be performed in front of an audience. Reading a play is different than reading a novel or poetry. In a play, there are not stanzas or paragraphs there are just lines. Also within a play there are written stage directions to help the reader to better understand the setting and actions of the characters. When one reads a play, they may imagine the characters or setting differently than when they watch a play. Also, when the same play is produced by different people the setting or characters may differ from one another. This is due to how different producers interpret the play. When one reads a play, they may interpret things differently than what the director interprets when producing a play.
“Never attempt to win by force what can be won by deception.” ― Niccolò Machiavelli. The term deception takes a part in betraying another for one’s self interest. It was a key element within Shakespeare’s work. Romeo and Juliet is one of the prime examples of this topic. They showed deception very clearly by hiding their actions and betraying their families, leading to their tragic ending. However, it was not the only piece Shakespeare wrote that showed the multiple consequences caused by an act of betrayal. The power of deception and the consequences that follow is a staple in literature, and no one shows this idea more clearly than Shakespeare.
In act 4 scene one he cause immense grief and shame to be brought on to the family of Hero the one he loves. Once again the Machivalian-esque character seeks to ruin the lives of everyone close to his brother. Claudio and Don Pedro are fools to Don Jon’s trickery and are led to believe that Hero was being unfaithful. I can’t blame them all too much though as they saw the shadows of another couple expressing their love in her room and mistaken that for Hero.
Deceit and trickery play a huge part in the play Much Ado About Nothing by William Shakespeare. Deception is a key theme in the play, it also moves the plot along. Trickery and deception is used in the love stories of couples Hero and Claudio, and Benedick and Beatrice, with opposite results. This play demonstrates two different kinds of deceit: the kind whose only purpose is to cause trouble, and the kind that is used to form a good outcome. In the relationship of Hero and Claudio, deception nearly succeeds in breaking them apart forever, while in the case of Benedick and Beatrice, it brings them closer together.
He hath borne himself beyond the promise of his age, doing in the figure of a lamb the feats of a lion. He hath indeed better bettered expectation than you must expect of me to tell you how. (Act 1, scene 1, line 12). This is the first we hear of the reputation of Claudio, from it we learn that he is mature, a good soldier, and has exceeded expectations. Leonato, having only heard good things about the young man, treats Claudio with respect and allows this very young man to marry his only daughter. This is an example of the saying ‘your reputation precedes you’. Benedick’s reputation is very apparent throughout the play: a Joker. At the Ball, Benedick in disguise, asks Beatrice about what she thinks of him, and she describes how most see him: 'Why, he is the Prince 's jester, a very dull fool, only his gift is in devising impossible slanders. None but libertines delight in him, and the commendation is not in his wit but in his villainy, for he both pleases men and angers them, and then they laugh at him and beat him. ' (Act 1, scene 7, line 2). Don John and Don Pedro have opposite reputations and perceptions of their characters. Don Pedro is a war hero, the prince, highly respected and trustworthy. He is the authoritarian, the one to look to for advice and input. We can see this when Leonato says: If you swear, my lord, you shall not be forsworn. [To Don John.] Let me bid you welcome, my lord, being reconciled to the
Most people in the world thinks everyone has drama but themselves, when in reality everyone has drama including themselves. No not every person goes through the same thing meaning each persons drama can be different, a lot unspoken. The definition of drama is conflict or contrast of character and a wise woman once said " don't waste time on whats not important. Dont get sucked into the drama. get on with it: be a big person; be generous of spirit; be the person you'd admire ." my interpretation of Hudson's words are if something is going on in your or someone else life don't tell everyone your or their business, be an adult. If you tell someone something in confidence you don't expect them to go back and tell everyone, so do the same for someone
For example, when Claudio announces his desire to woo Hero, but then Don Pedro takes it upon himself to do the act for Claudio. This part didn’t make much sense to me, and I couldn’t tell if it was good or bad. But I could already see a conflict forming when I realized that Don John was observing the two. During the instigation of Don John, Claudio begins to mistrust Don Pedro, and thinks that he had been deceived. The characters in the play are now getting caught up in the illusions that they help to create for one another. Benedick and Beatrice flirt at the masked ball, each aware of the other’s presence yet they are pretending not to know the person hiding behind the mask. Also when Claudio shames and rejects Hero, Leonato announces that Hero has died in order to punish Claudio for his mistake. This somehow leads to Claudio’s return to accept the hand of Leonato’s niece (which actually is Hero). A group of women who are masked are presented to Claudio and he must wed blindly. There is a disconnect in this situation and the way this marriage was presented shows that the social institution of marriage doesn’t have much to do with love. I felt that His willingness to marry a woman who he’s never met stemmed from his guilt about accusing an innocent woman but also because he cares more about rising in Leonato’s favor. In the end, deceit is neither good or bad, it is just a way to create an
Wow wow wow it's my turn now first about you, the drama I talk about is all about you and ur friends and being in a game or real wouldn't change things when it comes to discussing and talking about it. I know it's a game and it was me remember from day one I'm the one who told you for me it's a different world. And I'm the one who also said "I don't like drama". I go on just like all the ppl I've met and added to have fun and tbh you're the only one out of all 400 on classic cp and on cpr that pushes so much to talk about things outside of cp.