Going Deep into Drama Essay example

He hath borne himself beyond the promise of his age, doing in the figure of a lamb the feats of a lion. He hath indeed better bettered expectation than you must expect of me to tell you how. (Act 1, scene 1, line 12). This is the first we hear of the reputation of Claudio, from it we learn that he is mature, a good soldier, and has exceeded expectations. Leonato, having only heard good things about the young man, treats Claudio with respect and allows this very young man to marry his only daughter. This is an example of the saying ‘your reputation precedes you’. Benedick’s reputation is very apparent throughout the play: a Joker. At the Ball, Benedick in disguise, asks Beatrice about what she thinks of him, and she describes how most see him: 'Why, he is the Prince 's jester, a very dull fool, only his gift is in devising impossible slanders. None but libertines delight in him, and the commendation is not in his wit but in his villainy, for he both pleases men and angers them, and then they laugh at him and beat him. ' (Act 1, scene 7, line 2). Don John and Don Pedro have opposite reputations and perceptions of their characters. Don Pedro is a war hero, the prince, highly respected and trustworthy. He is the authoritarian, the one to look to for advice and input. We can see this when Leonato says: If you swear, my lord, you shall not be forsworn. [To Don John.] Let me bid you welcome, my lord, being reconciled to the

Deceit and trickery play a huge part in the play Much Ado About Nothing by William Shakespeare. Deception is a key theme in the play, it also moves the plot along. Trickery and deception is used in the love stories of couples Hero and Claudio, and Benedick and Beatrice, with opposite results. This play demonstrates two different kinds of deceit: the kind whose only purpose is to cause trouble, and the kind that is used to form a good outcome. In the relationship of Hero and Claudio, deception nearly succeeds in breaking them apart forever, while in the case of Benedick and Beatrice, it brings them closer together.

Shakespeare has demonstrated the ramifications of human nature that have arisen through the misunderstandings of the characters. Shakespeare does this by effectively conveying the dramatic technique reversal. The purpose of the technique is to show the reader the complexities of human nature by demonstrating that even a common example of misunderstanding could change the direction of one's life, and the perception of an object. This is evident through the quote “That I love her, I feel” in Act 1 scene 1, said by Claudio about Hero, which is later contradicted with the quote “There, Leonato, take her back again. Give not this rotten orange to your friend”, who is referencing Claudio’s betrayal. Claudio believed that the person Borachio was making love to was Hero instead of Margaret, due to the succession of Don John’s master plan. During this scene, Claudio displays a sense of misunderstanding by falsely concluding that his fiancée had been ‘unfaithful’ to him. Reversal is shown when Claudio is enraged by the fictitious actions of Hero when he abandons her at the day of their wedding. Shakespeare has demonstrated misunderstanding through the dramatic technique, reversal to explore the complexities of human nature.

“Never attempt to win by force what can be won by deception.” ― Niccolò Machiavelli. The term deception takes a part in betraying another for one’s self interest. It was a key element within Shakespeare’s work. Romeo and Juliet is one of the prime examples of this topic. They showed deception very clearly by hiding their actions and betraying their families, leading to their tragic ending. However, it was not the only piece Shakespeare wrote that showed the multiple consequences caused by an act of betrayal. The power of deception and the consequences that follow is a staple in literature, and no one shows this idea more clearly than Shakespeare.

One of the primary themes within the play is deception, its motivations and repercussions. Hero’s faked death is the most prominent example of deception within the play. Leonato and his family circle use Hero’s false death as a way to punish Claudio for his injustice towards Hero. In this case, deception is used as a disciplinary measure. Through this chain of events, Shakespeare conveys the power of deception in affecting someone’s emotions, to the extent that it is used as a form of vengeance. Another less dramatic instance where deception manifests itself within the play is in the interaction between Benedick and Beatrice at the masked ball. Both of them were aware of who the other was yet continued to participate in the facade of obliviousness.

Once Claudio and Beatrice start planning their wedding, Don Pedro tricks Benedick into thinking Beatrice is in love with him, and vice versa. This lie is similar to the lie in which he uses deceit to get Claudio and Hero together in the first place. Afterward, Benedick says to Beatrice: “There is nothing in the world I love as much as you.” (V,iv,95) [1] Don Pedro’s lie, in contrast to Don John’s, has the rather positive effect of Benedick and Beatrice falling in love. The positive effects of Don Pedro’s trickery mirrors his intentions - helpful. In contrast, Don John tricks Claudio into thinking Hero is unfaithful the night before their wedding, much like how he tricked Claudio into thinking Don Pedro took Hero for himself. Because of this, Claudio accuses: “She knows the heat of a luxurious bed. Her Blush is of guiltiness, not modesty.” (IV,i,35) Claudio publicly accuses Hero of adultery, one of the most heinous crimes of the time, and, at least temporarily, ruins their relationship based on Don John’s lie. Similar to Don Pedro’s example, the effect of the malicious act matches perfectly with Don John’s evil intentions and his meddling character. Claudio’s extreme reaction to this news causes Beatrice to emotionally manipulate Benedick into dueling Claudio for defaming Hero. Thus, the comedy suggests that the aftermath of lying depends on the

Shakespeare, the author of Much Ado About Nothing, presents the idea that manipulation and trickery is carried out by the characters among the play. Even though deception was directed towards Claudio and Hero in dissolving their love for each other, it was the force that brought Beatrice and Benedick closer together. Not only did deceit help characters in the play, it also contributes to help present the play’s dramatic focus. Referring to “Deception in Much Ado About Nothing”, Richard Henze states, “Much Ado About Nothing is about right deception that leads to marriage and the end of deceit, and wrong deception that breeds conflict and distrust” (Henze 1). This compliments the fact, that in Claudio and Hero’s relationship, one can see how

The year is 1984. Ronald Reagan has just been re-elected by a landslide, including many votes from disaffected liberals. Yuppie culture fuels a high consumption economy. Tom Brokaw is now sole anchor of NBC’s Nightly News. Michael Jackson dominates the Grammys. McDonald’s debuts the McNugget. And Glengarry Glen Ross opens on Broadway. Because Glengarry Glen Ross is so inherently American, it’s hard to believe that it actually didn’t premiere in the United States, but at the National Theatre in London, to wildly successful reviews, before moving to Broadway the following year, where it ran for eleven months, and won the Pulitzer Prize.

