Our world is founded on good and evil. Humans have grabbed hold of these abstract principles, interpreted them into foundations of government and religion. But there is still a powerful need to understand good and evil, to know whether our world is controlled by gods and goddess, animals, the sun, every single human on earth or nothing at all. With so many ways to interpret our existence, there are billions of ideas, ranging from the inanely simple to the thoroughly convoluted. But Robert Frost’s theory, published in the early 1900s, remains one of the most compelling. In his poem Design, Frost illustrates the contrast between evil the good in nature, and offers his own commentary as to who is truly in control.
In the first stanza,
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But many people do not view a spider as harmless and innocent; instead, its many legs appear grotesque and frightening. This view has gained momentum throughout generations of Western culture, and a spider is now seen as a creature of the Devil. “Dimpled”, “fat” and “white” are clearly an inappropriate description of Satan, and the disparity between good and evil only increases in the following lines. As the speaker continues, “On a white heal-all, holding up a moth”, the reader is drawn to the repetition of the color white (2). In questioning the color’s meaning, the negative archetypal definition of coldness and indifference gains significance. And since the spider would be “holding up the moth” in preparation to eat it, its coloring might indicate heartlessness rather than innocence. Similarly, the coloring of the heal-all may show a sense of hostility akin to the spider, or it may represent its purity and beauty. The different meanings, reflecting the theme of good versus evil, can be interpreted differently at each stage of the poem. In the following line, “Like a white piece of rigid satin cloth,” the description of the moth offers more contradictions (3). Satin is a full, flowing fabric, and it would only be described as rigid if it was sewn to something else. Perhaps the simile is describing the satin moth being captured by the spider. The color of the moth would then represent its innocence, while the white
Good v. Evil, it’s way more than just a concept, it’s more of a lifelong struggle inside of you. What more could you do when evil is shown all around you? Many of us may see the struggle between good and evil in the people we come across everyday. Flawed individuals may be perceived as good but are bad in the eyes of someone else; it all comes down to how you see it. The exposure to things and memories you make help impact the good in you. In order to further evaluate the argument of how good can come out of evil and good can show up even when it’s not right in front of you, can be shown in both William Golding’s novel Lord of the flies and the Anonymous Anglo-Saxon poem of Beowulf. This essay asserts that,
In the play Billy Budd, the author, Hermann Melvinne, creates two conflicting character personalities which are portrayed as good and evil. John Claggart (Master-At-Arms) tries to destroy Billy Budd because he is jealous of Billy’s reputation and acceptance among the crew. There is also a conflict involving Captain Vere when he is forced to decide on the fate of Billy Budd after he kills Claggart.
Robert Frost's Design Robert Frost outlines an ironic and disturbing situation involving a flower, a spider, and a moth in his poem "Design". The poem's text suggests the possibility of an absence of a god, but does no more than simply beg the question, for Frost's speaker does not offer the answer. By examining the events of the poem in the first stanza and the speaker's annotative second stanza, we
Flannery O’Connor shows her readers a realistic look at their own mortality in “A Good Man is Hard to Find.” The story is about a family of five, a father, mother, grandmother, and two children, starting out on a vacation to Florida from Georgia. The family, on their way to a routine vacation, takes a detour that will change their lives forever. Through the use of literary elements like symbolism and characterization, O’Connor creates a theme of good vs. evil, which can be felt throughout the story by tapping into the audience’s emotions.
John Cheever was an award winning American author of the twentieth century. His work often possessed 'psychological and religious vision' with central themes of 'sin, deception, and redemption' (Kennedy, 551). Cheever's short story entitled 'The Five-Forty-Eight' portrays a struggle of good vs. evil. Following the themes of sin, deception, and redemption, we read of a young woman (good) seeking revenge for the evil done to her. Through the course of the story the reader can distinguish between the traits of good and evil.
Can a cow be anything more than a cow, or a wall actually be something other than a wall? Robert Frost, who lived from 1874 to 1963 and was considered one of America’s most eminent poets, demonstrated metaphors frequently within his poems. Readers of Frost’s poetry are often faced with the question, “What is Robert Frost really trying to say?” It is without a shadow of doubt that the American poet had the capability of taking his poetry and turning it into something preternatural, but not without the help of metaphors. Frost elaborated the meaning of metaphor as, “Saying one thing and meaning another, saying one thing in terms of another….” Several pieces of his work provides images such as a cow, a flower, country roads, and a wall that serve as metaphors for larger ideas.
Good and evil are usually difficult to define in real life. However, in a story like The Pearl, a parable, good and evil are presented as easily identifiable symbols. For instance, a mother stealing in order to provide necessities because she can’t afford the necessities portrays good and evil because the items she is stealing are used needed her family, but even though she may think it is not right she is doing it for her family to survive is an act of kindness for her loved ones, and this is not the same case in The Pearl. Good and evil is represented different in the novel, The Pearl by John Steinbeck. In The Pearl, Kino’s songs, the doctor, and the pearl of the world have to deal with good and evil.
