Gothic Architecture in Europe Essay

The time period between 400 AD and 1400 AD was not a Dark Age for Europe and not a time of cultural decay and decline. It was not a Dark Age for the following reasons: Cathedrale Notre Dame’s construction, the laws of currency that were established, and how Europe prospered during this time period. Cathedrale Notre Dame’s construction showed how far culturally Europe got by the late Middle Ages. “Common features of gothic Cathedrals included architectural innovations. (Document G: Gothic Cathedrals)” This piece of text shows me that Europe developed their architectural design; gothic architecture which originated in France.

I do not think that the OT should belittle the OTA as the OTA was probably just afraid they would hurt the child. I do believe that the occupational therapy assistant should have asked for assistance earlier in the therapy if she/he did have concerns. The OT should demonstrate beneficence to the OTA and the patient as it is still a need to be addressed. The OT should explain to the assistant the need of laying prone to and why it is so important to the child. The child may not have the best of insurance and could be on a limited supply of therapy benefits. They could also be so behind in their development just because the assistant was uncomfortable with the tube. This demonstrates justice as it will benefit the child to get the treatment

As with many art historical terms, “Gothic” came to be applied to a certain architectural style after the fact. The style represented huge steps away from the previous and relatively boring building systems that had prevailed. The Goth’s grew out of the Romanesque architectural style, when both prosperity and relative peace allowed for multiple centuries of cultural development and great building schemes. From roughly 1000 to 1400, several significant cathedrals and churches were built in Britain and France, offering architects and masons a chance to work out ever more complex and daring stunning

The Romanesque style transformed into the Gothic style during the Middle Ages. This happened for many reasons. The Romanesque period was a time of trial and error while the Gothic period was a time of advancements in inventions. Religion was an important factor in the shift between Romanesque and Gothic. The locations of the two types of cathedrals also contributed toward the change between Romanesque and Gothic, as well as the power of the relics and the community to raise funds for the Gothic cathedrals. There are several reasons the architecture of the cathedral changed from Romanesque to Gothic in the Middle Ages.

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

The Romanesque and Gothic architecture period both occurred during the Middle Ages with the Gothic period taking place during the later half. Gothic and Romanesque architecture were related in many ways, but they also contrasted in style too. Over time, masons began to test the waters and push the limits. They thought of new ways to add lighting and ways to allow more height to the building without it being to heavy and weak. Many of the reasons for the change in styles had a lot to do with society and the changes it faced. There was a greater intensity occurring in piety and literature. The Gothic style embodied this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure

Gothic art flourished from the 12th century to the 16th century in Europe in response of the Byzantine and Romanesque tradition. Although Gothic is associated with arts, its most prominent use is in architecture, mainly for its pointed arch and flying buttress. To this day, the Gothic style is taken as a ‘label’ for visual arts such as concept art designs, yet the meaning stray from the original context, thus becoming rarely accurate.

Throughout history American poems have been analyzed for what they truly mean. Many people use their analysis to show others or find out for themselves what a poem means. There are even writers who's only job is to completely analyze a poem down to every single word. Sometimes an analysis can even help someone else write a poem. There are a lot of different genres of poems including: allegory; epic; fable; satire; tragedy; etc. However, sometimes poems of two genres can mash together. Meaning a poem could be tragic but also epic such as a poem written about a magical dragon who's mother dies. And two poems may be more alike or different than first thought. A great example of this happening is within the poems Pied Beauty by Gerard Manley Hopkins and Design by Robert Frost.

Much of the architecture in the Romanesque era evolved into Gothic architecture. The Gothic era ran from the 12th century into the 16th century. There wasn’t necessarily a clean break from Romanesque to Gothic styles of architecture, but rather a gradual shift in design. The main characteristics of Gothic architecture are the pointed ribbed vaults and arches, flying buttresses and, in place of solid walls, a cluster of columns. Due to the vertical emphasis of the design, the archways could be redesigned and stretched or pointed. Four main Figure 5 – The depressed arch supported by fan vaulting at King’s College Chapel, England.

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

Fire is viewed as destruction by many, but it helped to produce growth in Gothic architecture. Many of Christianity’s beliefs are reflected in different aspects of art. The stained glass and verticality of Gothic churches is a key change from Romanesque style churches. The Gothic church found creative ways to illustrate images of important events in history through tapestry. Even the general shape and design of the Romanesque churches versus Gothic churches show Christians values. The sculptures outside of churches have evolved over time to correspond with Christian’s beliefs of Homo faber. The change in design of Romanesque churches to the new architecture of Gothic style churches shows how Christian’s incorporated their religion into churches. Christianity’s beliefs and values are directly reflected through the changes of architecture and style from Romanesque to Gothic churches along with visual and literary art.

It was during the Middle Ages (300-1000 AD), that various distinctive forms of art began to emerge in western Europe. A variety of significant mosaics, buildings and other forms of art came from this time that continue to be analyzed in the present. In the book Early Medieval Art, Lawrence Nees successfully provides an intricate interpretation of these various art forms that developed in this time in history while allowing the reader to conceptualize the emerging cultures of the first millennium in Europe. Nees is able to do this by outlining key aspects of the studied works of art that symbolize how life was at this point in history. At the beginning of his book, it is apparent that Nees seeks to provide a less traditional view on art at this time when he states, “I offer a different story of early medieval art in place of the more traditional tale of the decline of Rome and triumph of Christianity”. Nees’ thesis is subsequently inexplicitly stated to analyze the role of tradition in early medieval western art and its transformation as time progressed. By following a non-conventional thesis when writing this book, Nees is able to contribute a new perspective into the overall topic of medieval art.

While constructing both of these cathedrals there were sculptures created that represented narratives of theology and mysticism. Both were created for a place of worship that’s why sculptures and paintings of religious images were added. This showed a great respect for the belief in Christ and the surrounding believers.

As a brief introduction to Gothic, the label ‘Gothic’ was coined in Italy. It was during Renaissance, “as a derogatory reference to the art and architecture of these earlier centuries” (Introduction:

This remarkable improvement in methods indicates the fresh importation of skills from the East and this applies not merely to England but to all Western Europe at that time (“The Flowering” 88). Into three main phases the development of architecture through the period may be divided. The elements of Gothic style and their gradual elaboration over a period of rather more than a century came first at the opening of the 12th century. After the year 1000 there was a fully coordinated Gothic art particularly marked by the invention of windows with baltracy, Jean d’ Orbais probably used it first at Rheims cathedral during the generation following 1211, why the east end was begun. A century followed with classic poise in which an international architecture reached its peak and produce perfect forms of castle and palace, cathedrals enriched with painting patterned tiles, figure sculpture and stained glass (“The Flowering” 92).