Going To The Olympics 1984 Frank Romero Analysis

Going back to the original question, what is considered graffiti? McAuliffe and Iveson proposed an idea, “asking whether graffiti is still graffiti if it is taken from its illegal context on the walls of the city and placed in a gallery” (130). In “The Making of Space, Race and Place” by Maggie Dickinson, Sandra Fabara, a writer who was featured in the Brooklyn Museum exhibit, answered this question. Fabara argued that “The pieces in galleries cease to be graffiti because they have been removed from the cultural context that gives graffiti a reason for being, a voice from the ghetto. Authentic graffiti cannot exist in the sanctuary provided by the galleries and museums” (39). She is saying that since the cultural side is being taken away and

Today there are world known graffiti artists, Aryz, Kaws, and D Face are just a few. Any artist wants to be recognized and have their work appreciated. That is why public property is so appealing to the graffiti artist. A train car moving throughout the city with your mural on it will be seen by hundreds, even if its up for a small period of time. Most graffiti artists take time to create a piece. It takes a lot of planning and effort to make a great piece of art. Graffiti artists are all about techniques, you need to be able to show you are an expert in your medium. It’s also important for a graffiti artist to find an imaginative spot for a mural, so it’s obvious that it’s hard work. To make graffiti a piece of art it must have purpose and inflict emotion on its audience, which is why the forcefulness of the urban environment is as much as part of the artwork as the graffiti itself. Taggers have no real reason to create graffiti. Nor is what they do visually pleasing.

because of how the Olympics were broadcasted around the world. A visitor to Berlin during this time

“Where Worlds Collide” is an essay by Pico Iyer who talks about the expectations and reality of Los Angeles through the perspectives of travelers from different backgrounds. In “Where Worlds Collide,” Pico Iyer argues that even though Los Angeles is depicted as a vicinity to receive wealth, happiness, and many opportunities- it is actually the antithesis, and instead, many harsh prejudice and unending craziness will occur instead; Iyer argues this by using allusions, anaphoras, and juxtapositions to help convey what he is saying.

The day is December 20, 1998; President Bill Clinton has just been assassinated in the White House Rose Garden by an unknown assailant. Further details at this point have not been revealed yet. This is a day of true tragedy for the whole of the United States of America. Those would be the words spoken shortly after the single shot rang from the barrel of the rifle into Clinton’s heart. This is the story of how four people put the U.S. in utter turmoil.

One of the symbolic representations in La Mission is where it takes place, in the mission district of San Francisco. It represents the traditional stance of Che the main character and compares it to the shift to a more hipster neighborhood with new people like Lena moving in who haven’t been in the neighborhood until recently. He also restores old cars into low riders which is historically Mexican American style of car. The music featured in this movie is a mix of traditional chorales, native drums and guitars mixed with newer more modern version that also show the transition that this community and culture are facing coming to terms with change and homosexuality that is culturally unacceptable.

In doing so, people in this community started to make their own cultural norms. It happens because they have been built their own set of values. The graffiti community is a place where people feel free to speak their voice. Also, it is the place where many do not feel discourage of expressing their views into painting. It became a natural place where people can be involved and embraced even with others who have different culture background. With that being said, there are some of expectations of this youth culture in Santa Fe. According to the article, one of the member of the committee said that she sees “the possibility for a combination of a permanent mural and a curated rotation of artists’ work, an evolving piece of artwork that continues to reflect and communicate with the community.” In other words, one of the biggest expectation from doing it is that combination of cultural innovation would happen while respecting and honoring their community. When considering the expectation of the society, there are two things that they aimed to make the

As an artist I would be devastated and furious to see my work of art vandalized by others who had no right. I would definitely take the action Romero took , he sued the Caltrans for covering over his mural without giving him a notice. The Caltrans spoke and said the restoration of the mural would be costly and taggers would still come back and vandalize it according to the article "End is near for some LA freeway murals due to graffiti." Romero, as well as other muralists have taken the action to sue in order to restore their destroyed murals. I believe it is the correct decision that an artist should make since their work of art is precious and should have been taken care of in the first