In a small rebel held town in Idlib province, the Syrian government used chemical weapons and killed dozens of civilians and injured hundreds more, including children. On April 6th United States President Donald J. Trump sent fifty-nine cruise missiles to an airbase responsible for the attack to protect the people of Syria. In this situation Donald Trump wanted to help the innocent civilians, but also made the United States a target and put the citizens of U.S. at risk. This is a perfect example of good versus evil. Literature writing also uses the theme of good versus evil. In the books The Little Prince by Antoine de Saint-Exupéry and Night by Elie Wiesel the themes of good and evil are developed by showing selfishness and loss.
Robert Frost takes our imagination to a journey through wintertime with 
his two poems "Desert Places" and "Stopping by Woods on a Snowy Evening". These two poems reflect the beautiful scenery that is present in the snow covered woods and awakens us to new feelings. Even though these poems both have winter settings they contain very different tones. One has a feeling of depressing loneliness and the other a feeling of welcome solitude. They show how the same setting can have totally different impacts on a person depending on 
their mindset at the time. These poems are both made up of simple stanzas and diction but they are not straightforward poems.
The battle between good versus evil is a classic battle, and has been shown in many different texts in many different ways. Both Robert Louis Stevenson’s novella Dr. Jekyll and Mr. Hyde and Edgar Allan Poe’s short story “The Tell-Tale Heart” have an overarching theme of good versus evil; however, Stevenson has his characters choose evil, unlike Poe whose character slips into it, also, Stevenson shows the duality of good versus evil in two separate bodies, while Poe has the two sides of human nature inside a single body, although, in both stories the protagonists feel remorse for their actions. The choice between the two sides is a clear difference between the two stories.
The concept of morality plays an important role in human society. Through the discovery of what, exactly, determines that which is “good” and that which is “bad”, humans develop mechanisms that determine how they respond to or judge any given situation. What remains a mystery, however, is what, exactly, is the basis of morals. It is commonly believed that morals are learned through lived experiences, as well as, from those who act as each person’s individual caretaker(s). Even though these factors do play a significant role in determining morality, these factors alone neither create nor determine a person’s moral compass. In Paul Bloom’s work, Just Babies: The Origins of Good and Evil, we are introduced to the idea that morality, while partly learned, is something that is ingrained in humans from birth. Through multiple studies, performed both by Bloom as well as other psychologists, it is revealed that not only are babies able to perceive what is right and what is wrong, but also, from birth, babies are instilled with the innate knowledge of empathizing, valuing fairness and status, and valuing those who look similar versus those who look different. In spite of previous ideas, Bloom proves that babies are smarter than previously thought, while simultaneously recognizing the shortcomings of this “elementary” form of morality. Bloom’s finding prove to be revolutionary, in that they allow for the examination of different social structures, their shortcomings, and what
“The Road Not Taken” and “Nothing Gold Can Stay” are just two of many very famous poems, written by none other than Robert Frost. Robert Frost is a poet that is well known for his poetic contributions to nature, as well as his award winning poems. His poetic ability and knowledge make him an extraordinary author. His past; including schooling, family, and the era in which he wrote influenced nearly all of his poems in some way. This very famous poet contributed to the modernism era, had a family and an interesting life story, and a unique poetic style as well.
In Beyond Good and Evil, Nietzsche discusses how he is not a believer in democracy. The principles of democracy were put together by levelers, or people that believe in democracy. These principles lead to equality that restrains life to one universal truth and Nietzsche did not agree with this idea at all. He believed that these principles caused people to form into one large herd. In this herd, people follow one another with no will to power, which results in the downfall of individual rights and instincts. This makes the herd the definition of morality in society, which Nietzsche disagrees with. But he brings up the idea of neighbor love. Neighbor love is the idea that we are all in one herd so we are all equal which creates us to all
The poem "Design" explores whether the events in nature are simply random occurrences or part of a larger plan by God, and if there's a force that dominates and controls our very existence. On that point both Jere K Huzzard and Everett Carter aggress on. They differ in their interpretations of the poem's ending and what they think Frost wanted to convey with his vague ending. Both agree that the last line of the poem was written in an undefined way with purpose on Frost's side. But each critic poses his own ideas regarding what is the meaning of that line. While Carter examines the whole poem in order to answer this question, Huzzard chose to focus only on the last two lines.
A very interesting point regarding Frost’s relationship with nature is that he views it with ambiguity. Most assume that Frost is a nature lover; however, while this is true in part, Frost also views nature as having the capability of being destructive. Lynen speaks of this duality by saying, “You cannot have one without the other: love of natural beauty and horror at the remoteness and indifference of the physical world are not opposites but different aspects of the same view” (7). On speaking of Frost’s dualistic view of nature, Phillip L. Gerber states, “For nature is hard as she is soft, she can destroy and thwart, disappoint, frustrate, and batter” (132). Robert Frost views nature as an ‘alien force capable of destroying man’, but on the flip side, he also views “man’s struggle with nature as a heroic battle” (quoted in Thompson).