Good Country People Symbolism

The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.

“Good Country People” by Flannery O’Connor is a short story told in third person omniscient point of view. The story contains a lot of irony, symbolism, imagery, and many more literary devices. Flannery O’Connor’s purpose was to demonstrate how “good country people” are not so “good.” Instead, they were categorized as “trash” and “good.” The short story interprets how the characters are contradictory and how women are portrayed in 1955 as well as today’s society.

Everyone wants to believe that they are beautiful. For this reason, we tend to seek out that approval from others including our parents, friends, and other loved ones. Flannery O'Connor's story, "Good Country People," focuses on this particular theme. In her narrative, a young girl named Joy Hopewell longs for her mother's approval. When she does not find it, Joy begins to believe that she is unworthy of anyone's admiration. This basic premise allows for Manley Pointer to easily win Joy's trust. Flannery O'Connor includes this string of events in order to show the significant role parents play in developing their children's self-esteem, as well as reveal that even though Joy Hopewell begins to believe that she is not beautiful, she

Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.

Mary Flannery O’Connor is considered one of the most successful short story writers in history. She composed her works during a period of prosperity and economic boom following World War II. Although the economy was thriving, the 1950’s were a period of struggle for women’s rights, as well as other minorities. (Digital History) Based on her success, one could conclude O’Connor exceeded all barriers against women during the fifties. Flannery O’Connor’s life experiences based on her faith, her novels, and the time period of the 1950’s contribute to her unique writing style.

To the casual reader, the writing of Flannery O'Connor can seem cold and void of emotion. Her storylines are like a misty fog in the dead of winter, enveloping the reader with a harsh even violent atmosphere. Her short stories regularly end in traumatic, freak deaths or, at the very least, a character's emotional destruction. An analysis of “Greenleaf,” “Everything that Rises Must Converge,” or “A Good Man is Hard to Find,” will leave the reader feeling empty. The imagination of the reader is not engaged on any level. There is an under current of anti-religion which is intensified by cruelty. O’Connor’s writing is filled with symbolism which is camouflaged by her writing style. Although her writing style is not considered by experts as

Flannery O’Connor’s work opens up wide doors and gives direct access to the true heart

Flannery O’Connor introduces her reader’s too unique short stories. They are “Good Country People” and “A Good Man is Hard to Find”, having too similar characters in different setting, but with the same symbolic meaning. The comparison between Hugla from “Good Country People” to the grandmother in “A Good Man Is Hard to find” is interesting, because they both suffer the same fate. In every short story O’Connor has created a intellectual individual who comes to a realization that their beliefs in there ability to control their lives and the lives of other are false. They enviably become the vulnerable, whereas they assumed it would be different. O’Connor has placed two misguide characters, that deem themselves to be manipulative and compulsive. At the end up of each short story they become vulnerable. Hugla from “Good Country People” and the grandmother from “A Good

Every writer has their own story and because of said story, it has an impact on who they are and how they think. In turn, this leads the writer into unraveling their writing style and, in an artistic way, write out their feelings in the form of a poem or story. We see this in the case of almost every writer, but as of now we 're only going to look at Mary Flannery O '- Connor. A major theme that reoccurs in much of Flannery O 'Connors work is her strong dis- like for the worlds current state, as in the condition of our world 's morality and values. Let 's see some examples in her work that support this thesis.

Literary devices are used periodically in the three stories to help the story create an image. Symbolism is used in Good Country People because Hulga’s artificial leg. Her leg stands as a representation of her broken identity from when she got shot. It represents that she does not feel pretty or have any self esteem for herself. Arturo’s flight uses imagery as a literary device. The author visually describes Arturo’s punk look. Arturo states himself as having a spiked purple hair and leather stage and creating a vivid picture to the reader. An allegory in Chrysanthemums are the flowers themselves. They represent Elisa’s strength within herself and the way she gardens them. The chrysanthemums also represents her feelings as the flowers are

The short story "Greenleaf" shows us some of the central themes of Flannery O'Connor's literary work.

O’Connor borrowed these characteristics from her life and used them in the complex characters she would later create. Her Catholic faith is another point that drove O’Connor’s writing, especially given that she grew up in a Protestant-majority region. “Flannery O'Connor put much conscious thought into her dual role of Catholic and fiction writer” (Galloway). Her devout faith plays a huge role in her writing, as most of her characters grapple with salvation and grace. O’Connor’s influences in life were so powerful, they became the same topics that impacted her philosophy in writing.

Upon initially reading Flannery O’Connor’s work, one would have no problem recognizing her use of shocking, violent, or despairing themes. It may not be as easy, however, to completely accept or understand her style. According to Patrick Galloway, one must be “initiated to her trademarks when reading any of her two novels or thirty-two short stories (1).In many of her works, she paradoxically uses styles that are grotesque and brutal to illustrate themes of grace and self-actualization. As O’Connor herself says, “I have found that violence is strangely capable of returning my characters to reality and preparing them to

In each of Flannery O’Connor’s stories there is a very different perspectives in the stories also in the different time periods. Each of these women bring a very different look on life. This is not always a good thing. We see that some of these women only want to dwell in the past, to never move forward, always hoping to move backwards instead. They are still living in the past because the present and the future seem scary. O’Connor introduces Mrs. Hopewell, the Grandmother, and Julian’s Mother who are main characters in her stories. Each of these women believe in something that does not exist anymore. O’Connor does not allow us the privilege of knowing their first name or even much about these ladies. Each of these women show people their southern take on the world which conveys an extremely patronizing attitude on life. Their world is changing and if they wanted to they could have grabbed ahold of it. They have a chance to explore these new changes although they seem unwilling. The O’Connor’s stories we see Mrs. Hopewell as a petty and condescending woman , the Grandmother as a

Flannery O’connor is one of the most shinning stars in American literature. Her distinct writing style makes her work recognizable and outstanding from other literature works. Many critics have commented on Flannery O’connor’s narrative voice. Louise Blackwell discovers Miss O’Connor often wrote according to southern tradition by using symbols in people’s daily life to convey the theme in a more profound way. From the perspective of the O’connor’s writing technique, Shirley Foster speaks highly of Miss O’connor’s works: O’connor’s skilled technique establishes the complicity between the readers and narrators. These two evaluations reveal the most important characteristics of Flannery O’connor’s works, directing readers to understand O’connor’s works much easier. Readers can understand the two critics’ comments by exploring the special narrative voices in Flannery O’connor’s well- known stories: “ Everything That Rises Must Converge” and “A Good Man is Hard to Find”.