Late 20th century Los Angeles, California was a bustling, diverse, and segregated city. Both El Norte (1983) and Falling Down (1993) depict Los Angeles in revealing ways. Falling Down in particular has many shots of the city itself; in fact, the first scene in the film takes place in a classic LA traffic jam on the highway. It shows cars lined up and not moving on the highway as far as the eye can see, with construction going on around them. It is also very hot in LA. The people are sweating, it’s sunny outside, bugs are flying around, and there are palm trees around the highway. Similarly, one of the last shots in El Norte shows a busy highway with the LA skyline in the background. That shot with the skyscrapers, cars driving quickly by, and palm trees is one of the most iconic images of LA in either film.

As a placebo for a changing guard, La Virgen de Guadalupe proved highly successful. The iconic image of La Virgen de Guadalupe remains static in both form and symbolism until the mid twentieth century, when a new movement among Mexican-Americans emerges in California, dubbed the Chicano movement. As visual propaganda becomes a large part of the movement, a significant body of art with common themes and styles, known as Chicano art, follows. This shift in subject matter among Mexican-American artists toward a specific social and political agenda began earlier, as evidenced by the work of Rivera, Orozco, and Posada, but, it isn’t until the mid 1960’s that national or religious iconographic images are recycled to support a larger political or social agenda.

     Public art conquers so much more than the simple task of making the street a little easier to look at. It involves those who created it, those who supplied the means to create it, and those whose lives it continues to impact. Wall paintings in particular take an important role in working for a greater good. Judith F. Baca, a Hispanic-American woman and artist- activist has contributed an unaccountable amount to the mural movement in Los Angeles. She has accomplished this by giving individuals the chance to create art and develop a sense of pride, she has taught younger generations a respect for their ethnic identity, and from the many walks of life that continue to view her

However, even though graffiti is portrayed as art by many people, some people think that all kinds of graffiti is vandalism. They think that it is a dirty way to destroy a city, and a bad influence to young adults and children growing up. In the article “Vandals hit 18 statues in Grant Park with graffiti” by Carlos Sadovi, public buildings had been covered and nearly destroyed with tags by young teenages. When Sandovi says, “People, especially children, like to go up to the statues and pose with them for pictures and touch them. He said this is the first time they have been vandalized here.” In this case, the children of the city will have to suffer through. People can also argue that the graffiti is a bad influence for the children. However, even though some young teenages decided to vandalize a building, doesn't make graffiti vandalism. There are graffiti artists that even make their paints out of wheat, so that if they

We all know the big city that everyone loves to talk about and be a part of the experience of a lifetime which is Los Angeles, also known as L.A. It is one of the most known cities in California and around the world where people’s dreams come true. L.A. is best known for its beaches, entertainment, amusements, and the people around the city. It’s also known as “The City of Angels”, which is the spanish word for “Angeles”. It is the second most populous city in the United States after New York. I’ve always known L.A. as a big part of my life, being born in the city of luxury and fame. Growing up, I never knew how much of a big deal LA was until I was in high school. Being around so much popularity and seeing the opportunities that LA has brought to people was amazing to me. From the sports games, to the concerts, to the famous celebrities walking the red carpets brung so much excitement to me and I was glad to experience all of it.

Los Angeles was the first product off the assembly line of American urban planning. Turned on in the late 19th century, the city-making machine was fueled by an immense immigration of people who sought to create a new type of city out of the previously quaint pueblo. They also strove to craft the first major city developed primarily by Americans and outside of European archetypes. As a result, Los Angles is not only incredibly diverse, but also nearly impossible to define. Since it is a product of the American machine, understanding the community of Los Angeles becomes vital to understanding the United States. But to fully comprehend the present Los Angeles, one must look at the process that created it. Specifically, Los Angeles was

One depiction of Mexican holidays shaping the city of Los Angeles into a Latino city can be seen in the Mexican holiday El Dia del Los Muertos. For instance, Mexicans believe in the concept of death not being the end of a person’s life as Paz