Good And Evil In Macbeth

Shakespeare's play Macbeth shows the roots of all evil, our own human nature. The play is centered on the coexistence of good and evil. Macbeth, unlike any other Shakespeare play has the protagonist convert to evil. In the beginning of the play, Macbeth is shown as a hero in the Scottish army, that is ironic because Macbeth defeats a traitor and he himself becomes one later. Macbeth knows his place in the world. He is fully capable of distinguishing between right and wrong. Macbeth purposely disregards his own moral judgment to rise to power which is again ironic and goes against his own beliefs. Macbeth stands as a symbol for Satan's sin of ambition. Like Satan, Macbeth's thirst for power and ambition drives him to commit evil.Contrary to

“Fair is foul, and foul is fair. Hover through the fog and filthy air” (Shakespeare Act I Scene I 12-13). The Weïrd Sisters utter these lines in unison in the first scene of the play. Shakespeare thus establishes the backdrop for a story full of paradoxes and mysticism. Not all is how it appears to be. Deceit and betrayal take center stage in the play, paving the way for Macbeth’s ascendancy to kingship, and eventual downfall. Good versus evil is present in nearly every scene. As in most literary works, the author develops different themes expressed in various ways. Symbolism is often the most effective way to express central themes. In Macbeth, Shakespeare creates contrast to effectively strengthen the overriding message of good versus evil.

Despite his fearless character in battle, Macbeth is concerned by the prophecies of the Witches, and his thoughts remain confused, both before, during, and after his murder of King Duncan. When Duncan announces that he intends the kingdom to pass to his son Malcolm, Macbeth appears frustrated. When he is about to commit the murder, he undergoes terrible pangs of conscience. Macbeth is at his most human and considerate when his masculinity is ridiculed and degraded by his wife. However, Macbeth has resolved himself into a far more stereotypical villain and asserts his manliness over that of his wife. His ambition now begins to spur him toward further horrible deeds, and he starts to disregard and even to challenge fate. Nevertheless, the newfound resolve causes Macbeth to move onward.

Macbeth has done the worst of the worst, and no one will forgive him for all that he has committed. Macbeth realizes that he cannot win this battle unless he continues on this path of killing those who get in his way. A killer sense has been born unto Macbeth, and he no longer needs Lady Macbeth to criticize him into carrying out murderous deeds. Macbeth cannot handle the guilt that taking human lives has on him, but he continues this terrible cycle of killing. Macbeth is left to his own treacherous mind that will eventually be the reason for his fall as King, and the reason for the death of his own

Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.

With attention to the murder of King Duncan, Macbeth struggles with the morality of his actions. Before the murder takes place, Macbeth begins to believe that the murder will “be the be-all and the end-all” to his clear conscious and would risk him to eternal damnation (Act I, line 5). Yet, the murder would bring him power over Scotland and he “shalt be kind” as told by the Weird Sisters(Act 1, line 50). Macbeth goes off of his ambition to murder King Duncan. The internal struggle of choosing mortality over motives brought forth an intense shift of loyalty to betrayal. The murder caused for Macbeth to turn on Scotland and only care for his own selfish motives. The betrayal causes for the play to become horrific and have a double meaning. Macbeth must put on a face to hide his murder to become the king. The double meaning is how Macbeth looks like a hero to all of Scotland, but only the people on the inside know of his horrific actions. He had to murder to to get the position of King, but the

3. 157-159) Macbeth’s arrogance is made apparent with the immediacy of his thoughts of becoming king and it is clear that the supernatural has given him arrogant ambition as Macbeth is already beginning to think of how he will be crowned king. Macbeth eventually decides he will show his “Black and deep desires” (1. 4. 58) and murder Duncan, the current king of Scotland. This is a shift from Macbeth showing loyalty to Scotland and the king as he now has arrogantly, for the benefit of himself becoming king, murdered Duncan, the king of Scotland. Duncan was greatly admired and respected by the population of Scotland. Macbeth himself describes Duncan as “meek” (1. 7. 17) and being “so clear in his great office” (1. 7. 18). When Macduff first realizes the death of Duncan, he describes the scene as: “O horror, horror, horror!” (2. 3. 73) Macbeth acknowledges that the reaction to Duncan’s death would be mournful before murdering him: “Pity… / Shall blow the horrid deed in every eye, / That tears shall drown the wind” (1.7. 21-25). However, Macbeth’s only goal is to become king, not to please the population of Scotland who admires their king greatly and sees him as a righteous person. After tempting Macbeth with the idea of becoming king, the supernatural gives Macbeth arrogant ambition, forcing him to contrast his loyal and courageous personality, which motivates him to kill Duncan.