In “Much Ado about Nothing,” deception as a theme seems to surround the whole of the play, it has divided into both, pure and evil deception. This appears in deceiving Claudio and Don Pedro that results Hero’s disgrace, and fooling both Beatrice and Benedick to believe that they love each other. Don John plays an essential role of the deception as he was the one who deceive Claudio and Don Perdo to distrust Hero, which lead to the rejection by Claudio of Hero in the wedding. “I had rather be a canker in a hedge than a rose in his grace, and it better fits my blood to be disdained of all than to fashion a carriage to rob love from any,” (1,

Don John is filled with hatred towards him brother, Don Pedro. This is because of the family money and status will fall to Don Pedro and not him. He desire to see his brother be miserable. To do this, in the play, he plans to lie to Claudio(friend of Don Pedro) to compose the idea that Don Pedro is stealing his girl in Claudio mind. The drive of Don John to lie was stated by himself when he claimed,” Come, come, let us thriller. This way proves food to my displeasure….. Their cheer is the greater that I am subdued would the cook were on my mind.”(I,iii,11) This entails that the motivations of Don John to lie is from the displeasure of Don Pedro plans. When he claimed,”This way proves food to my displeasure,”(I,iii,11) he heard of the joyful plan of Don Pedro and seeks to destroy the plans. This is because it displeases Don John that Don Pedro and his friend are being cheerful, and this makes Don John want to ruin via lieing to sabotage Don Pedro’s plans. This explains that people want to lie because of their desire. Don John fills this desire by trying to create displeasure and attempting to lie to achieve it. However, Don Pedro, on the other hand, is friendly and

Shakespeare uses the literary device, motif with the image of the masked characters and with the masked language of Benedick and Beatrice. In each instance that a masked character or masked language is used, deception intensifies. In Act I, Scene 1, Claudio says about Hero, “That I love her, I feel” (Shakespeare 1.1.205). Bear in mind, Claudio just arrived in Messina and laid eyes on Hero for the first time. Thus, his declaration of love seems impulsive and uncertain. Claudio knows little about Hero, so his desire to have her must rest on her appearance alone. Still, Don Pedro offers to help unite Claudio with Hero. He initiates a matchmaking scheme. He says, “I will assume thy part in some disguise / And tell fair Hero I am

For example, when Claudio announces his desire to woo Hero, but then Don Pedro takes it upon himself to do the act for Claudio. This part didn’t make much sense to me, and I couldn’t tell if it was good or bad. But I could already see a conflict forming when I realized that Don John was observing the two. During the instigation of Don John, Claudio begins to mistrust Don Pedro, and thinks that he had been deceived. The characters in the play are now getting caught up in the illusions that they help to create for one another. Benedick and Beatrice flirt at the masked ball, each aware of the other’s presence yet they are pretending not to know the person hiding behind the mask. Also when Claudio shames and rejects Hero, Leonato announces that Hero has died in order to punish Claudio for his mistake. This somehow leads to Claudio’s return to accept the hand of Leonato’s niece (which actually is Hero). A group of women who are masked are presented to Claudio and he must wed blindly. There is a disconnect in this situation and the way this marriage was presented shows that the social institution of marriage doesn’t have much to do with love. I felt that His willingness to marry a woman who he’s never met stemmed from his guilt about accusing an innocent woman but also because he cares more about rising in Leonato’s favor. In the end, deceit is neither good or bad, it is just a way to create an

Most people in the world thinks everyone has drama but themselves, when in reality everyone has drama including themselves. No not every person goes through the same thing meaning each persons drama can be different, a lot unspoken. The definition of drama is conflict or contrast of character and a wise woman once said " don't waste time on whats not important. Dont get sucked into the drama. get on with it: be a big person; be generous of spirit; be the person you'd admire ." my interpretation of Hudson's words are if something is going on in your or someone else life don't tell everyone your or their business, be an adult. If you tell someone something in confidence you don't expect them to go back and tell everyone, so do the same for someone

Drama is written to be performed in front of an audience. Reading a play is different than reading a novel or poetry. In a play, there are not stanzas or paragraphs there are just lines. Also within a play there are written stage directions to help the reader to better understand the setting and actions of the characters. When one reads a play, they may imagine the characters or setting differently than when they watch a play. Also, when the same play is produced by different people the setting or characters may differ from one another. This is due to how different producers interpret the play. When one reads a play, they may interpret things differently than what the director interprets when producing a play.

Wow wow wow it's my turn now first about you, the drama I talk about is all about you and ur friends and being in a game or real wouldn't change things when it comes to discussing and talking about it. I know it's a game and it was me remember from day one I'm the one who told you for me it's a different world. And I'm the one who also said "I don't like drama". I go on just like all the ppl I've met and added to have fun and tbh you're the only one out of all 400 on classic cp and on cpr that pushes so much to talk about things outside of cp.