Good Morning Midnight: Sasha’s Hopelessness as Survival Essay

Suicide can sometimes feel like the only way to pacify the pain. It is as if something is eating away parts of you slowly and intently and the only way to relieve the constant pain, is to die. Tiffany Hunter and Pierre L’errant are two very different characters with both equally unique yet queer personalities. Although Pierre and Tiffany are not the best of friends, their contrasting characteristics somehow complement each other. They both have similarities in their plans of suicide as well as differences that help them make the correct decision on where they want their life to go in future. Although they both made different decisions at the end, they assisted each other to settle on the right choice. Drew Hayden Taylor develops a theme of despondency and isolation from peers and loved ones in the novel “The Night Wanderer.”

Waking up one morning thinking you are going to die can be very life changing, but not for Leah Levitawitz, a woman who is so miserable with her life that the sign of death does not faze her. By Leah being stuck in her old ways makes her bitter towards the world. Leah once thought of the world as a dark place, being unhappy, bitter, and resenting the people who had helped her; but had a change of heart once the warehouse was moved and the window was fixed. In the story, “Windows,” written by Bernice Morgan, Morgan demonstrates how being stuck in the past can have a negative effect in the present.

“You may not control all the events that happen to you, but you can decide not to be reduced by them”, says Maya Angelou, an American poet, memoirist, and civil rights activist. This quote reflects to Sarah’s journey in the novel Sarah’s Key by Tatiana De Rosnay, since the main character, Sarah, faces events that affect her well being, as they make her both weaker and stronger. These events causes her to lose her innocence, makes her persistent, and then eventually drives her to be pessimistic. Sarah experiences traumatic events through her journey, which leads her to change both in a positive and negative way.

The imagery causes this feeling to seem tangible to the reader, together with using imagery to accentuate the grimy environment, lack of safety and eerie mood. The “strange light, the colour of an egg yolk” (p. 302) is very pictorial. This visual imagery allows the reader to clearly picture the yellow light bathing the lounge, in the same way the atmosphere of eeriness and gloom is highlighted. The smell “of dust and turpentine” (p. 302), is another description, this time olfactory, that feels extremely real. As the reader, you can feel the musty, chemical filled air burn your nostrils. It’s as though you are right there beside Charlie in the dusty, rundown

“A Sorrowful Woman” features a superficially simple narration style. “Now the days were too short. She was always busy,” Stylistically clipped, with a clear passive, detached, voice the narration style seems to be a banal, unimportant feature of the text. Yet the exact mendacity that prompts this description actually serves as a prerequisite to developing an understanding for the principal character’s mindset, and consequently the theme of the text. The last passage contains numerous examples of detached narration but the clearest occurs when “She was always busy. She woke with the first bird. Worked till the sun set. No time for hair brushing. Her fingers raced the hours.” The concise, third person narration in this segment allows the reader to experience the slightly off viewpoint of ‘the mother.’ Specifically, given the lack of motivation present through the text coupled with the concluding suicide it becomes evident in the text that ‘the mother’ is suffering from depression. Given the societal stigma surrounding mental illness authors generally face an uphill

Although some people react dramatically when facing a situation, after reflecting on their initial reactions, their previous emotions may be affected by a previously unknown feeling of freedom. In Kate Chopin’s short story, “The Story of an Hour”, the protagonist, Mrs. Mallard, receives some sad news. Initially, Mrs. Mallard reacts with great sadness over the news of her husband’s death. As the story progresses, Mrs. Mallard begins to reflect on her previous emotions alone and begins to develop her true emotions towards her husband’s death. Finally, Mrs. Mallard realizes that the wonderful feelings of individual freedom overpower her feelings of sadness. Therefore, although Mrs. Mallard reacts with sadness over the death of her husband, Brently, after reflecting on her previous emotions, she discovers that the feelings of individual freedom overtake the relationship with her husband.

Though the viewers focus first on the centered figures, it is easier to first analyze the surrounding settings to understand them. The stone wall foreground and the open fields of the background each embodies one of the girl’s thoughts. The back landscape is filled with warm, airy colors of blue and orange, as if it were under a bright sun. On the other hand, the foreground’s stone walls and concrete floor has dark, cold, shadowy, earthy colors that seem to appear as if under a stormy cloud. The sunny land suggests free, pure, spacious land previous to the industrialization. Yet, the darkened foreground due to the overcasting shadows resemble the currently dirty,

