Gothic Church Description

From the outside of the cathedral, I could see the scaffolding since it was going under construction. Even though the cathedral is beautiful on the inside, the outside does not do it justice. Approaching the cathedral, it is

Otto von Simson, The Gothic cathedral: origins of Gothic architecture and the medieval concept of order (New York: Pantheon Books, 1956), 21-39.

The shift brought the transformation of thick columns to much thinner and “lighter” columns (Blankenbehler). However, before this architectural movement can begin, Abbot Suger struggled to reconstruct and synthesize the style of the ancient building with his ideas of modern designs. He knew that the freshness of these new designs would bring beauty and spaciousness. He wanted people to be amazed at the transformation of the once small, but soon to be large and wide feel of the basilica. To create the wide feel, Abbot Suger issued the ceiling to have a complicated web of interlocked and pointed vaults. He also chose to have arches with points so that the basilica would not need thick walls to support the arch. Thick walls would make the interior look crowded and small, something Suger did not want. By having the pointed arches, those would take the weight of the ceiling and distribute the weight across rather than being pulled down. This allowed for thin and elegant looking columns, for they were able to support the ceiling because the weight of it was dispersed. He envisioned the structure to have high ceilings, which would be supported with thinner columns (Birth of the Gothic: Abbot Suger and the Ambulatory at St. Denis). Suger also brought in the idea of having tall towers so that the building would look like it was reaching for the heavens. By reaching the heavens, it brought this concept of being closer to God and reassuring the people’s

As legend has it, the builders of St. Basil’s Cathedral were blinded by the command of Ivan the Terrible, so they could never create a building greater. There is still the question if St. Basil’s is actually the most beautiful cathedral made in its time. Comparing it to the beautiful Pisa Cathedral and Assumption Cathedral, which were made around the same time, one could find it hard to decide which is the most artistic. Looking at the materials, art, and icons of cathedrals are ways to gauge how beautiful the building is. St. Basil’s Cathedral was the most beautiful cathedral made in its time.

From the very first moment when entering the cathedral one is likely to be struck by the silence dominating the massive interior. In spite of the somewhat annoying number of curious tourists (others probably saw my curiosity just as annoying as the noise), the church manages to maintain its quiet and peaceful nature. This is truly remarkable, taking into account that it is constantly filled with tourists through visiting hours.

The outside of the church is very humble in appearance. It doesn’t look like a place of worship at all from the outside, but the statue of Shinran Shonin in the front makes the building seem particularly important as you pass by. As we ascended the stairs, there was a small garden of flowers surrounding the Shinran Statue, which survived the atomic bombing of Hiroshima. There was a hand painted sign that said “Autumn Festival” hanging from the front fence. The foundation of the church is slightly elevated as well.

The New Cathedral is a prime example of Gothic architecture. Much of the cathedral is covered

The edifice in itself was rather imposing. It was a large construction similar to European cathedrals. From the point of view of the religious feeling, I considered it to be more appropriate than catholic churches that resemble more to museums and are extraordinary in their art. Usually in catholic churches the edifice is impressive in its shape and construction and the first thought is to associate it to a pierce of art rather than a place of prayer. By comparison, this Orthodox Church was not that lavishing in details or artistic nature and the outside paintings set a religious feeling as I entered. A cemetery or a place for holy burials such as the former priests that served at the Church surrounded this church. This is not mandatory to happen but most of the times, Orthodox churches have in the vicinity the cemetery.

While constructing both of these cathedrals there were sculptures created that represented narratives of theology and mysticism. Both were created for a place of worship that’s why sculptures and paintings of religious images were added. This showed a great respect for the belief in Christ and the surrounding believers.

The buildings had barrel vaults columns and windows and doors with rounded arches. The buildings were solid and heavy with small windows which made the insides very dimly lit. This lack of light is apparent in the film as a way to describe the general mindset and lifestyle of monastic life in the Middle Ages. Romanesque architecture is known for its large internal spaces. Annaud uses these Middle Age details in his construction of the set. As Professor Russell describes in the Medieval Culture lecture the different rooms of the monastery contained the cloister which connected the dormitory, refectory, scriptorium, kitchen, cellar, and herbal garden. The small windows, arched doorways and the non-human void of expressivity capitals and sculptures were all true to the times. Annaud constructed this Romanesque church set built specifically to shoot majority of the film. The attention and detail that he put into making sure that the backdrop provided a true and accurate account for how religious architecture was in the Middle Ages furthered the success of the film.

St. Peter Claver was a humble looking church, without the towering spires or detailed architecture that some churches possess in order to fill you with worshipful awe. In fact, it would have been almost unrecognizable as a church if it were not for the relatively small silver cross that hung above the door, not even raised above the line of the roof. Walking into the church did not change the sense of humility that the outside professed. Dark wood lined the walls and floor, and made up the pews. It felt almost like stepping into a cabin that had been built in the 1970’s. Along the walls there were small portrait sized depictions of the fourteen stations of the cross. Unlike St. Agnes’s eye catching and baroque decorations, St. Peter Claver’s artwork almost blended into the background, and was not immediately visible. It appeared that the artwork mirrored the nature of the building itself, almost as if the church wanted to dispense with frivolity and maintain its focus on the practice of its faith.

If you were to stroll into a Gothic cathedral in the Middle Ages, you would be overtaken by the towering walls lined with colonnades on either side, pointed arches and ribbed groined vaults adorning the high ceilings, and an array of stained glass windows illuminating the space above and around you. Panes that depict scenes from the Bible allow for bright streams of light to burst through the tall windows above, bathing the interior with flecks of fiery reds, brilliant yellows, and deep blues.

The clerestory had only small windows to let a decent amount of light in. The exteriors of the cathedrals were plain, had very little decoration, and were extremely solid-looking. Cathedral plans were often regular and symmetrical, making the Romanesque cathedral form known for its simplicity. They were often built in the general shape of a cross, relying on the basilica as a design base. As for the sculptural decoration, Romanesque architects utilized thin, elongated, and abstract figures.

Known for its pointed arches, flying buttresses, and detailed tracery, Gothic architecture emerged in 12th-century northern France, and the style continued into the 16th century . Gothic architecture was called, Opus Francigenum ("French work"), during the time. The term Gothic, first appearing during the late part of the Renaissance period. Gothic Architecture is wonderful on its own, how detailed, and ornate a concrete building can be finished with colorful stained-glass windows. The famous architects helped to create these building masterpieces of the century, and that became popular in other countries around the world, and still today. One of the towering achievements in the world architecture, the unique product of an era of peace, and widespread economic prosperity, deep spiritually, and extraordinary technological innovations.

This mountainous structure is seen from about every point of Paris and beyond. From the front, you can see two towers jutting out of an ordinary street. The Cathedral also features large stained glass windows, that are one of the most beautiful features of the structures. From the side, you can see the long body of the Cathedral and the spire sticking out of the top. It is somewhat overwhelming being within feet of the structure, because of the immense height and width of the church. Looking at the back, one can clearly see the dome-like structures attaching to the organ room. From the outside, you can clearly see the sculptures depicting the scenes from the Catholic religion. The cathedral is gigantic, but it is easy to process all the sections because of the distinct styles of architecture. From an