Though Macbeth was in full control of his actions throughout the play, his actions only had a subsidiary input towards his downfall. Macbeth never truly imagined or executed any of his actions within the play without them being intervened by other characters. Initially in the play he is described as a “Valiant cousin!” and a “Worthy gentleman!” who deserves that reputation. However that vision of greatness soon comes to an

Macbeth, a tragedy written by William Shakespeare, explores the evil nature that is inherent in people and the consequences when it is allowed to run rampant. This tragedy presents the evil that is inside every person and tells the story through the eyes of the person who chooses to give in to its actions. Macbeth presents the inner nature of man as something that can be nurtured and that can corrupt people’s character.

Macbeth who committed a sin by murdering King Duncan and taking the throne gets overwhelmed with guilt as his life progresses as King. By becoming King, he is engulfed with power, but he was never happy about the position he held. The guilt of taking King Duncan’s power has to lead him to be unsatisfied with his wealth since he didn’t truly deserve it. His ambition for the gain of power prevailed when he decided to murder King Duncan causing him to be more ambitious for power in the form of killing. By seeing the ghost of Banquo and hiding the death of King Duncan makes Macbeth mentally unstable and causes him to make irrational acts of killing and decision making, such as to kill Macduff’s family solely on the reason that he’s afraid of Macduff. Both Lady Macbeth and the Witches try to control Macbeth through persuasion, prophecies, and apparitions lead to Macbeth being unsatisfied with his doings and his murders because Macbeth believes that there is always more power to gain from killing. In Macbeth, the symbol of guilt is shown through the substance of blood that is portrayed by

Macbeth’s mental and moral deterioration throughout the play engages the audience illustrating how guilt overwhelms his conscience He believes he hears voices crying “Macbeth has murdered sleep” this demonstrates how he is battling against his morals and his ambition. His good qualities are battling his bad thoughts and this is the main reason for his mental downfall which makes for a deeply engaging plot. Macbeth goes from being a man of bravery, strength, honour yet he slowly loses these qualities. He once believed that killing a good man was an evil, un-worthy thing to do yet by the end of the play he is killing the people he once had close relationships with to get himself out of the mess that was dragging him deeper into despair and tragedy. This process is enthralling for the audience who cannot resist watching him go to any length to save himself as his morals go into deep decline. Ambition has completely taken over him in the soliloquy in which he states; “I have no spur to prick the sides of my intent, but only Vaulting ambition, which o’erleap itself and falls on the other.” In this instance Macbeth is interesting because he realises that the only thing that is making him want to kill Duncan is

Throughout the play his character shows constant changes in his humanity. Numerous times in the play he shows both his immoral and virtuous sides, usually in the form of his conscience. His inner struggle is immediately evident in the first scene, when we are given two seemingly contradictory impressions of Macbeth. The first is created by the witches in the initial scene; the fact that they speak of him, mars our previously untainted opinion of him. His character is blemished simply through his brief association with the witches - "There to meet with Macbeth".

The witches cannot be blamed, nor Lady Macbeth, for Macbeth himself acting on his ambition and making his desires become reality. When the witches tell Macbeth of his future, his first thought is how murdering Duncan would be "fantastical". This shows that Macbeth is prepared to kill simply to climb the hierarchy. Although the witches give predictions and Lady Macbeth persuades him, neither have actual control over Macbeth. He recognises that he is "so far" in blood but instead of changing his ways, he decides that it would be "tedious" and pointless. He realises after killing many people, he can never go back to the man he was before. His ambition continues to drive him forward and he embraces evil. Macbeth chooses not to tell his wife about his plans and slowly begins to cut off connection to her. Even when she dies, he shows little remorse by saying "she should have died hereafter". This demonstrates that he has little human emotion left. By the end of the play, Macbeth has fallen from a hero to a

Good and evil are symbolized by light and darkness in the play Macbeth, by William Shakespeare. When there is peace and good, Shakespeare mentions light; whether if it is the sun shining brightly or merely a candle giving light. On the other hand, when there is evil and disorder, he mentions darkness; a shadow or a horrible thunderstorm. Witches are known for evil, chaos, and conflict. Since Witches are known to be evil, whenever they appear, the weather is usually horrible. Shakespeare utilizes light and darkness in order to portray when good or evil will take place.

right to rule directly from God”, as J Schapiro states in “Divine Rights of Kings.” (Schapiro 198)