Gone With The Wind Analysis

This movie held a great bias to the Southerners. There was one major Northern character, Chamberlain, comparing to the numerous southern gentleman. ‘Stonewall’ Jackson was the main character in this movie and the movie seemed to be trying to make the movie a biography of Jackson during the Civil War.

The Divine Wind, written by Garry Disher, is a novel in which not only shows and describes the struggle of characters during World War II in Broome, Australia, but also the many aspects of prejudice which affect namingly Ida Penrose, Mitsy Sennosuke, and Magistrate Killian.

Portrayal of the south in the film Forrest Gump This film tells the story of Forrest Gump, a slow-witted but kind hearted young man born and raised in Greenbow, Alabama. Viewing the world a little differently than others, he manages to find himself involved in and even influencing many major events that play an important role in American history. Being as this film takes place in the south, there were many scenes where the stereotypical ideas of southerners were brought to attention. Touching from subjects like race relations between blacks and whites to southern culture this film takes you through many decades of Forrest’s life.

This movie based off of a southern family living in Memphis, Tennessee will show you a true taste of southern hospitality. In every film you have your list of characters along with their personalities and most importantly their motives. Along with the certain qualities of every character comes the ethos, pathos, and logos. Ethos which stands for the goodness of a film and/or ethics goes hand in hand with the sender of a film, Pathos which is the passion and emotions of a film which goes hand in hand with the receiver, and lastly the logos which is the logic/information that sends a message. Each rhetoric sends a message and surely puts a movie together.

1. What are the main themes, politically and socially, that are portrayed in the film?

This film was based on the time period, as Calvert describes it in The Myth Of The Old South, downloaded May 8, of the Antebellum South, filled with large, prosperous plantations and big white, columned houses. In the Old South, before any equal protection laws were ratified, slavery was a central and important part of

The creative and unique style which Wells chooses facilitate the reader in capturing the true message without wasting time with character descriptions. Through the series of letters written to other characters the reader gets a third person voice from the author, but with a first person view from the character. This is fascinating to the reader because it allows the reader to understand and each character individually. The reader is able to see traits that might not be revealed by the book. Wells lets us into a few of the quirks in the characters' personalities through a sequence of letters. The Ya-Ya's are all off to see the opening of "Gone With the Wind" in Atlanta, during the time period this is a big event. Vivi writes and tells the reader one of her secrets which helps us to look at her on the inside, "My secret dream is to meet Margaret Mitchell. Don't tell anybody but it is my secret plan to get her

There are many characteristics that contribute to the Classic Hollywood film score. Gone With The Wind serves as a paradigm, which means a distinct pattern of model of the classic Hollywood film score because it possess the qualities and characteristics of the film score throughout the story. First being that most often they employ well-known melodies such as “Dixie” and them famous “Tara” theme which is one of the most distinctive themes in the story. Also, another characteristic is that the film

Disher demonstrates isolation of the ethnic groups and the regional and urban divide present in The Divine Wind through the beliefs, experiences, and values of the Killian family and Hartley Penrose. Both culturally and geographically isolated from the rest of Australia, the people of Northern and Central Australia, specifically Broome felt ignored, misunderstood, and misconstrued by the urban South. This is an ongoing theme in Australia. They resented interference from the federal government. The North feared invasion from Japanese and argued that Australia would perish if the North and the Centre were not populated and developed. Racism was intrinsic, with the Aborigines seen either as treacherous or lazy or as childlike and in need of protection. White Australians were the minority and their high statuses were a scant consolation when they were vastly outnumbered by a diverse range of cultures, the Japanese, Malays, and other South East Asians. Although, the minority, the white residents felt as if they had a power of the other ethnicities. Therefore, opening segregated cinemas, a Register of Aliens, and a clear but unofficial racial hierarchy. Their geographical isolation led to specific cultures, views, and beliefs on race. The regional and urban divide was evident when Jaimie Kilian’s wealthy urban family arrived in Broome. Jaimie felt entitled as his father was the new magistrate in town, he was arrogant and opinionated towards the regional community. When Hart offered his friendship, Kilian responded by saying “I don’t need any friends. “He walked as if he had owned the town.” Jamie enjoyed having an edge over Hart, he felt entitled as he was an urban elite. “Jamie was competitive. In almost everything you could name, Jamie was better than me…We were opposites.” Hart displayed what many felt about the new family from the Urban South. “I envied him, I was jealous, I pitied myself.”

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

Throughout the twentieth century, numerous dramas that were written in the United States presented ideas and situations that had the purpose of changing a reader’s attitude towards a specific subject. This is the case of the play “Inherit the Wind”, a piece written by the playwrights Jerome Lawrence and Robert E. Lee. Throughout the years, many literary scholars have argued whether or not “freedom of thought” has stood as a predominant theme in the play. While this issue may bring about countless debates, my respect towards others’ viewpoints has allowed me to pick a side and to defend it with textual evidence from the play itself. From my perspective, the main theme in Inherit the Wind is freedom of thought.

Written by Jerome Lawrence and Robert E. Lee, the play Inherit the Wind is a fictitious spin off of the historical Scopes Monkey Trial of 1925, which hotly debated the concept of evolutionism vs. creationism and, in general, a person’s right to think. Overall this play shows the growth of many different types of characters. One of these characters would be Rachel Brown, the reverend's’ daughter, as well as Bert Cates love interest. She is torn between her love for Bert and her loyalty to her father, the Reverend Jeremiah Brown. At the beginning of the play she fears her father and follows only what he says. As the play progresses Rachel becomes more confidant and starts to think for herself. By the end of the play she has created her own identity and completely separates herself from her father.

change how people saw the "Old South". This movie quickly became a smash hit and went on to become the #1 movie of all time and still holds the title, as we were reminded of at the Oscars last year. The movie was "Gone with the Wind". It was directed by Victor Fleming, and based off of the book written by Margaret Mitchell. This movie was made to portray one of the most difficult times in American History, and it shows the struggle America went through during the

Gone with the Wind is one of my favorite love stories of all time. Margaret Mitchell wrote the beautiful story in 1928 and first published in 1936. The book is one of the best-selling novels to this date. Shortly after the book was published, it sold over one million copies within six months, as well as being awarded the Pulitzer Prize. The book immediately caught the eye of a young producer named David O. Selznick who immediately purchased the film rights for $50,000. The movie was just as big of a hit as the novel. Gone with the Wind won ten Academy Awards out of thirteen nominations. By today’s box office records, after adjusting for inflation, Gone with the Wind is still the most successful film in box office history. (IMdB) This

Throughout Gone with the Wind, a 1932 film directed by Victor Fleming, blacks are shown as joyful employees who are loyal to their authorities, even though they were servants. This was deemed as completely normal during this period, even though it was not. Although the blacks were not treated fairly in any way—rarely being acknowledged, for example,—they wanted to stay with Scarlett. In addition, an array of blacks were looked down on when they chose to seek their freedom.