Gone Girl By David Fincher

When people read or watch The Notebook, they automatically relate it to the concept of romance, young love, but more than anything true love. This story has a Romeo and Juliet contrast, but nevertheless also brings out many psychological concepts that play an important role in the story. Yet, many people seem to ignore these concepts and decide to pay much more attention to Allie and Noah’s love struggles. The following paper will be describing as well as highlighting psychological concepts The Notebook contained. From Alzheimer’s disease to parenting styles and the theory of love, The Notebook has been capturing the attention of millions of true love believes all around the world. Reality is, the film also captures daily

This paper will provide a sociological analysis of Mean Girls broken down into two sections. Section one will explain why a sociologist would find the movie interesting, examining the movie from a functionalist perspective, providing an example of private troubles and public issues, and comparing the movie to North American culture. Section two will discuss the themes of socialization and culture by explaining terms related to each section and applying them to the movie.

In Jamaica Kincaid’s short story “Girl,” the narration of a mother lecturing her daughter with sharp, commanding diction and unusual syntax, both affect the evolution of a scornful tone, that her daughter’s behavior will eventually lead her to a life of promiscuity that will affect the way people perceive her and respect her within her social circle. As well as the fact that it emphasizes expectations for young women to conform to a certain feminine ideal of domesticity as a social norm during this time and the danger of female sexuality.

After closely analyzing Ava DuVernay’s documentary 13th, my eyes were opened as to how black people feel vs. the way white people may feel about the criminal justice system and the unfair treatment of African Americans. I was honestly disappointed with both sides because of the way the race card is used to justify our actions towards one another.

For a reader in 2017 “Girl” by Jamaica Kincaid might seems very surreal and harsh as a story; mostly because of the very grating and mean language that is used when the mother is talking. The mother’s heartless language makes is really uncomfortable even though at the end of the day, she speaks nothing but love into her daughter’s life. She is giving her daughter social and family teachings, sharing with her the cultural and social values that will help her girl to have a peaceful and respected household and a happy life.

“A&P” and “Girl” both symbolized the protagonists’ oppression by an older, more experienced generation. However, Kincaid’s “Girl” was artistic with an undercurrent of selfless love and hope while Updike’s “A&P” was uninspiring with selfishness and lust. The protagonist of “Girl” discouraged her daughter’s dreams out of love. The protagonist of “A & P” encouraged the antagonists’ out of a selfish desire for self-promotion.

Amy Heckerling’s film ‘Clueless’ enhances our understanding of the transformation derived from Jane Austen’s ‘Emma’ and communicates the issues of rigid social status and confined attitudes to women despite contextual realignments. By adapting the genteel society of Highbury to the superficial microcosm of Beverley Hills, we gain an understanding of the restricted values placed on social status and the objectivity of women. Both Austen’s and Heckerling’s satirical reflections on Regency England and postmodern America respectively, showcases how studying the transformation process has enhanced our understanding of textual and contextual meaning. Through the amalgamation of Austen’s ‘Emma’ into a contemporary teen pic, ‘Clueless’, we see the texts as aesthetic replays of each other and gain an appreciation of the enduring ability to entrance future generations.

The movie Silver Lining playbook is an award winning movie that exposes some social disorders that the community as a whole as engaged in for years. “A word-of-mouth hit in 2012, David O. Russell’s Silver Linings Playbook has been popularly discussed as successfully targeting an adult audience under-served in contemporary Hollywood, as “authentically” reflecting the parenting challenges of its star and director, and as portraying a “modern” romance about a sympathetic, deeply damaged protagonist couple” (Nadel P1.).

Flynn breaks down the types of violence present throughout the novel: domestic, sexual and patriarchal (or male dominance). Like combining the grotesque and violence into a text, two of the subtopics of violence (patriarchal and domestic) happen at the same time, which Flynn clearly presents in Gone Girl. Prior to Amy’s disappearance, the factor that lead to domestic and patriarchal violence is the economic downfall in which Nick calls “The Missouri Grievance” (Flynn, 4) as he “Blame[s] the economy” (4) and lost his mother to cancer. As Amy transitioned from the “Cool Girl” (Flynn, 222) to the “standard girl,” (223) this also causes Nick to lose his perception of manhood based on Amy’s role as a wife. Furthermore, the marital conflict occurs without

The film “Gone Girl” depicts the story of a man named Nick Dunne and the disappearance and possible murder of his publicly adored wife, Amy Dunne. The beginning of the film depicts this young couple to be passionate, vivacious and full of unconditional love, but as the story unfolds the truth behind Amy and Nick’s relationship becomes questioned under intense public scrutiny and a forensic investigation. Early on, Nick becomes the main suspect in his wife’s disappearance and apparent murder based on what seems to be overwhelming evidence indicating his guilt. Amy Dunne appears to be a beautiful, kind and intelligent woman. She exudes confidence, gracefulness and charm to the public, and portrays a sense of being calm, cool and collected with her husband upon the early stages of their relationship and marriage. Her beauty, clever wit and poised presence, paints the façade of an overtly desirable woman. However, in discovery of her husband’s affair and throughout the rest of the film, Amy’s true self and manipulative and devious nature emerges.

The show “The Secret Life Of The American Teen” uses its narrative and stylistic elements to exemplify the success that can come regardless of teen pregnancy. The directors established the plot early with the help of many stylistic elements. At first glance one can tell that Amy is super young and conservative girl by her clothing. She was dressed like your average high schooler and this provides to the suspense of the following scene. Amy telling her friends that she

‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.

Amy Dunne at first expression is a nice, cool, stylish female who would be an ideal daughter and wife. She is her parents’ inspiration for a children’s book series called “Amazing Amy”, which was about a perfect girl who overcomes all obstacles that come her way. To her husband Nick Dunne, she is a dedicated wife, who loves him dearly, and struggles to make her marriage work. Okay now let’s give you the real Amy, analyzing her throughout the book it seems she should be diagnosed with Borderline personality disorders.

Reality. Merriam Webster’s Online Dictionary defines reality as “something that is neither derivative nor dependent but exists necessarily.” But what is real by today’s standards? Does what appears to be normal equal reality? By looking at two different films it seems that the old cliche stands correct. Things aren’t as they appear. American Beauty and The Virgin Suicides give classic examples of how “normal” and “happy” suburban life is anything but. American Beauty, directed by Sam Mendes (1999) and The Virgin Suicides, directed by Sofia Coppola (2000), share many of the same themes even though the plots are contrasted. Underneath the layers of white picket fences, beautiful houses, and safe neighborhoods, lies a truth. A truth so dark

The love story between two different teenagers that come from completely different worlds is the most remarkable. The Notebook is about two young teenagers who fell head over heels with each other. They got separated by Allie’s upper-class parents who insist that Noah isn’t right for her. But that obstacle didn’t stop these two young lovers from being together even if it took years. This beautiful tale has a special meaning to an older gentleman who regularly reads the timeless love story to his aging wife to help her remember what they went through and that the story that he’s reading to her was their love story. The story he reads follows two young