She was alone, she was scared, she had no idea that her normal life would be taken away for the next eighteen years… and hope is the sole reason that she survived it. For kidnap victim, Jaycee Dugard, the word “hope” brings back a flood of emotions and memories. In her chilling memoir, “A Stolen Life”, she describes a very personal experience in which she encountered at age eleven, where she soon learned just how important hope was. Dugard never saw it coming when a man named Phillip Garrido stole her from that bus stop on just another normal morning… or so she thought. Soon after, he took her away and held her hostage in his backyard for almost two decades. Interestingly enough, she has miraculously turned this cruel situation into a very inspiring story. Therefore, she proves to us that even if you’re living out your worst nightmare, you still have something to live for. For this reason, Dugard puts together a descriptive setting, her absurd relationship with her abductor, and personal symbols to illustrate how just a little hope can be the essence of surviving any situation life throws at you.

The story of an hour by Kate Chopin introduces us to Mrs. Mallard as she reacts to her husband’s death. In this short story, Chopin portrays the complexity of Mrs. Mallard’s emotions as she is saddened yet joyful of her loss. Kate Chopin’s “The Story of an Hour” argues that an individual discover their self-identity only after being freed from confinement. The story also argues that freedom is a very powerful force that affects mental or emotional state of a person. The story finally argues that only through death can one be finally freed.

Kate Chopin’s novel The Awakening expresses the difficulty of finding a woman’s place in society. Edna learns of new ideas such as freedom and independence while vacationing in Grand Isle. Faced with a choice to conform to society’s expectations or to obey personal desires for independence, Edna Pontellier realizes that either option will result in dissatisfaction. Thus, Edna’s awakening in Grand Isle leads to her suicide.

In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.

These "things" are sinister vestiges of ancestry in the natural history of this supposed nursery: barred windows and rings mounted on the wall are more evocative of imprisonment and even torture than they are of children's recreation. Other signs of duress that emerge-the gnawed bedstead, the wallpaper that is stripped at arm's length around the bed, the "smooch" of a shoulder rubbed "round and round and round" at the base of the wall-are all evidence of the behavior of the room's earlier inhabitants and provide evidence of previous habitat adaption for the narrator to study. The feature that is most immediately provocative, and initially aversive, is the room's wallpaper, which appears to grow in fetid ribbons. First the narrator sees only curves in the pattern, but then she finds they "commit suicide" by their motion, and soon she fills the curves with human features-"two bulbous eyes" (6) that have a "vicious influence" (7). Thus far she is resisting her surroundings, pitting herself against its energies and apart from the system of the room.

In both Elizabeth Bishop’s “In the Waiting Room” and Clarice Lispector’s “The Daydreams of a Drunk Woman”, we are exposed to speakers who, through an epiphany of their role in existence, discover a sense of self. With the geographic difference between Bishop and Lispector, and yet such similar themes, it could be contended that their writings are evidence that both existentialism and exploration of the image of one’s self are major themes in twentieth century literary writing and thought.

In the short yet complex work “The Story of an Hour” by Kate Chopin, readers see a woman who goes through a complete spectrum of emotions in the short span of an hour. When the main character learns that her husband is dead, like most, she is shocked and utterly filled with grief. As the story continues, a dramatic change takes place within the mind of the main character, Louise. Upon the conclusion of her natural, wifely grief, she realizes that she is finally out from under the grasp of her husband and is now a free woman in a time when men dominated life at home and the goings on of society. Through his death, Louise finds the opportunity to be born again. Many of the emotions that the main character goes through are depicted through the imagery of her constantly changing environment, and the author specifically uses the architecture of her home as a main tool. In the story, the use of visual imagery projects the rise and fall of the main character as her life transitions quickly back and forth. Through an analysis of her characterization, these changes ultimately prove too much for her to handle. In Chopin’s “The Story of an Hour,” a character analysis can be performed based on the changes in her environment compared to the changes in her life situation. The layout of the world around Louise is used to show her initial grief, sudden realization of freedom, and her gateway to a new life free from oppression of men.

In Joyce’s, “Eveline”, most of the story is situated in the mind of the main character, Eveline. Eveline is characterized as passive, easily-influenced, and indecisive. Joyce highlights Eveline’s indecisiveness as she struggles with her immediate predicament; should she leave her abusive father and disobey her duty as a daughter, or pursue a new life with her potential husband Frank, to be free? As she contemplates, readers are taken inside Eveline’s mind to discover factors from her past and present that contribute toward her final decision. While Joyce utilizes rich literary devices including symbolism and dramatic irony, Eveline’s final choice is based on what is repressed in her unconscious mind – her mother’s last words. Eveline’s mother’s last word “Derevuan Seraun” is the deciding factor in which why Eveline chooses stays home.