Good And Evil Are Often Seen In Shades Of Black And White

While attempting to uncover the meaning of life and death, and though he believed his experiments would further the paths of science, Victor fails to see the potential consequences of “bestowing animation upon lifeless matter” (Shelley 37). This, in turn, creates a monster. After his “great” experiment, Victor spends his life in grief. Despite this, he manages to belittle his creation, and act superior to him, claiming that “I [Victor] will not hear you. There can be no community between you [the creature] and me; we are enemies” (Shelley 84). Even later on, when assured by the creature himself that Victor would be left alone if he creates a female counterpart, Victor cannot see past the shreds of pride he has left and refuses, causing the death of his family and loved ones. It’s Victor’s pride and his fear of the creature that clouds his judgement and in the end leads to his

Victor Frankenstein’s moral ambiguity lies in good intentions with bad results. Victor evolves from an intellectually curious, innocent and blameless man to being remorseful, secluded and obsessed with the

Victor decides, when he is nearly finished building the second creature, that he does not actually want the two creatures to run off and be happy. At least, that was the reason Victor gave, but his ulterior motive for destroying the female creature was actually to keep the original male creature all for himself. Victor understands that if he were to obey the creature and create it a spouse he may never see the creature and live out his sexual fantasies with it. However, Victor’s dream of loving the creature sexually is impractical because the creature is clearly

Due to Victor’s unwillingness to accept him, the creature was unable to conform to societal norms. From the creature’s very first moments, he is feared by others - the instant his eyes open, his creator cries out in terror and runs to his quarters. If only Victor had stayed and attempted to nurture his creation, instead of having “turned from [him] in disgust” (93), the creature may have enjoyed a gentle, upbringing in which he

A morally ambiguous character is a character whose behavior discourages readers from identifying them as either purely good or purely evil. The creature brought into being by Victor Frankenstein is the principle morally ambiguous character in Mary Shelley's "Frankenstein" which is demonstrated through the sympathy that the reader feels at the moment of his creation and instantaneous abandonment, his present but questionable morals, and the feelings of immediate hatred that the reader has towards him as he slaughters everyone that Victor cares about. The creature, or monster as he is referred to in much of the novel, has guilt piled

At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.

He was brought into the world with no one to give him knowledge, support, and guidance. He was completely deserted by his creator. When he tried to make friends, everyone either ran away from him or tried to kill him. Calridge states, “At the time of his first violent act, he is merely seeking fellowship with another human, and he assumes little William, the “beautiful child” so unlike himself, to be too young to have formed prejudices based on appearance. Enraged to the point of murder…” This statement shows how everything the creature feels or does stems back to Victor. If Victor had just accepted and loved his creature for what he was, then he wouldn’t have killed little William or any of Victor’s other loved ones. His rejection and misfortune was not caused by his actions, but rather his appearance, a physical trait that Victor had created and the creature could not change. The creature's problem was that he was “ugly” and “deformed”, but he did not choose to be physically deformed. Victor created him that way. Thus, Victor is ultimately responsible for the creature's rejection.

In the novel, Frankenstein, by Mary Shelley, the character Victor Frankenstein can not be identified as purely evil or purely good. An interest in science leads Victor to create an evil monster, however midway through the book Victor develops sentimental feelings for the monster, even though he has committed many acts of pure evil. Victor abandons the monster which contributes to the overall theme, regarding nurture vs. nature. Throughout the novel, Victor is faced with challenges and hardships as a child that causes his character to become morally ambiguous.

In Mary Shelley’s book Frankenstein the creature created by Victor Frankenstein is often misunderstood and mistreated because of his appearance. The people around him around him hurt him and make him filled with anger, causing the creature’s character to flip and out lash and swear vengeance on anyone he sees. This makes the reader see the creature as a morally ambiguous character because he constantly switches between both categories of good and evil. The creature being an ambiguous character helps support the meaning of the work as a whole which is good character can be manipulated by outside forces.

The enormous difference in the way Victor views the creature before and after its completion shows that he has an altered state of mind while he works on it. As a result of Victor’s secrecy about his creation, he sacrifices his health and happiness to make a creature that disgusts him.

	Near the end of the novel, the Monster requests from Victor to create for him, a female counterpart. When the Monster says, "You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I do demand it of you as a right which you must not refuse to concede"(140). The Monsters longing for a person he can communicate with is very important. It

Victor Frankenstein is in many ways more monstrous than the monster he created. Victor and his creation demonstrate a thesis-antithesis correspondence wherein they reflect opposite character traits. Victor has no sense of empathy or compassion, whereas the monster, although hideous and rejected by society as an outcast, has

One of the threats of creating a mate for the monster lies in the female’s physical ability to procreate. Victor is afraid that the female and the monster will produce children, with or without his approval. Through her feminine body, the female could unleash "a race of devils … who might make the very existence of the species of man a condition precarious and full of terror" (Shelley 144). She is the crucial element in naturally bringing about such offspring, for without the female, the monster is rendered impotent, unable to cause any more harm than he alone can inflict. If the female chooses to accept the role as mother and mate, together she and the monster can produce a generation of offspring taught to despise mankind as deeply as their predecessors. Victor recognizes the power the female has over man solely through her ability to bear children, because through this ability the female can do just as Victor does -- create life, naturally

The monster believed that Victor would accept him, but after he realized that not only did Victor not want to assume his position in the monster’s life, but society also rejected him, it became a transitory thought, and instead became replaced with his bloodthirst towards Victor and his loved ones, which he knew would hurt way worse than just killing him; making him lonely like himself. Both Victor and the monster partook in horrid acts, in which held horrendous actions; the main one being Victor creating the monster in the first place which in result caused the both of them heartbreak, loneliness, and pain. If Victor wouldn’t have created the monster, then his life would not be filled with so much grief and emptiness; Victor is the true monster, although they are both the primal protagonists as much as they are the antagonists because of the display of the emotions they both portray as lamenting humans/monsters, and the power they give to nature in order to destroy one another. Victor used nature to his advantage, although it was wrong; Victor used nature to create and destroy the monster; he used the

The creature is renounced by Victor throughout the book, which removes any positive role model that the creature might have had. The two encounters that Victor has with the creature when it is first created are evidence of his rejection. The first is when Victor finishes creating the creature. During the process of creation, Victor dedicates himself so greatly that he "pursued [his] undertaking with unremitting ardour" (32). He puts aside everything else in his life, and concentrates completely on his purpose, which is to bring a being to life that would serve him. In order to do so, he spent an entire summer "engaged, heart and soul, in one pursuit" (32). Because of the hard work that Victor puts into his work of creation, he never really examines the fruits of his labour. He is too caught up in his work, and has "lost all soul or sensation but for this one pursuit" (32) of finishing his work on making the creature. So in the process of his creation, Victor is never really aware of what he is creating because he is too focused on the actual act of creation. However, when Victor finally finishes the work of making the creature, and takes time to look at what he has done, he is horrified by his accomplishment. As the creation opens an eye, and